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The Lady of Shalott (painting)
Encyclopedia
The Lady of Shalott is an 1888 oil-on-canvas painting by the English Pre-Raphaelite
painter John William Waterhouse
. The work is a representation of a scene from Lord Alfred Tennyson
's 1832 poem of the same name
, in which the poet describes the plight of a young woman (loosely based on Elaine of Astolat
, who yearned with an unrequited love for the knight Sir Lancelot) isolated under an undisclosed curse in a tower near King Arthur
's Camelot
. Waterhouse painted three different versions of this character, in 1888, 1894 and 1916.
According to legend, the Lady of Shalott was forbidden to look directly at reality or the outside world; instead she was doomed to view the world through a mirror, and weave what she saw into tapestry. Her despair was heightened when she saw loving couples entwined in the far distance, and she spent her days and nights aching for a return to normality. One day the Lady saw Sir Lancelot passing on his way in the reflection of the mirror, and dared to look out at Camelot, bringing about a curse. The lady escaped by boat during an autumn storm, inscribing 'The Lady of Shalott' on the prow. As she sailed towards Camelot and certain death, she sang a lament. Her frozen body was found shortly afterwards by the knights and ladies of Camelot, one of whom is Lancelot, who prayed to God to have mercy on her soul. The tapestry she wove during her imprisonment was found draped over the side of the boat.
From part IV of Tennyson's poem:
Tennyson's verse was popular with many of the Pre-Raphaelite poets and painters, and was illustrated by such artists as Dante Gabriel Rossetti
, William Maw Egley
, and William Holman Hunt
. Throughout his career, Waterhouse was preoccupied with the poetry of both Tennyson and John Keats
, and between 1886 and 1894 he painted three episodes from the former's epic.
Although the painting is typically Pre-Raphaelite in composition and tone, its central framing, as well as the linear echoes between the leaves of the overhanging trees and the hair and creases of the lady's dress and tapestry, betray formal and spatial elements borrowed from the earlier Neo-Classical
style. It is typically Pre-Raphaelite in that it illustrates a vulnerable and doomed woman and is bathed in natural early-evening light. The lady is portrayed staring away from the crucifix, which sits beside three candles. During the late nineteenth century, candles were often used to symbolise life: In this image, two have blown out.
The Lady of Shalott was donated to the public by Sir Henry Tate in 1894.
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti...
painter John William Waterhouse
John William Waterhouse
John William Waterhouse was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heydey in the mid-nineteenth century, leading him to have gained the moniker of "the modern Pre-Raphaelite"...
. The work is a representation of a scene from Lord Alfred Tennyson
Alfred Tennyson, 1st Baron Tennyson
Alfred Tennyson, 1st Baron Tennyson, FRS was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language....
's 1832 poem of the same name
The Lady of Shalott
"The Lady of Shalott" is a Victorian ballad by the English poet Alfred, Lord Tennyson . Like his other early poems – "Sir Lancelot and Queen Guinevere" and "Galahad" – the poem recasts Arthurian subject matter loosely based on medieval sources.-Overview:Tennyson wrote two versions of the poem, one...
, in which the poet describes the plight of a young woman (loosely based on Elaine of Astolat
Elaine of Astolat
Elaine of Astolat or Ascolat is a figure in Arthurian legend who dies of her unrequited love for Lancelot. Also referred to as Elaine the White and Elaine the Fair, she is the daughter of Bernard of Astolat. Versions of her story appear in Thomas Malory's Le Morte d'Arthur and Alfred Tennyson's...
, who yearned with an unrequited love for the knight Sir Lancelot) isolated under an undisclosed curse in a tower near King Arthur
King Arthur
King Arthur is a legendary British leader of the late 5th and early 6th centuries, who, according to Medieval histories and romances, led the defence of Britain against Saxon invaders in the early 6th century. The details of Arthur's story are mainly composed of folklore and literary invention, and...
's Camelot
Camelot
Camelot is a castle and court associated with the legendary King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world...
. Waterhouse painted three different versions of this character, in 1888, 1894 and 1916.
According to legend, the Lady of Shalott was forbidden to look directly at reality or the outside world; instead she was doomed to view the world through a mirror, and weave what she saw into tapestry. Her despair was heightened when she saw loving couples entwined in the far distance, and she spent her days and nights aching for a return to normality. One day the Lady saw Sir Lancelot passing on his way in the reflection of the mirror, and dared to look out at Camelot, bringing about a curse. The lady escaped by boat during an autumn storm, inscribing 'The Lady of Shalott' on the prow. As she sailed towards Camelot and certain death, she sang a lament. Her frozen body was found shortly afterwards by the knights and ladies of Camelot, one of whom is Lancelot, who prayed to God to have mercy on her soul. The tapestry she wove during her imprisonment was found draped over the side of the boat.
From part IV of Tennyson's poem:
Tennyson's verse was popular with many of the Pre-Raphaelite poets and painters, and was illustrated by such artists as Dante Gabriel Rossetti
Dante Gabriel Rossetti
Dante Gabriel Rossetti was an English poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, and was later to be the main inspiration for a second generation of artists and writers influenced by the movement,...
, William Maw Egley
William Maw Egley
William Maw Egley was a British artist of the Victorian era. The son of the miniaturist William Egley, he studied under his father. His early works were illustrations of literary subjects typical of the period, such as Prospero and Miranda from The Tempest. These were similar to the work of The...
, and William Holman Hunt
William Holman Hunt
William Holman Hunt OM was an English painter, and one of the founders of the Pre-Raphaelite Brotherhood.-Biography:...
. Throughout his career, Waterhouse was preoccupied with the poetry of both Tennyson and John Keats
John Keats
John Keats was an English Romantic poet. Along with Lord Byron and Percy Bysshe Shelley, he was one of the key figures in the second generation of the Romantic movement, despite the fact that his work had been in publication for only four years before his death.Although his poems were not...
, and between 1886 and 1894 he painted three episodes from the former's epic.
Although the painting is typically Pre-Raphaelite in composition and tone, its central framing, as well as the linear echoes between the leaves of the overhanging trees and the hair and creases of the lady's dress and tapestry, betray formal and spatial elements borrowed from the earlier Neo-Classical
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
style. It is typically Pre-Raphaelite in that it illustrates a vulnerable and doomed woman and is bathed in natural early-evening light. The lady is portrayed staring away from the crucifix, which sits beside three candles. During the late nineteenth century, candles were often used to symbolise life: In this image, two have blown out.
The Lady of Shalott was donated to the public by Sir Henry Tate in 1894.
Sources
- Casteras, Susan. "The Victorians: British Painting, 1837-1901". Washington, D.C.: National Gallery of Art, 1997.