.gif)
Saint Francis in Prayer (Caravaggio)
Encyclopedia
Saint Francis in Prayer (c. 1602-1604) is a painting from the Italian master Caravaggio
, in the Galleria Nazionale d'Arte Antica
in Rome
.
The painting is unrecorded and therefore difficult to date, or even to distinguish the original from later copies. John Gash (see references, below) identifies a version in the Chiesa dei Cappuccini as a good copy of a lost original identified by some scholars with a painting in the Church of San Pietro, Carpineto Romano (Museo di Palazzo Venezia
). Helen Langdon, treating the same painting in her biography Caravaggio, refers to the version in Galleria Nazionale d'Arte Antica
, in the Palazzo Barberini
. St Francis's life of poverty and humility was a popular subject in Caravaggio's age. Peter Robb makes the point that St Francis of Assisi, together with John the Baptist
and St Jerome, "...make up the trio of alienated males, young, mature and old, brooding and remote from human society, that M (i.e. Caravaggio) painted again and again", becoming, in effect, private icons for Caravaggio’s own troubled life.
In the course of a libel trial in 1603 Caravaggio’s friend Orazio Gentileschi
stated that he had lent the artist a monk's robe several months before, and this painting could be connected. Gentileschi’s evidence seems to be the main argument behind a 1602/1604 date; but Robb, on the grounds of the austere approach and less painterly technique of the work, believes that it may date from 1606, when Caravaggio had fled Rome as an outlaw following a death in a street brawl.
Caravaggio
Michelangelo Merisi da Caravaggio was an Italian artist active in Rome, Naples, Malta, and Sicily between 1593 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque...
, in the Galleria Nazionale d'Arte Antica
Galleria Nazionale d'Arte Antica
The Galleria Nazionale d'Arte Antica, or National Gallery of Ancient Art, is an art gallery in Rome, Italy, located on two sites: the Palazzo Barberini and the Palazzo Corsini....
in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
.
The painting is unrecorded and therefore difficult to date, or even to distinguish the original from later copies. John Gash (see references, below) identifies a version in the Chiesa dei Cappuccini as a good copy of a lost original identified by some scholars with a painting in the Church of San Pietro, Carpineto Romano (Museo di Palazzo Venezia
Palazzo Venezia
The Palazzo di Venezia is a palazzo in central Rome, Italy, just north of the Capitoline Hill. The original structure of this great architectural complex consisted of a modest medieval house intended as the residence of the cardinals appointed to the Church of San Marco...
). Helen Langdon, treating the same painting in her biography Caravaggio, refers to the version in Galleria Nazionale d'Arte Antica
Galleria Nazionale d'Arte Antica
The Galleria Nazionale d'Arte Antica, or National Gallery of Ancient Art, is an art gallery in Rome, Italy, located on two sites: the Palazzo Barberini and the Palazzo Corsini....
, in the Palazzo Barberini
Palazzo Barberini
Palazzo Barberini is a palace in Rome, facing the piazza of the same name in Rione Trevi and is home to the Galleria Nazionale d'Arte Antica.-History:...
. St Francis's life of poverty and humility was a popular subject in Caravaggio's age. Peter Robb makes the point that St Francis of Assisi, together with John the Baptist
John the Baptist
John the Baptist was an itinerant preacher and a major religious figure mentioned in the Canonical gospels. He is described in the Gospel of Luke as a relative of Jesus, who led a movement of baptism at the Jordan River...
and St Jerome, "...make up the trio of alienated males, young, mature and old, brooding and remote from human society, that M (i.e. Caravaggio) painted again and again", becoming, in effect, private icons for Caravaggio’s own troubled life.
In the course of a libel trial in 1603 Caravaggio’s friend Orazio Gentileschi
Orazio Gentileschi
Orazio Lomi Gentileschi was an Italian Baroque painter, one of more important painters influenced by Caravaggio...
stated that he had lent the artist a monk's robe several months before, and this painting could be connected. Gentileschi’s evidence seems to be the main argument behind a 1602/1604 date; but Robb, on the grounds of the austere approach and less painterly technique of the work, believes that it may date from 1606, when Caravaggio had fled Rome as an outlaw following a death in a street brawl.