Pastoral Concert
Encyclopedia
The Pastoral Concert is an oil painting
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...

 attributed to one of the Italian Renaissance masters Titian
Titian
Tiziano Vecelli or Tiziano Vecellio Tiziano Vecelli or Tiziano Vecellio Tiziano Vecelli or Tiziano Vecellio (c. 1488/1490 – 27 August 1576 better known as Titian was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near...

 or Giorgione
Giorgione
Giorgione was a Venetian painter of the High Renaissance in Venice, whose career was cut off by his death at a little over thirty. Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are acknowledged for certain to be his work...

. It is located in the Louvre Museum  in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

, France.

History

The painting was originally attributed to Giorgione, but modern critics assign it more likely to his pupil Titian, due to the figures' robustness which was typical of his style. It is also likely that Giorgione (whose works included elements such as music, the pastoral idleness and simultaneous representation of the visible and invisible) began the work, and then, after his death in 1510, it was finished by Titian.

The work was owned by the Gonzaga family
House of Gonzaga
The Gonzaga family ruled Mantua in Northern Italy from 1328 to 1708.-History:In 1433, Gianfrancesco I assumed the title of Marquis of Mantua, and in 1530 Federico II received the title of Duke of Mantua. In 1531, the family acquired the Duchy of Monferrato through marriage...

, perhaps inherited from Isabella d'Este
Isabella d'Este
Isabella d'Este was Marchesa of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by women throughout Italy and at the French court...

: it was later sold to Charles I of England
Charles I of England
Charles I was King of England, King of Scotland, and King of Ireland from 27 March 1625 until his execution in 1649. Charles engaged in a struggle for power with the Parliament of England, attempting to obtain royal revenue whilst Parliament sought to curb his Royal prerogative which Charles...

 and then to French banker Eberhard Jabach; he in turn sold it to Louis XIV of France
Louis XIV of France
Louis XIV , known as Louis the Great or the Sun King , was a Bourbon monarch who ruled as King of France and Navarre. His reign, from 1643 to his death in 1715, began at the age of four and lasted seventy-two years, three months, and eighteen days...

 in 1671

The painting was also attributed to Palma the Elder and Sebastiano del Piombo
Sebastiano del Piombo
Sebastiano del Piombo , byname of Sebastiano Luciani, was an Italian Renaissance-Mannerist painter of the early 16th century famous for his combination of the colors of the Venetian school and the monumental forms of the Roman school.- Biography :Sebastiano del Piombo belongs to the painting school...

.

In 1863, French painter Edouard Manet
Édouard Manet
Édouard Manet was a French painter. One of the first 19th-century artists to approach modern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism....

  painted his Le déjeuner sur l'herbe after watching the Pastoral Concert in a visit to the Louvre museum.

Description

The painting portrays three young people on a lawn, playing, while next to him a standing woman is pouring water from a marble basin. Both the women are naked, aside from two light vests; the two men, who are talking, are dressed with contemporary costumes. In the wide background is a shepherd and, among the vegetation, a far landscape.

The subject was perhaps the allegory of poetry and music: the two women would be an imaginary apparition representing the ideal beauty, stemming from the two men's fantasy and inspiration. The woman with the glass vase would be the muse of tragic poetry, while the other one would be that of the pastoral poetry. Of the two playing men, the one with the lute would represent the exalted lyric poetry, the other being an ordinary lyricist, according to the distinction made by Aristotle
Aristotle
Aristotle was a Greek philosopher and polymath, a student of Plato and teacher of Alexander the Great. His writings cover many subjects, including physics, metaphysics, poetry, theater, music, logic, rhetoric, linguistics, politics, government, ethics, biology, and zoology...

 in his Poetics. Another interpretation suggests that the painting is an evocation of the four elements of the natural world (water, fire, earth and air) and their harmonic relationship.
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