The Body of the Dead Christ in the Tomb
Encyclopedia
The Body of the Dead Christ in the Tomb is an oil and tempera
on limewood painting created by the German artist and printmaker Hans Holbein the Younger
between 1520–22. The work shows a life-size, grotesque
depiction of the stretched and unnaturally thin body of Jesus Christ lying in his tomb. Holbein shows the dead Son of God after he has suffered the fate of an ordinary human.
The painting is especially notable for its dramatic dimensions (30.5 cm x 200 cm), and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistic dead flesh in the early stages of putrefaction
. His body is shown as long and emaciated
while eyes and mouth are streached open. The effect of the open eyes and mouth has been described by the art critic Michel Onfray as giving the impression that "the viewer sees Christ seeing: he might also perceive what death has in store, because he's staring at the heavens, while his soul is probably there already. No-one has taken the trouble to close his mouth and his eyes. Or else Holbein wants to tell us that, even in death, Christ still looks and speaks."
Christ is shown with three visible wounds, on his hand, side and foot. Remarking on the artists' use of unflinching realism, Batschmann and Griener noted that Christ's raised, extended middle finger appears to "reach towards the beholder", while his strands of hair "look as if they are breaking through the surface of the painting". Above the body, angels holding instruments of the Passion
bear an inscription in brush on paper inscribed with the Latin words "IESVS·NAZARENVS·REX·IVDÆORVM" (Jesus
of Nazareth
, King of the Jews).
In common with many artists of the early Protestant Reformation
, Holbein was fascinated with the macabre
. His father, Hans Holbein the Elder
, took him to see Matthias Grünewald
's altarpiece
in Isenheim, a city in which the elder also received a number of commissions from the hospice
there. In common with the religious traditions of the 1520's the work was intended to evoke piety
, and follows the intentions of Grünewald, who in his altarpiece set out to instill feelings of both guilt and empathy in the viewer.
It is unknown for what purpose the painting was created; various suggestions offered include as a predella
for an altarpiece
, as free-standing work or an ornament for a sepulchre
. In 1999, The art historians Oskar Batschmann and Pascal Griener raised the likelihood that the panel was intended to form part of a Holy Tomb
, perhaps, they wrote, as a lid to be laid over a sepulchre. It is known that Holbein used a body fished out of the Rhine as a model for the work
The panel has attracted fascination and praise since it was created. The Russian author Fyodor Dostoyevsky was captivated by the work. In 1867, his wife had to drag her husband away from the panel lest its grip on him induce an epileptic fit. In his 1869 novel The Idiot
, the character Prince Myshkin, having viewing the painting in the home of Rogozhin, declares that it has the power to make the viewer lose his faith.
Tempera
Tempera, also known as egg tempera, is a permanent fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium . Tempera also refers to the paintings done in this medium. Tempera paintings are very long lasting, and examples from the 1st centuries AD still exist...
on limewood painting created by the German artist and printmaker Hans Holbein the Younger
Hans Holbein the Younger
Hans Holbein the Younger was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history...
between 1520–22. The work shows a life-size, grotesque
Grotesque
The word grotesque comes from the same Latin root as "Grotto", meaning a small cave or hollow. The original meaning was restricted to an extravagant style of Ancient Roman decorative art rediscovered and then copied in Rome at the end of the 15th century...
depiction of the stretched and unnaturally thin body of Jesus Christ lying in his tomb. Holbein shows the dead Son of God after he has suffered the fate of an ordinary human.
The painting is especially notable for its dramatic dimensions (30.5 cm x 200 cm), and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistic dead flesh in the early stages of putrefaction
Decomposition
Decomposition is the process by which organic material is broken down into simpler forms of matter. The process is essential for recycling the finite matter that occupies physical space in the biome. Bodies of living organisms begin to decompose shortly after death...
. His body is shown as long and emaciated
Emaciation
Emaciation occurs when an organism loses substantial amounts of much needed fat and often muscle tissue, making that organism look extremely thin. The cause of emaciation is a lack of nutrients, starvation, or disease....
while eyes and mouth are streached open. The effect of the open eyes and mouth has been described by the art critic Michel Onfray as giving the impression that "the viewer sees Christ seeing: he might also perceive what death has in store, because he's staring at the heavens, while his soul is probably there already. No-one has taken the trouble to close his mouth and his eyes. Or else Holbein wants to tell us that, even in death, Christ still looks and speaks."
Christ is shown with three visible wounds, on his hand, side and foot. Remarking on the artists' use of unflinching realism, Batschmann and Griener noted that Christ's raised, extended middle finger appears to "reach towards the beholder", while his strands of hair "look as if they are breaking through the surface of the painting". Above the body, angels holding instruments of the Passion
Passion (Christianity)
The Passion is the Christian theological term used for the events and suffering – physical, spiritual, and mental – of Jesus in the hours before and including his trial and execution by crucifixion...
bear an inscription in brush on paper inscribed with the Latin words "IESVS·NAZARENVS·REX·IVDÆORVM" (Jesus
Jesus
Jesus of Nazareth , commonly referred to as Jesus Christ or simply as Jesus or Christ, is the central figure of Christianity...
of Nazareth
Nazarene (title)
Nazarene is a title applied to Jesus , who grew up in Nazareth, a town in Galilee, now in northern Israel. The word is used to translate two related words that appear in the Greek New Testament: the adjective Nazarēnos and the Nazōraios...
, King of the Jews).
In common with many artists of the early Protestant Reformation
Protestant Reformation
The Protestant Reformation was a 16th-century split within Western Christianity initiated by Martin Luther, John Calvin and other early Protestants. The efforts of the self-described "reformers", who objected to the doctrines, rituals and ecclesiastical structure of the Roman Catholic Church, led...
, Holbein was fascinated with the macabre
Macabre
In works of art, macabre is the quality of having a grim or ghastly atmosphere. Macabre works emphasize the details and symbols of death....
. His father, Hans Holbein the Elder
Hans Holbein the Elder
Hans Holbein was a German painter.He was born in Augsburg, Bavaria and died in Isenheim, Alsace. He and his brother Sigismund Holbein painted religious works in the late Gothic style...
, took him to see Matthias Grünewald
Matthias Grünewald
Matthias Grünewald or "Mathis" , "Gothart" or "Neithardt" , , was a German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century.Only ten paintings—several consisting...
's altarpiece
Isenheim Altarpiece
The Isenheim Altarpiece is an altarpiece painted by the German artist Matthias Grünewald in 1506-1515. It is on display at the Unterlinden Museum at Colmar, Alsace, now in France....
in Isenheim, a city in which the elder also received a number of commissions from the hospice
Hospice
Hospice is a type of care and a philosophy of care which focuses on the palliation of a terminally ill patient's symptoms.In the United States and Canada:*Gentiva Health Services, national provider of hospice and home health services...
there. In common with the religious traditions of the 1520's the work was intended to evoke piety
Piety
In spiritual terminology, piety is a virtue that can mean religious devotion, spirituality, or a combination of both. A common element in most conceptions of piety is humility.- Etymology :...
, and follows the intentions of Grünewald, who in his altarpiece set out to instill feelings of both guilt and empathy in the viewer.
It is unknown for what purpose the painting was created; various suggestions offered include as a predella
Predella
A predella is the platform or step on which an altar stands . In painting, the predella is the painting or sculpture along the frame at the bottom of an altarpiece...
for an altarpiece
Altarpiece
An altarpiece is a picture or relief representing a religious subject and suspended in a frame behind the altar of a church. The altarpiece is often made up of two or more separate panels created using a technique known as panel painting. It is then called a diptych, triptych or polyptych for two,...
, as free-standing work or an ornament for a sepulchre
Sepulchre
The rock-cut tombs in ancient Israel are a group of hundreds of rock-cut tombs constructed in Israel in ancient times. They were cut into the rock, sometimes with elaborate facades and multiple burial chambers. Some are free-standing, but most are caves. Each tomb typically belonged to a...
. In 1999, The art historians Oskar Batschmann and Pascal Griener raised the likelihood that the panel was intended to form part of a Holy Tomb
Funerary art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. Tomb is a general term for the repository, while grave goods are objects—other than the primary human remains—which have been placed inside...
, perhaps, they wrote, as a lid to be laid over a sepulchre. It is known that Holbein used a body fished out of the Rhine as a model for the work
The panel has attracted fascination and praise since it was created. The Russian author Fyodor Dostoyevsky was captivated by the work. In 1867, his wife had to drag her husband away from the panel lest its grip on him induce an epileptic fit. In his 1869 novel The Idiot
The Idiot (novel)
The Idiot is a novel written by 19th century Russian author Fyodor Dostoyevsky. It was first published serially in The Russian Messenger between 1868 and 1869. The Idiot is ranked beside some of Dostoyevsky's other works as one of the most brilliant literary achievements of the "Golden Age" of...
, the character Prince Myshkin, having viewing the painting in the home of Rogozhin, declares that it has the power to make the viewer lose his faith.
Sources
- Batschmann, Oskar & Griener, Pascal. Hans Holbein. Reaktion Books, 1999. ISBN 1-8618-9040-0
- Myers, Jeffery. Holbein and the Idiot. Stoichita, 1975.