Pieter de Grebber
Encyclopedia
Pieter Fransz de Grebber (c. 1600, Haarlem
–1652/3, Haarlem) was a Dutch Golden Age
painter.
(1573–1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria
and Albert. He learned to paint from his father and from Hendrick Goltzius. He was descended from a Catholic and artistic family and his sister Maria later became the mother-in-law of Gabriel Metsu
. He was a friend of the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbrué. In 1632 he became a member of the Haarlem Guild of St. Luke
, but he had already been active as a painter for 10 years. His pupils were Gerbrand Ban, Nicolaes Pietersz Berchem, Egbert van Heemskerck, and Dirck Helmbreeker.
In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting "Daniel in the lions pit". It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton
- to king Charles I
. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked on the decoration of the Huis Honselaarsdijk
in Naaldwijk
and at the Paleis Noordeinde in Huis ten Bosch
in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients.
Pieter remained single and lived from 1634 until his death at the Haarlem Béguinage
.
s, Pieter de Grebber also painted a number of portraits; furthermore many drawings and a few etchings by him have survived. From different influences, such as the Utrecht
Caravaggisti
sm, Rubens and also Rembrandt, he came up with a very personal style. He was, together with Salomon de Bray
, the forerunner and first peak of the "Haarlem classicism" school, producing paintings characterized by a well-organized clarity and light tints.
In 1649, De Grebber wrote the treatise "Regulen welcke by een goet Schilder en Teyckenaar geobserveert en achtervolght moeten werden" (Rules which a good Painter and Master of Drawing should observe). In this document he explains the most important eleven rules which he believes classicist painters should be careful to observe. Although the Classicists did not swear by such rules, these were nevertheless always tightly observed. Almost all of these rules are taken from Karel van Mander's own Mannerist Schilder-boeck, in which history painting
was presented as the highest of the hierarchy of genres
.
Haarlem
Haarlem is a municipality and a city in the Netherlands. It is the capital of the province of North Holland, the northern half of Holland, which at one time was the most powerful of the seven provinces of the Dutch Republic...
–1652/3, Haarlem) was a Dutch Golden Age
Dutch Golden Age
The Golden Age was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military and art were among the most acclaimed in the world. The first half is characterised by the Eighty Years' War till 1648...
painter.
Life
De Grebber was the oldest son of Frans Pietersz de GrebberFrans Pietersz de Grebber
Frans Pietersz de Grebber , was a Dutch Golden Age painter.-Biography:According to van Mander he was a good painter of landscapes and portraits, who designed tapestries and had been a pupil of Jacob Savery...
(1573–1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria
Maria de Grebber
Maria de Grebber , was a Dutch Golden Age painter.-Biography:According to Houbraken she was the daughter of the painter Frans Pietersz de Grebber and the sister of Pieter de Grebber, whose father taught them both to paint...
and Albert. He learned to paint from his father and from Hendrick Goltzius. He was descended from a Catholic and artistic family and his sister Maria later became the mother-in-law of Gabriel Metsu
Gabriel Metsu
Gabriël Metsu was a Dutch painter of history paintings, genre works and portraits.- Life :Metsu was the son of the Flemish painter Jacques Metsu , who lived most of his days at Leiden, and Jacomijntje Garniers, his third wife, whom he married in 1625. Jacomijntje was the widow of a painter with...
. He was a friend of the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbrué. In 1632 he became a member of the Haarlem Guild of St. Luke
Haarlem Guild of St. Luke
The Haarlem Guild of Saint Luke was first a Christian, and later a city Guild for a large number of trades falling under the patron saints Luke the Evangelist and Saint Eligius.-History:...
, but he had already been active as a painter for 10 years. His pupils were Gerbrand Ban, Nicolaes Pietersz Berchem, Egbert van Heemskerck, and Dirck Helmbreeker.
In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting "Daniel in the lions pit". It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton
Dudley Carleton, 1st Viscount Dorchester
Dudley Carleton, 1st Viscount Dorchester was an English art collector, diplomat and Secretary of State.-Early life:He was the second son of Antony Carleton of Brightwell Baldwin, Oxfordshire, and of Jocosa, daughter of John Goodwin of Winchendon, Buckinghamshire...
- to king Charles I
Charles I of England
Charles I was King of England, King of Scotland, and King of Ireland from 27 March 1625 until his execution in 1649. Charles engaged in a struggle for power with the Parliament of England, attempting to obtain royal revenue whilst Parliament sought to curb his Royal prerogative which Charles...
. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked on the decoration of the Huis Honselaarsdijk
Huis Honselaarsdijk
Huis Honselaarsdijk was a palace in Honselersdijk, Holland, Dutch Republic. The palace was designed by the Dutch architects Bartholomeus van Bassen, Jacob van Campen and Pieter Post, and was built in the first half of the 17th century as a buitenplaats for stadtholder Frederick Henry, Prince of...
in Naaldwijk
Naaldwijk
Naaldwijk is a town in the Dutch province of South Holland. It is a part of the municipality of Westland, and lies about 10 km southwest of The Hague.Naaldwijk lies in the heart of Westland. The largest economic sector is greenhouse horticulture...
and at the Paleis Noordeinde in Huis ten Bosch
Huis ten Bosch
Huis ten Bosch is one of the three official residences of the Dutch Royal Family, located in The Hague in the Netherlands. It has been home to Queen Beatrix since 1981. The other Royal palace in The Hague, Noordeinde Palace, is used for work-related purposes...
in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients.
Pieter remained single and lived from 1634 until his death at the Haarlem Béguinage
Béguinage
A béguinage or begijnhof is a collection of small buildings used by Beguines. These were various lay sisterhoods of the Roman Catholic Church, founded in the 13th century in the Low Countries, comprising religious women who sought to serve God without retiring from the world.-Description:A...
.
Work
Besides history paintingHistory painting
History painting is a genre in painting defined by subject matter rather than an artistic style, depicting a moment in a narrative story, rather than a static subject such as a portrait...
s, Pieter de Grebber also painted a number of portraits; furthermore many drawings and a few etchings by him have survived. From different influences, such as the Utrecht
Utrecht School
Utrecht Caravaggism refers to those Baroque artists, all distinctly influenced by the art of Caravaggio, who were active mostly in the Dutch city of Utrecht during the early part of the seventeenth century....
Caravaggisti
Caravaggisti
The Caravaggisti were stylistic followers of the 16th century Italian Baroque painter Michelangelo Merisi da Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no...
sm, Rubens and also Rembrandt, he came up with a very personal style. He was, together with Salomon de Bray
Salomon de Bray
Salomon de Bray was a Dutch Golden Age architect and painter.-Biography:De Bray was born inAmsterdam, but established himself in Haarlem before 1617, where he is registered as being a member of the schutterij that year in the St. Adrian's cloveniers...
, the forerunner and first peak of the "Haarlem classicism" school, producing paintings characterized by a well-organized clarity and light tints.
In 1649, De Grebber wrote the treatise "Regulen welcke by een goet Schilder en Teyckenaar geobserveert en achtervolght moeten werden" (Rules which a good Painter and Master of Drawing should observe). In this document he explains the most important eleven rules which he believes classicist painters should be careful to observe. Although the Classicists did not swear by such rules, these were nevertheless always tightly observed. Almost all of these rules are taken from Karel van Mander's own Mannerist Schilder-boeck, in which history painting
History painting
History painting is a genre in painting defined by subject matter rather than an artistic style, depicting a moment in a narrative story, rather than a static subject such as a portrait...
was presented as the highest of the hierarchy of genres
Hierarchy of genres
A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value....
.