The Dead Man (short story)
Encyclopedia
"The Dead Man" is a short story by Argentinian writer Jorge Luis Borges
Jorge Luis Borges
Jorge Francisco Isidoro Luis Borges Acevedo , known as Jorge Luis Borges , was an Argentine writer, essayist, poet and translator born in Buenos Aires. In 1914 his family moved to Switzerland where he attended school, receiving his baccalauréat from the Collège de Genève in 1918. The family...

. It was first published on the magazine Sur (#145) in November 1946.

Plot summary

The story deals with the life of a young compadrito from Buenos Aires, Benjamín Otálora, who has killed a man and must leave the country. He heads for Uruguay with a letter of introduction for Azevedo Bandeira, a local caudillo. While searching for this Bandeira, he participates in a knife-fight and blocks a lethal blow intended for the man he discovers later to be Bandeira himself. Having earned Bandeira's trust and gratitude, Otálora joins his band of gaucho
Gaucho
Gaucho is a term commonly used to describe residents of the South American pampas, chacos, or Patagonian grasslands, found principally in parts of Argentina, Uruguay, Southern Chile, and Southern Brazil...

smugglers. Little by little, Otálora becomes more greedy and ambitious, taking more risks, making more decisions, and befriending Bandeira's body guard, Ulpiano Suárez, to whom he reveals his secret plan to take Bandeira's place as leader of the group. The plan is the result of his desire to possess Bandeira's most important symbols of power: his horse, his saddle, and his woman with the bright red hair. One day, after a skirmish with a rival band of Brazilians, Otálora is wounded and on that day, he rides Bandeira's horse back to the ranch, spills blood on the saddle, and sleeps with the woman. The end of the story occurs on New Year's Eve in 1894 when, after a day of feasting and drinking, at the stroke of Midnight, Bandeira summons his mistress and brutally forces her to kiss Otálora in front of all the men. As Suárez aims his pistol, Otálora realizes before he dies that he had been set up from the very beginning and that he had been permitted the pleasure of power and triumph because in the end, to Bandeira, he never was anything more than a soon-to-be dead man.
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