Tanburi Büyük Osman Bey
Encyclopedia
Tanburi Büyük Osman Bey was an Ottoman
composer
and tanbur
player. He is considered one of the most outstanding peşrev
compositors in Ottoman classical music
.
district of Istanbul
. Most of the information we have on him originates from an oral tradition amongst his pupils and the pupils of those who knew him. His father, Zeki Mehmed Ağa as well has his grandfather Tanburi Numan Ağa were musicians of renown. At the age of eight, he was accepted to the Imperial School of Enderun
, where he began his education among the foregoing masters of Turkish classical music, from whom he required a firm theoretical basis. His acquaintance with the tanbur
also dates back to those years.
As his father Zeki Mehmed Ağa is said to have refused to pass on to his son his knowledge of the tanbur, most of the work must have come to be incumbent on Osman Bey himself. He is also said to have participated in fasıl
s with prominent vocal musicians of his time such as Rifat Bey and Haşim Bey, improving mostly his vocal technique. With the death of his father, he gave up singing and concentrated solely on his instrument and took part in "incesaz fasılları" performed at the court of Sultan Abdülaziz Han
. He is said to have made most of his compositions at this period. As he was enthusiastic about Mevlana Djelaleddin Rumi, he frequented many mevlevi
hanes, especially the Kulekapısı Mevlevihanesi on Fridays.
He is also said to have had an obsessive temperament, known for attempting to beat a kanuni who played a false note while playing the transition to the final part of his uşşak peşrev
i.
In 1885, he succumbed to a pulmonary disorder from which he had been suffering for a long time, and is now buried in the cemetery of the Yahya Efendi Dergâhı in Istanbul
. He had three sons and a daughter.
s which make up an important part of the current repertoire. His style displays a certain minimalism, avoiding rapid changes from one uslub to the other, thus lightening the peşrev
form and conferring it a balanced structure. Most of his peşrevs use devr-i kebir as their rhythmical basis and are easily distinguishable from the earlier works of his precedents. The only former peşrev
composer he is said to have cherished is Gazi Giray Han, of whose "Hüzzam Peşrevi" he had much appreciation (he designated the work as "sehl-i mümtenî", meaning "a simple work done with great skill", a "piece of jewel"). After having refused for a long time to compose a peşrev
in this maqam
(hüzzam) for the musical rites of the Mevlevi order, he finally composed the famous hüzzam peşrevi on the instigation of the sheikh of the Galata Mevlevi Monastery Atâullah Efendi. This piece is still widely heard during Mevlevi
rites.
He has bequeathed the following compositions:
Ottoman Empire
The Ottoman EmpireIt was usually referred to as the "Ottoman Empire", the "Turkish Empire", the "Ottoman Caliphate" or more commonly "Turkey" by its contemporaries...
composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
and tanbur
Tanbur (Turkish)
The Tambur is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. Like the ney, the armudi kemençe and the kudüm, it constitutes one of the four instruments of the basic quartet of Turkish classical music aka Sanat Musiği...
player. He is considered one of the most outstanding peşrev
Pesrev
Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl...
compositors in Ottoman classical music
Ottoman classical music
Ottoman classical music developed in Istanbul and major Ottoman towns from Skopje to Cairo, from Tabriz to Morocco through the palace, mosques, and sufi lodges of the Ottoman Empire. Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble...
.
Life
Tanburi Büyük Osman Bey was born in 1816 in the TophaneTophane
Tophane is a neighborhood in the Beyoğlu district of Istanbul, Turkey. It has a coastline with the Bosporus. In the Ottoman era it was the city's oldest industrial zone.- History :...
district of Istanbul
Istanbul
Istanbul , historically known as Byzantium and Constantinople , is the largest city of Turkey. Istanbul metropolitan province had 13.26 million people living in it as of December, 2010, which is 18% of Turkey's population and the 3rd largest metropolitan area in Europe after London and...
. Most of the information we have on him originates from an oral tradition amongst his pupils and the pupils of those who knew him. His father, Zeki Mehmed Ağa as well has his grandfather Tanburi Numan Ağa were musicians of renown. At the age of eight, he was accepted to the Imperial School of Enderun
Enderun School
Enderun School which meant "inner most" was a free-boarding school for the Christian Millet of the Ottoman Empire, which recruited students via Devshirme - an enculturation system of the Christian youngsters for learning the characteristics of the Islamic society and the unique culture of the...
, where he began his education among the foregoing masters of Turkish classical music, from whom he required a firm theoretical basis. His acquaintance with the tanbur
Tanbur (Turkish)
The Tambur is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. Like the ney, the armudi kemençe and the kudüm, it constitutes one of the four instruments of the basic quartet of Turkish classical music aka Sanat Musiği...
also dates back to those years.
As his father Zeki Mehmed Ağa is said to have refused to pass on to his son his knowledge of the tanbur, most of the work must have come to be incumbent on Osman Bey himself. He is also said to have participated in fasıl
Fasil
The fasıl is a suite in Ottoman classical music. It is similar to the Arabic nawba and waslah.A classical fasıl generally includes movements such as taksim, peşrev, kâr, beste, ağır semâ'î, yürük semâ'î, gazel, şarkı and saz semâ'î, played continuously without interludes and interconnected through...
s with prominent vocal musicians of his time such as Rifat Bey and Haşim Bey, improving mostly his vocal technique. With the death of his father, he gave up singing and concentrated solely on his instrument and took part in "incesaz fasılları" performed at the court of Sultan Abdülaziz Han
Abdülâziz
Abdülaziz I or Abd Al-Aziz, His Imperial Majesty was the 32nd Sultan of the Ottoman Empire and reigned between 25 June 1861 and 30 May 1876...
. He is said to have made most of his compositions at this period. As he was enthusiastic about Mevlana Djelaleddin Rumi, he frequented many mevlevi
Mevlevi
The Mevlevi Order, or the Mevlevilik or Mevleviye are a Sufi order founded in Konya by the followers of Jalal ad-Din Muhammad Balkhi-Rumi, a 13th century Persian poet, Islamic jurist, and theologian. They are also known as the Whirling Dervishes due to their famous practice of whirling as a form...
hanes, especially the Kulekapısı Mevlevihanesi on Fridays.
He is also said to have had an obsessive temperament, known for attempting to beat a kanuni who played a false note while playing the transition to the final part of his uşşak peşrev
Pesrev
Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl...
i.
In 1885, he succumbed to a pulmonary disorder from which he had been suffering for a long time, and is now buried in the cemetery of the Yahya Efendi Dergâhı in Istanbul
Istanbul
Istanbul , historically known as Byzantium and Constantinople , is the largest city of Turkey. Istanbul metropolitan province had 13.26 million people living in it as of December, 2010, which is 18% of Turkey's population and the 3rd largest metropolitan area in Europe after London and...
. He had three sons and a daughter.
Compositions
As a composer, he excelled mostly in peşrevPesrev
Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl...
s which make up an important part of the current repertoire. His style displays a certain minimalism, avoiding rapid changes from one uslub to the other, thus lightening the peşrev
Pesrev
Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl...
form and conferring it a balanced structure. Most of his peşrevs use devr-i kebir as their rhythmical basis and are easily distinguishable from the earlier works of his precedents. The only former peşrev
Pesrev
Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl...
composer he is said to have cherished is Gazi Giray Han, of whose "Hüzzam Peşrevi" he had much appreciation (he designated the work as "sehl-i mümtenî", meaning "a simple work done with great skill", a "piece of jewel"). After having refused for a long time to compose a peşrev
Pesrev
Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl...
in this maqam
Maqam
- Musical structures :* Arabic maqam, melodic modes* Mugam genre of Azeri-speaking cultures* Maqam al-iraqi genre of Iraq* Weekly Maqam prayer services of Sephardic Jewish culture* Makam, melody types of Turkey* Muqam, melody type of Uyghur culture...
(hüzzam) for the musical rites of the Mevlevi order, he finally composed the famous hüzzam peşrevi on the instigation of the sheikh of the Galata Mevlevi Monastery Atâullah Efendi. This piece is still widely heard during Mevlevi
Mevlevi
The Mevlevi Order, or the Mevlevilik or Mevleviye are a Sufi order founded in Konya by the followers of Jalal ad-Din Muhammad Balkhi-Rumi, a 13th century Persian poet, Islamic jurist, and theologian. They are also known as the Whirling Dervishes due to their famous practice of whirling as a form...
rites.
He has bequeathed the following compositions:
| Name | Maqam Maqam - Musical structures :* Arabic maqam, melodic modes* Mugam genre of Azeri-speaking cultures* Maqam al-iraqi genre of Iraq* Weekly Maqam prayer services of Sephardic Jewish culture* Makam, melody types of Turkey* Muqam, melody type of Uyghur culture... |
Form | Usul |
|---|---|---|---|
| Bilmem nedir ey gülizar | Acembuselik | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Aşkın ile ey nevcivan | Acemkürdi | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Düyek (8/8) |
| Gönül meyleyledi bir mehcemale | Bayatiaraban | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Ağır aksak (9/4) |
| Getir saki badeyi mayei candır | Hicazkâr | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Düyek (8/8) |
| Gül yüzünü seyredip can ile sevdim seni | Hicazkâr | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Curcuna (10/16) |
| Şahenşehi şevketmeab | Hisarbuselik | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Aşıkına peyvestesin | Hüzzam | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Derunumda var türlü hicran | Mahur Mahur Mahur or Mahurgad is a religious place in Maharashtra, India. Mahur is said to be the birth place of Hindu Goddess Renuka, mother of Lord Parshuram. The three and half Shakti Peethas of Maharashtra are Tuljapur enshrining Bhavani, Kolhapur enshrining Mahalakshmi, Mahur enshrining Mahamaya, and... |
Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Firkatin kâr etti cana nevcivan | Mahur Mahur Mahur or Mahurgad is a religious place in Maharashtra, India. Mahur is said to be the birth place of Hindu Goddess Renuka, mother of Lord Parshuram. The three and half Shakti Peethas of Maharashtra are Tuljapur enshrining Bhavani, Kolhapur enshrining Mahalakshmi, Mahur enshrining Mahamaya, and... |
Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Gördüğüm anda seni ey nevcivan | Nihavend | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Düyek (8/8) |
| Vadinde ey şuhı melek | Nihavend | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Bin can ile sevdim seni, http://neyzen.com/images/notalar/rast/bin_can_ile.gif | Nişaburek | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Goncai nevhıyzveş açılmak istersek eğer | Nühüft | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Aksak (9/8) |
| Dil sevdi sen şuhşeni | Revnaknüma | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Ağır Düyek (8/4) |
| Ey dilberi işvenüma | Tarzınevin | Şarkı Sarki Sarki may refer to*Sarki, a well-dwelling snake slain by the mythological prince Bayajidda*Şarkı, a vocal genre in Ottoman classical music*Sarki, a Newcastle rock band made up of members; Shane Kurnia on guitar, Scott Allen on drums, Dom Willson on bass and Matty Munro of vocals*Sirki, a Sindhi... (vocal) |
Düyek (8/8) |
| Buselik Peşrev | Buselik | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... (instrumental) |
Muhammes (32/4) |
| Ferahfeza Saz Semaisi, http://neyzen.com/images/notalar/ferahfeza/ferahfeza_ss_buyuk_osman01.gif, http://neyzen.com/images/notalar/ferahfeza/ferahfeza_ss_buyuk_osman02.gif | Ferahfeza | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... (instrumental) |
Aksak Semai (10/8) |
| Hicaz Peşrev | Hicaz | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Hicazkâr Saz Semaisi | Hicazkâr | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Hicazkâr Peşrev, http://neyzen.com/images/notalar/hicazkar/hicazkar_p_osman_bey01.gif, http://neyzen.com/images/notalar/hicazkar/hicazkar_p_osman_bey02.gif, http://neyzen.com/images/notalar/hicazkar/hicazkar_p_osman_bey03.gif | Hicazkâr | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Hisarbuselik Saz Semaisi, http://neyzen.com/images/notalar/hisarbuselik/hisarbuselik_ss_tanburi_osman01.gif, http://neyzen.com/images/notalar/hisarbuselik/hisarbuselik_ss_tanburi_osman02.gif | Hisarbuselik | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Hüzzam Saz Semaisi | Hüzzam | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Hüzzam Peşrev | Hüzzam | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Mahur Peşrev | Mahur Mahur Mahur or Mahurgad is a religious place in Maharashtra, India. Mahur is said to be the birth place of Hindu Goddess Renuka, mother of Lord Parshuram. The three and half Shakti Peethas of Maharashtra are Tuljapur enshrining Bhavani, Kolhapur enshrining Mahalakshmi, Mahur enshrining Mahamaya, and... |
Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Muhammes (32/4) |
| Mahurbuselik Peşrev | Mahurbuselik | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Hafif (32/2) |
| Maye Saz Semaisi | Maye | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Maye Peşrev | Maye | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Nihavend Peşrev, http://neyzen.com/images/notalar/nihavend/nihavend_p_osman_bey01.gif, http://neyzen.com/images/notalar/nihavend/nihavend_p_osman_bey02.gif, http://neyzen.com/images/notalar/nihavend/nihavend_p_osman_bey03.gif | Nihavend | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Nişaburek Peşrev | Nişaburek | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Hafif (32/2) |
| Nühüft Saz Semaisi | Nühüft | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Nühüft Peşrev, http://neyzen.com/images/notalar/nuhuft/nuhuft_p_osman_bey1.gif, http://neyzen.com/images/notalar/nuhuft/nuhuft_p_osman_bey2.gif, http://neyzen.com/images/notalar/nuhuft/nuhuft_p_osman_bey3.gif | Nühüft | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Rast Saz Semaisi | Rast Rast (maqam) Rast is the name of a maqam in Arabic and related systems of music.Rast is a Persian word meaning "right" or "direct"... |
Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Revnaknüma Saz Semaisi | Revnaknüma | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Revnaknüma Peşrev | Revnaknüma | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Hafif (32/2) |
| Saba Saz Semaisi, http://neyzen.com/images/notalar/saba/saba_ss_osman_bey01.gif, http://neyzen.com/images/notalar/saba/saba_ss_osman_bey02.gif | Saba | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Saba Peşrev, http://neyzen.com/images/notalar/saba/saba_p_buyuk_osman01.gif, http://neyzen.com/images/notalar/saba/saba_p_buyuk_osman02.gif, http://neyzen.com/images/notalar/saba/saba_p_buyuk_osman03.gif | Saba | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Sabazemzeme Peşrev | Sabazemzeme | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Muhammes (32/4) |
| Segâh Peşrev | Segâh | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Devrikebir (28/4) |
| Suzidil Saz Semaisi | Suzidil | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Şeddiaraban Peşrev | Şeddiaraban | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Hafif (32/2) |
| Tarzınevin Saz Semaisi | Tarzınevin | Saz Semai Saz semai The saz semai is also spelled saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi. In the Arab world, it is called Samâi. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl... |
Aksak Semai (10/8) |
| Tarzınevin Peşrev | Tarzınevin | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Muhammes (32/4) |
| Uşşak Peşrev, http://neyzen.com/images/notalar/ussak/ussak_p_tanburi_osman1.gif, http://neyzen.com/images/notalar/ussak/ussak_p_tanburi_osman2.gif | Uşşak | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Hafif (32/2) |
| Yegâh Peşrev, http://neyzen.com/images/notalar/yegah/yegah_p_tanburi_osman1.gif, http://neyzen.com/images/notalar/yegah/yegah_p_tanburi_osman2.gif | Yegâh | Peşrev Pesrev Peşrev , Pişrev , peshrev, or pishrev; called bashraf بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performance called a fasıl... |
Muhammes (32/4) |
