Spanish Tinge
Encyclopedia
The phrase Spanish Tinge is a reference to the belief that a Latin American
Latin American music
Latin American music, found within Central and South America, is a series of musical styles and genres that mixes influences from Spanish, African and indigenous sources, that has recently become very famous in the US.-Argentina:...

 touch offers a reliable method of spicing the more conventional 4/4 rhythms commonly used in jazz
Jazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...

 and pop music
Pop music
Pop music is usually understood to be commercially recorded music, often oriented toward a youth market, usually consisting of relatively short, simple songs utilizing technological innovations to produce new variations on existing themes.- Definitions :David Hatch and Stephen Millward define pop...

. The phrase is a quotation from Jelly Roll Morton
Jelly Roll Morton
Ferdinand Joseph LaMothe , known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer....

. In his Library of Congress recordings
Jelly Roll Morton the Complete Library of Congress Recording
The Complete Library of Congress Recordings is a 2005 box set of recordings from jazz pioneer Jelly Roll Morton. The set spans 128 tracks over eight CDs...

, after referencing the influence of his own French Creole
Louisiana Creole people
Louisiana Creole people refers to those who are descended from the colonial settlers in Louisiana, especially those of French and Spanish descent. The term was first used during colonial times by the settlers to refer to those who were born in the colony, as opposed to those born in the Old World...

 culture in his music, he noted the Spanish presence:
It is important to point out that what Morton described as a "Spanish" influence did not refer to cultural elements coming specifically from Spain. What he was calling "Spanish" was in fact an Afro-Caribbean influence. "Spanish" in those days was a generic term for describing anything that came from a Spanish-speaking culture. The musicians he came in contact with did speak Spanish but their culture was from the Spanish-speaking Caribbean islands (Puerto Rico, Cuba, Dominican Republic, etc.), not Spain. That is, these rhythms add to jazz or pop music much in the way that blue notes add a flavoring to non-blues songs.

Specifically, Morton categorized his compositions in three groups as blues
Blues
Blues is the name given to both a musical form and a music genre that originated in African-American communities of primarily the "Deep South" of the United States at the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads...

, stomps, and Spanish Tinge, for those with habanera
Habanera (music)
The habanera is a genre of Cuban popular dance music of the 19th century. It is a creolized form which developed from the contradanza. It has a characteristic "Habanera rhythm", and is performed with sung lyrics...

 rhythms. These included in "New Orleans Blues", "La Paloma", "The Crave", and "The Spanish Tinge". Morton also called attention to the habanera in "St. Louis Blues" as one of the elements in the song's success.

Notable examples

Morton's maxim, usually given now as "You've got to have that Spanish Tinge", has proven to be apt for many artists to this day. Latin rhythm instruments are employed by artists of all sorts and many compositions are express applications of the Spanish Tinge. Notable examples of the Spanish Tinge include:
  • Juan Tizol
    Juan Tizol
    Juan Tizol was a Puerto Rican trombonist and composer.He was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he would play throughout his career...

    's "Caravan
    Caravan (song)
    "Caravan" is a jazz standard composed by Juan Tizol and first performed by Duke Ellington in 1937. Irving Mills wrote the lyrics, but he sometimes is not credited on the many instrumental versions. Its exotic sound interested exotica musicians; Martin Denny and Arthur Lyman both covered it. Woody...

    " and "Perdido", first performed by Duke Ellington
    Duke Ellington
    Edward Kennedy "Duke" Ellington was an American composer, pianist, and big band leader. Ellington wrote over 1,000 compositions...

  • "Rum and Coca Cola" by the Andrews Sisters, an imported calypso
    Calypso music
    Calypso is a style of Afro-Caribbean music that originated in Trinidad and Tobago from African and European roots. The roots of the genre lay in the arrival of enslaved Africans, who, not being allowed to speak with each other, communicated through song...

  • the "blues rhumba" of Professor Longhair
    Professor Longhair
    Professor Longhair was a New Orleans blues singer and pianist...

  • "Early in the Morning" and numerous calypso-style hits by Louis Jordan
    Louis Jordan
    Louis Thomas Jordan was a pioneering American jazz, blues and rhythm & blues musician, songwriter and bandleader who enjoyed his greatest popularity from the late 1930s to the early 1950s. Known as "The King of the Jukebox", Jordan was highly popular with both black and white audiences in the...

  • Afro-Cuban jazz
    Afro-Cuban jazz
    Afro-Cuban jazz is an early form of Latin jazz that mixes Afro-Cuban rhythms with harmonies and musical timbre typical of Bebop. It was developed in the early 1940s by both Cuban musicians and Jazz musicians, with Dizzy Gillespie, Mario Bauza, Machito and Stan Kenton among some of the most notable...

    , as adopted and promoted by Dizzy Gillespie
    Dizzy Gillespie
    John Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...

    , Mongo Santamaría
    Mongo Santamaría
    Ramón "Mongo" Santamaría Rodríguez was an Afro-Cuban Latin jazz percussionist. He is most famous for being the composer of the jazz standard "Afro Blue," recorded by John Coltrane among others. In 1950 he moved to New York where he played with Perez Prado, Tito Puente, Cal Tjader, Fania All...

    , and many others
  • The "Bo Diddley beat" is based on the clave
    Clave (rhythm)
    The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, son montuno, mambo, salsa, Latin jazz, songo and timba. The five-stroke clave pattern represents the structural core of many Afro-Cuban rhythms...

    rhythm, as are many other songs, such as "Not Fade Away
    Not Fade Away (song)
    "Not Fade Away" is a song credited to Buddy Holly and Norman Petty and first recorded by Holly's band The Crickets in Clovis, New Mexico, on May 27, 1957...

    " and "I Want Candy
    I Want Candy
    "I Want Candy" is a song written and originally recorded by The Strangeloves in 1965 that went to number 11 in the United States. It is a famous example of a song that uses the Bo Diddley beat.-Original version:...

    "
  • "Little Darling" by The Gladiolas, with its insistent clave
    Clave (rhythm)
    The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, son montuno, mambo, salsa, Latin jazz, songo and timba. The five-stroke clave pattern represents the structural core of many Afro-Cuban rhythms...

    beat and Latin rhythms
  • "Under the Boardwalk
    Under the Boardwalk
    "Under the Boardwalk" is a hit pop song written by Kenny Young and Arthur Resnick and recorded by The Drifters in 1964.-Premise:The lyric describes a tryst between a man and his beloved in a seaside town, who plan to privately meet "out of the sun" and out of sight from everyone else under a...

    " by The Drifters
    The Drifters
    The Drifters are a long-lived American doo-wop and R&B/soul vocal group with a peak in popularity from 1953 to 1963, though several splinter Drifters continue to perform today. They were originally formed to serve as Clyde McPhatter's backing group in 1953...

    , produced by Jewish-American Mambo aficionado Bert Berns
    Bert Berns
    Bertrand Russell Berns , most commonly known as Bert Berns as well as Bert Russell and Russell Byrd, was an American songwriter and record producer of the 1960s...

     with triangle, güiro
    Güiro
    The güiro is a Latin-American percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet-like sound. The güiro is commonly used in Latin-American music, and plays a key role...

    , and castanets
  • "What'd I Say", "I'm Moving On" (conga
    Conga
    The conga, or more properly the tumbadora, is a tall, narrow, single-headed Cuban drum with African antecedents. It is thought to be derived from the Makuta drums or similar drums associated with Afro-Cubans of Central African descent. A person who plays conga is called a conguero...

    s and maracas
    Maracás
    Maracás is a town and municipality in the state of Bahia in the North-East region of Brazil.-References:...

     on a country and western cover
    Cover version
    In popular music, a cover version or cover song, or simply cover, is a new performance or recording of a contemporary or previously recorded, commercially released song or popular song...

    ), and many other Ray Charles
    Ray Charles
    Ray Charles Robinson , known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records...

     songs
  • "Twist and Shout
    Twist and Shout
    "Twist and Shout" is a song written by Phil Medley and Bert Russell. It was originally titled "Shake It Up, Baby" and recorded by the Top Notes and then covered by The Isley Brothers. It was covered by The Beatles with John Lennon on the lead vocals and originally released on their first album...

    ", popularized by the Isley Brothers and later The Beatles
    The Beatles
    The Beatles were an English rock band, active throughout the 1960s and one of the most commercially successful and critically acclaimed acts in the history of popular music. Formed in Liverpool, by 1962 the group consisted of John Lennon , Paul McCartney , George Harrison and Ringo Starr...

    ; "Hang on Sloopy
    Hang on Sloopy
    "Hang on Sloopy" is a song by the pop group The McCoys which was #1 in America in October 1965 and is the official rock song of the state of Ohio and The Ohio State University...

    ", a hit song by the pop group The McCoys
    The McCoys
    The McCoys were a rock group that started in Union City, Indiana, in 1962.-Career:The original members, all from Union City, were guitarist Richard Zehringer , his brother Randy on drums, and bassist Dennis Kelly. This first line-up was known as The Rick Z Combo, and later known as Rick and the...

    ; and Jimi Hendrix
    Jimi Hendrix
    James Marshall "Jimi" Hendrix was an American guitarist and singer-songwriter...

    's "Wild Thing", all share the Cuban bassline
    Bassline
    A bassline is the term used in many styles of popular music, such as jazz, blues, funk, dub and electronic music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, tuba or keyboard...

  • Chuck Berry
    Chuck Berry
    Charles Edward Anderson "Chuck" Berry is an American guitarist, singer, and songwriter, and one of the pioneers of rock and roll music. With songs such as "Maybellene" , "Roll Over Beethoven" , "Rock and Roll Music" and "Johnny B...

    's "La Juanda" and "Havana Moon"
  • Richard Berry
    Richard Berry
    Richard Berry was an African American singer, songwriter and musician, who performed with many Los Angeles doo-wop and close harmony groups in the 1950s, including The Flairs and The Robins....

    's inspiration for "Louie Louie
    Louie Louie
    "Louie Louie" is an American rock 'n' roll song written by Richard Berry in 1955. It has become a standard in pop and rock, with hundreds of versions recorded by different artists...

    " came from René Touzet
    René Touzet
    René Touzet y Monte was a Cuban-born American composer, pianist and bandleader.-Career as bandleader:...

    's song "El Loco Cha Cha". René Touzet was a major figure in Cuban music in the 1940s, beginning his career leading a 16-piece orchestra at Havana's Grand Nacional Casino
  • The Rolling Stones
    The Rolling Stones
    The Rolling Stones are an English rock band, formed in London in April 1962 by Brian Jones , Ian Stewart , Mick Jagger , and Keith Richards . Bassist Bill Wyman and drummer Charlie Watts completed the early line-up...

    ' "Sympathy for the Devil
    Sympathy for the Devil
    "Sympathy for the Devil" is a song by The Rolling Stones which first appeared as the opening track on the band's 1968 album Beggars Banquet. It was written by Mick Jagger credited to Jagger/Richards...

    ", which is based on the Afro-Cuban tumbao
    Tumbao
    In music of afro-Cuban origin, tumbao refers to the basic rhythm played on the tumbadoras and the bass.- Drum Pattern :The basic tumbao pattern is played on the conga the drum is struck on every 8th-beat in the measure in the following sequence:...

     rhythm
  • Tom Waits
    Tom Waits
    Thomas Alan "Tom" Waits is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car."...

    ' "Back in the Crowd", from his 2011 album "Bad as Me
    Bad as Me
    Bad as Me is the seventeenth studio album by American rock musician Tom Waits, released on October 21, 2011 by ANTI- Records. The album is known to have been recorded as early as February 2011 and was officially announced for release on August 23, 2011 on Waits' official web site and various social...

    "
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