Projective harmonic conjugates
Encyclopedia
In projective geometry
, the harmonic conjugate point of a triple of points on the real projective line is defined by the following construction due to Karl von Staudt:
What is remarkable is that the point D does not depend on what point L is taken initially, nor upon what line through C is used to find M and N. This fact follows from Desargues theorem; it can also be defined in terms of the cross-ratio
as (A, B; C, D) = −1.
s, then the projective tool of cross-ratio
is in force. Given this metric context, the harmonic range is characterized by a cross-ratio of minus one:
Reordering the points results in the set of three cross-ratios, {−1, 1/2, 2}, which is less than the expected 6 (it is stabilized by exchanging the last 2 points), and is known classically as the harmonic cross-ratio.
The cross-ratio criterion implies that distances from any one of these points to the three remaining points form harmonic progression.
In terms of a double ratio,
given points a and b on an affine line, the division ratio of a point x is
Note that when a < x < b , then t(x) is negative, and that it is positive outside of the interval.
The cross-ratio (c,d;a,b) = t(c)/t(d) is a ratio of division ratios, or a double ratio. Setting the double ratio to minus one means that
when , then c and d are projective harmonic conjugates with respect to a and b. So the division ratio criterion is that they be additive inverse
s.
in 1967:
Then Hartshorne shows that assuming Fano's axiom, A,B,C distinct implies there exists a unique D such that A,B,C,D form a harmonic quadruple. In that case he says that D is the "harmonic conjugate of C with respect to A and B".
It was Karl von Staudt that first used the harmonic conjugate as the basis for projective geometry independent of metric considerations:
If P is a point not on C, and if a variable line through P meets C at points A and B, then the variable harmonic conjugate of P with respect to A and B traces out a line. The point P is called the pole of that line of harmonic conjugates, and this line is called the polar line of P with respect to the conic. See the article Pole and polar
for more details.
That is, if the line is an extended diameter of k, then the intersections with q are projective harmonic conjugates.
Projective geometry
In mathematics, projective geometry is the study of geometric properties that are invariant under projective transformations. This means that, compared to elementary geometry, projective geometry has a different setting, projective space, and a selective set of basic geometric concepts...
, the harmonic conjugate point of a triple of points on the real projective line is defined by the following construction due to Karl von Staudt:
- Given three collinear points A, B, C, let L be a point not lying on their join and let any line through C meet LA, LB at M, N respectively. If AN and BM meet at K, and LK meets AB at D, then D is called the harmonic conjugate of C with respect to A, B.
What is remarkable is that the point D does not depend on what point L is taken initially, nor upon what line through C is used to find M and N. This fact follows from Desargues theorem; it can also be defined in terms of the cross-ratio
Cross-ratio
In geometry, the cross-ratio, also called double ratio and anharmonic ratio, is a special number associated with an ordered quadruple of collinear points, particularly points on a projective line...
as (A, B; C, D) = −1.
Cross-ratio criterion
The four points are sometimes called a harmonic range on the real projective line. When this line is endowed with the ordinary metric interpretation via real numberReal number
In mathematics, a real number is a value that represents a quantity along a continuum, such as -5 , 4/3 , 8.6 , √2 and π...
s, then the projective tool of cross-ratio
Cross-ratio
In geometry, the cross-ratio, also called double ratio and anharmonic ratio, is a special number associated with an ordered quadruple of collinear points, particularly points on a projective line...
is in force. Given this metric context, the harmonic range is characterized by a cross-ratio of minus one:
Reordering the points results in the set of three cross-ratios, {−1, 1/2, 2}, which is less than the expected 6 (it is stabilized by exchanging the last 2 points), and is known classically as the harmonic cross-ratio.
The cross-ratio criterion implies that distances from any one of these points to the three remaining points form harmonic progression.
In terms of a double ratio,
given points a and b on an affine line, the division ratio of a point x is
Note that when a < x < b , then t(x) is negative, and that it is positive outside of the interval.
The cross-ratio (c,d;a,b) = t(c)/t(d) is a ratio of division ratios, or a double ratio. Setting the double ratio to minus one means that
when , then c and d are projective harmonic conjugates with respect to a and b. So the division ratio criterion is that they be additive inverse
Additive inverse
In mathematics, the additive inverse, or opposite, of a number a is the number that, when added to a, yields zero.The additive inverse of a is denoted −a....
s.
From complete quadrangle
Another approach to the harmonic conjugate is through the concept of a complete quadrangle as expressed by Robin HartshorneRobin Hartshorne
Robin Cope Hartshorne is an American mathematician. Hartshorne is an algebraic geometer who studied with Zariski, Mumford, J.-P. Serre and Grothendieck....
in 1967:
- An ordered quadruple of distinct points A,B,C,D on a line is called a harmonic quadruple if there is a complete quadrangle X,Y,Z,W such that A and B are diagonal points of the complete quadrangle (say A = XY.ZW, B = XZ.YW) and C,D lie on the remaining two sides of the quadrangle (say C ∈ XW, D ∈ YZ).
Then Hartshorne shows that assuming Fano's axiom, A,B,C distinct implies there exists a unique D such that A,B,C,D form a harmonic quadruple. In that case he says that D is the "harmonic conjugate of C with respect to A and B".
It was Karl von Staudt that first used the harmonic conjugate as the basis for projective geometry independent of metric considerations:
- ...Staudt succeeded in freeing projective geometry from elementary geometry. In his Geometrie der Lage Staudt introduced a harmonic quadruple of elements independently of the concept of the cross ratio following a purely projective route, using a complete quadrangle or quadrilateral.
Projective conics
A conic in the projective plane is a curve C that has the following property:If P is a point not on C, and if a variable line through P meets C at points A and B, then the variable harmonic conjugate of P with respect to A and B traces out a line. The point P is called the pole of that line of harmonic conjugates, and this line is called the polar line of P with respect to the conic. See the article Pole and polar
Pole and polar
In geometry, the terms pole and polar are used to describe a point and a line that have a unique reciprocal relationship with respect to a given conic section...
for more details.
Inversive geometry
In the case where the conic is a circle, on the extended diameters of the circle, projective hamonic conjugates with respect to the circle are inverses in a circle. This fact follows from one of Smogorzhevsky's theorems:- If circles k and q are mutually orthogonal, then a straight line passing through the center of k and intersecting q, does so at points symmetrical with respect to k.
That is, if the line is an extended diameter of k, then the intersections with q are projective harmonic conjugates.