The Triumph of Death (Palermo)
Encyclopedia
The Triumph of Death is a fresco in the Regional Gallery of Palazzo Abatellis
Palazzo Abatellis
Palazzo Abatellis is a palace in Palermo, Sicily, southern Italy, located in the Kalsa quarter. It is home to the Galleria Regionale della Sicilia .-History:...

 in Palermo
Palermo
Palermo is a city in Southern Italy, the capital of both the autonomous region of Sicily and the Province of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old...

, southern Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

. It is considered one of the most representative works of the late Gothic painting in Italy. The author of the work, which is dated around 1446, is unknown.

History

The work comes from the court of Palazzo Sclafani, also in Palermo. Due to its highly refined style, it is thought to have been commissioned directly by the Aragonese
House of Aragon
The House of Aragon is the name given several royal houses that ruled the County, the Kingdom or the Crown of Aragon.Some historiansGuillermo Fatás y Guillermo Redondo, Alberto Montaner Frutos, Faustino Menéndez Pidal de Navascués...

 Kings of Naples
Kingdom of Sicily
The Kingdom of Sicily was a state that existed in the south of Italy from its founding by Roger II in 1130 until 1816. It was a successor state of the County of Sicily, which had been founded in 1071 during the Norman conquest of southern Italy...

, probably to a Catalan or Provençal artist. The theme of the "Triumph of Death" was already widespread in Europe during the 14th century, but here is represented with a particular stress on macabre and grotesque themes characterized by a cruel appearance, all features rare in Italy. Names proposed for the author include Guillaume Spicre from Bourgogne
Bourgogne
Burgundy is one of the 27 regions of France.The name comes from the Burgundians, an ancient Germanic people who settled in the area in early Middle-age. The region of Burgundy is both larger than the old Duchy of Burgundy and smaller than the area ruled by the Dukes of Burgundy, from the modern...

.

The fresco was stripped and divided into four parts to be housed in the Regional Gallery, where it is now located. Despite at the time of the removal the work was in good conditions, gradually during the 20th century the painted surface has detached near the points of division, compromising the integrity of the scene.

Description

The fresco is composed as a large miniature, where in a luxurious garden surrounded by a hedge, Death enters riding a skinny horse. It is portrayed while launching deadly arrows against characters belonging to all the social levels, killing them. The horse occupies the centre of the scene, with its ribs well visible and a scrawny head showing teeth and the tongue. The Death has just released an arrow, which has hit a young man in the lower right corner; she is keeping on a side the scythe, her typical attribute.

On the lower part are the corpses of the people previously killed: emperors, popes, bishops, friars (both Franciscan
Franciscan
Most Franciscans are members of Roman Catholic religious orders founded by Saint Francis of Assisi. Besides Roman Catholic communities, there are also Old Catholic, Anglican, Lutheran, ecumenical and Non-denominational Franciscan communities....

s and Dominicans), poets, knights and maidens. Each character is portrayed differently: some have still a grimace of pain on the face, other are serene, other have their limbs abandoned on the ground, other kneeling down after having been just struck by an arrow. On the left is the group of the poor people, invoking the Death to stop their sufferings but being ignoring. Among them, the figure looking towards the observer has been proposed as a possible self-portrait of the artist.

On the right is the group of the nobles, shown as having no interest for the events, and most of them continuing their activities. They include several musicians, richly dressed noblewomen and knights with fur clothes, as symbols of life and youth. A man is keeping a hawk on his arm, and another is leading two hounds.
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