San Francesco, Prato
Encyclopedia
San Francesco is a church in Prato
Prato
Prato is a city and comune in Tuscany, Italy, the capital of the Province of Prato. The city is situated at the foot of Monte Retaia , the last peak in the Calvana chain. The lowest altitude in the comune is 32 m, near the Cascine di Tavola, and the highest is the peak of Monte Cantagrillo...

, Tuscany
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....

, central Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

.

The edifice was begun in 1281, next to an oratory of the Franciscan convent, which had been built in 1228. It was finished in 1331, the first building in Prato built in brickwork instead of stone. The façade is divided in bichrome stripes in alberese
Alberese
Alberese is a rural town in southern Tuscany, a frazione of the comune of Grosseto. It is situated 20 km south-east of the capital, in the heart of the Natural Park of Maremma...

 and serpentinite
Serpentinite
Serpentinite is a rock composed of one or more serpentine group minerals. Minerals in this group are formed by serpentinization, a hydration and metamorphic transformation of ultramafic rock from the Earth's mantle...

 with a central portal, and ends with a 15th century triangular tympanum
Tympanum (architecture)
In architecture, a tympanum is the semi-circular or triangular decorative wall surface over an entrance, bounded by a lintel and arch. It often contains sculpture or other imagery or ornaments. Most architectural styles include this element....

 with a stucco frieze by Andrea Della Robbia
Andrea della Robbia
Andrea della Robbia was an Italian Renaissance sculptor, especially in ceramics. He was the son of Marco della Robbia. Andrea della Robbia's uncle, Luca della Robbia, popularized the use of glazed terra-cotta for sculpture...

, depicting the Stigmata of St. Francis. The bell tower was designed by Antonio Benini (1799-1801).

The large interior was restored to a neo-medieval state in 1902-1904, and houses numerous artworks. The main one is the funerary monument of Geminiano Inghirami (c. 1460 circa), attributed to Pasquino da Montepulciano (and stylistically similar to Antonio Rossellino), who also executed the small cyborium on the presbytery
Presbytery (architecture)
The presbytery is the name for an area in a church building which is reserved for the clergy.In the oldest church it is separated by short walls, by small columns and pilasters in the Renaissance ones; it can also be raised, being reachable by a few steps, usually with railings....

 wall.

Next to a Renaissance pulpit in pietra serena is a 15th century panel with Christ's Monogram, which is traditionally considered to have been brought to Prato by San Bernardino; above the high altar is a 14th century polychrome wooden Crucifix, donated by the merchant Francesco Datini (who was buried next to the altar). The latter's tomb in white marble (work of Niccolò di Pietro Lamberti, 1411-12) portrays him within an elaborated Gothic  tabernacle
Tabernacle
The Tabernacle , according to the Hebrew Torah/Old Testament, was the portable dwelling place for the divine presence from the time of the Exodus from Egypt through the conquering of the land of Canaan. Built to specifications revealed by God to Moses at Mount Sinai, it accompanied the Israelites...

.

The cloister, dating to 1438-1440 and featuring Ionic columns, is the first Renaissance architectural work in the city. It has several coat of arms from the 15th-19th centuries, and several frescoes: a lunette with the Madonna and Child and a tabernacle with the Madonna Enthroned and Saints, from the early 14th century. The Chapter (or Migliorati Chapel) was entirely frescoed around 1400 by Niccolò Gerini, with figures inspired by Giotto. The scenes include a ruined Cricifixion, the Stories of St. Matthew and Stories of St. Anthony (the latter also damaged) and, on the vault, the Evangelists.
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