National Anthem Project
Encyclopedia
The National Anthem Project was a public awareness campaign launched in 2005 as a major initiative of MENC: The National Association for Music Education
MENC: The National Association for Music Education
MENC: The National Association for Music Education is an organization of American music educators dedicated to advancing and preserving music education and as part of the core curriculum of schools in the United States...

. At the time of its launch, the National Anthem Project website boldly declared "MENC is sponsoring The National Anthem Project to revive America's patriotism by educating Americans about the importance of The Star-Spangled Banner-both the flag and the song." Sponsored by MENC with major support from the Jeep
Jeep
Jeep is an automobile marque of Chrysler . The first Willys Jeeps were produced in 1941 with the first civilian models in 1945, making it the oldest off-road vehicle and sport utility vehicle brand. It inspired a number of other light utility vehicles, such as the Land Rover which is the second...

 brand, and other sponsors such as NAMM, Bank of America, and the Gibson Foundation, this campaign, which later used the slogan "to restore America's voice through music education
Music education
Music education is a field of study associated with the teaching and learning of music. It touches on all domains of learning, including the psychomotor domain , the cognitive domain , and, in particular and significant ways,the affective domain, including music appreciation and sensitivity...

" was MENC's most ambitious project to date. A former First Lady, Laura Bush
Laura Bush
Laura Lane Welch Bush is the wife of the 43rd President of the United States, George W. Bush. She was the First Lady of the United States from January 20, 2001, to January 20, 2009. She has held a love of books and reading since childhood and her life and education have reflected that interest...

 served as honorary chairperson, with country music's The Oak Ridge Boys as the official musical ambassadors. The stated purpose of the project was originally "to revive America's patriotism," but this was later modified to suggest that its purpose was merely to encourage more singing of the national anthem, or to bring more public attention to the role of music in American schools.

Support

A bipartisan discourse of American government officials, including more than twenty Governors, Members of Congress, the National Endowment for the Arts, the Department of Education, the Smithsonian Institution’s National Museum of American History, the Department of Defense, and National Endowment for the Humanities, indicated their support for the project and its goal to inspire support for music education and American heritage. Project supporters also included civic organizations such as the Grammy Foundation, the National Education Association, the U.S. Conferences of Mayors, the Girl Scouts of the USA, the American Sportscasters Association, American Association of School Administrators, the National PTA, Music Teachers National Association, National Association for the Education of Young Children, and Drum Corps International.

Project Background

According to a 2004 Harris Interactive survey, nearly two out of three Americans (61 percent) are unable to recall all of the words to The Star-Spangled Banner
The Star-Spangled Banner
"The Star-Spangled Banner" is the national anthem of the United States of America. The lyrics come from "Defence of Fort McHenry", a poem written in 1814 by the 35-year-old lawyer and amateur poet, Francis Scott Key, after witnessing the bombardment of Fort McHenry by the British Royal Navy ships...

 and three in four Americans indicate that school is where they learned the anthem and other patriotic songs. However, a survey showed that only 39 percent of Americans could complete the third line of The Star Spangled Banner correctly with “…through the perilous fight.” (In a version written by Francis Scott Key in 1840, the third line ends “...through the clouds of the fight.”)

According to the National Anthem Project website, throughout the United States music programs have experienced extensive funding cuts over the past several years, and on average four percent of the $450 billion spent on teaching American children goes to music, which means 55 percent of students receive inadequate music education. Further, while local school boards struggle to close ongoing budget gaps and meet new federal requirements, music continues to be cut in districts across the country.
“When these programs are cut out of public schools, we’re not simply depriving our children of music, but hindering the teaching of our nation’s history and heritage,” says MENC Executive Director John Mahlmann, “Learning patriotic songs helps our children form bonds with their communities and instills pride in the American ideals we all hold close to our hearts – freedom, liberty and equality.”

Project Activities

The National Anthem Project toured the United States in 2006, making "Road Show" stops in every state and Washington, D.C. The Road Shows featured music performances by student ensembles, an interactive education center, and music education advocacy materials. Visitors were encouraged to try singing "The Star-Spangled Banner" to test themselves on its lyrics. At each stop, one singer was designated a winner and given $1000 to donate to the local school music program of his or her choice.

Having concluded its Road Show, the National Anthem Project focused on the planned Grand Finale in Washington, DC, June 14-16, 2007, which featured a performance of The Star Spangled Banner on the National Mall
National Mall
The National Mall is an open-area national park in downtown Washington, D.C., the capital of the United States. The National Mall is a unit of the National Park Service , and is administered by the National Mall and Memorial Parks unit...

. On June 14, 2007 more than 1,200 participants gathered at FedEx Field, home of the Washington Redskins near Washington, D.C., to celebrate the Project in a singalong led by country star Taylor Swift.

That same day more than 5,000 students joined together on the National Mall at the Washington Monument
Washington Monument
The Washington Monument is an obelisk near the west end of the National Mall in Washington, D.C., built to commemorate the first U.S. president, General George Washington...

 with "The President's Own" U.S. Marine Band for an afternoon concert. On June 15, school ensembles from around the country performed throughout Washington, D.C. at eight monuments including the Lincoln Memorial
Lincoln Memorial
The Lincoln Memorial is an American memorial built to honor the 16th President of the United States, Abraham Lincoln. It is located on the National Mall in Washington, D.C. The architect was Henry Bacon, the sculptor of the main statue was Daniel Chester French, and the painter of the interior...

, Capitol Reflecting Pool, World War II Memorial, and Jefferson Memorial
Jefferson Memorial
The Thomas Jefferson Memorial is a presidential memorial in Washington, D.C. that is dedicated to Thomas Jefferson, an American Founding Father and the third President of the United States....

.

The Grand Finale’s third day of celebrations was hosted by Drum Corps International
Drum Corps International
Drum Corps International , formed in 1972, is the non-profit governing body operating the North American drum and bugle corps circuit for junior corps, whose members are between the ages of 14 and 21. It is the counterpart of Drum Corps Associates which governs senior or all-age drum corps...

 at the Navy/Marine Corps Stadium in Annapolis, Maryland. These festivities included a special singing of the national anthem, and later competition of drum corps from around the country. The National Anthem Project Grand Finale events garnered more than 220 news stories, reaching 26 million people.

The Project continued its tradition of celebrating National Anthem Project Day on each September 14. The day aims to promote the importance of music education and the Project by encouraging teachers, students, parents, and community members and leaders to participate in joint celebrations. Events include singalongs and public statements of support for music education by local school administrators and elected officials. Media coverage of National Anthem Project Day and public statements of support from state and national elected officials are available online on the Project Web site.

Criticism of the National Anthem Project

Collectively, criticism includes the following:
  1. The Star Spangled Banner has long been contested as an appropriate national anthem for the United States because of its melody, borrowed from an old drinking song (To Anacreon in Heaven
    To Anacreon in Heaven
    "The Anacreontic Song", also known by its incipit "To Anacreon in Heaven", was the official song of the Anacreontic Society, an 18th-century gentlemen's club of amateur musicians in London. Attributed to the composer John Stafford Smith, the tune was later used by several writers as a setting for...

    ), and allegedly militaristic lyrics.
  2. The National Anthem Project places emphasis on the patriotic and historical music genre, and one song in particular, displacing study of other areas such as peace studies, multiculturalism, and international education (see UNESCO's 2006 statement on arts education).
  3. The National Anthem Project encourages American music teachers to focus on content and coverage rather than musical skills and understandings in their curriculum, an approach that is contrary to some contemporary theories of instructional design.
  4. Like the “Mozart Effect,” use of the National Anthem Project for music advocacy brings greater attention to the work of music educators, but it also promotes the educational use of music as a tool for non-musical objectives in other academic subjects.
  5. The National Anthem Project facilitates the promotion of a corporate agenda in public schools, complete with company logos some characterize as advertising.
  6. Since its inception, military divisions were publicly credited as "Supporting Organizations" for the project and explicit discussion of support for the US military (clearly coinciding with ongoing wars in Iraq and Afghanistan) has featured prominently in public discourse surrounding this project.


Public criticisms include Amy Beegle's (2004) documentation of musical propaganda in American schools during World War II, and suggestion that music educators should “reflect upon the experiences of past generations” (p. 67). Later, Jere Humphreys remarked that “the National Anthem Project sends questionable messages during this time of controversy during a foreign war and the reduction of civil liberties at home and abroad” and warned against the “messages and images this campaign engenders” (Humphreys, 2006, p. 183). More recently, Carlos Abril (2007) cautioned that most of the Project's efforts “propel absolutist views in which declared truths take a front seat to divergent understandings and discoveries” (p. 81). Estelle Jorgensen (2007) also wrote that “selecting The Star-Spangled Banner as the focus of a national campaign to teach the nation to sing can be read as too narrow an objective in that it forwards the limited claims of nationalism to the exclusion of building international and local affiliations and identities. Rather, music teachers need to resist the claims of excessive nationalism in order to ensure that these other interests are also served.” (p. 153).

External links

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