Michel Corneille the Elder (c. 1601–1664) was a French painter

Painting

Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...

, etcher

Etching

Etching is the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal...

, and engraver

Engraving

Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...

.

Life

Corneille was born in Orléans

Orléans

-Prehistory and Roman:Cenabum was a Gallic stronghold, one of the principal towns of the Carnutes tribe where the Druids held their annual assembly. It was conquered and destroyed by Julius Caesar in 52 BC, then rebuilt under the Roman Empire...

. He was one of many who studied with the celebrated master Simon Vouet

Simon Vouet

Simon Vouet was a French painter and draftsman, who today is perhaps best remembered for helping to introduce the Italian Baroque style of painting to France.-Life:...

, who exerted a despotic influence over the French School, and impressed his artistic personality so strongly on all his pupils. Corneille devoted himself to historical paintings, and was one of the twelve original members of the Royal Academy

Académie de peinture et de sculpture

The Académie royale de peinture et de sculpture , Paris, was founded in 1648, modelled on Italian examples, such as the Accademia di San Luca in Rome. Paris already had the Académie de Saint-Luc, which was a city artist guild like any other Guild of Saint Luke...

 at its foundation in 1648. He became its rector in 1656. He was an excellent colorist—in this more Venetian than French—and his early style resembled that of Simon Vouet; later his work had all the merits and all the faults of the post-Raphaelite, or decadent, "sweet", school of Italian art, showing the far-reaching influence of the Carracci

Accademia degli Incamminati

The Accademia degli Incamminati was one of the first art academies in Italy. It was originally created around 1580 in Bologna as the Accademia dei Desiderosi and was sometimes known as the Accademia dei Carracci after its founders the Carracci cousins , with Annibale heading the institution thanks...

. He was long employed in the decoration of churches in Paris, his masterpiece being the celebrated "St. Paul and St. Barnabas at Lystra", painted for the Cathedral of Notre-Dame. His etched and engraved work differed very little from that of the Carracci and of his two sons. It was chiefly reproductive. Notable examples are the "Murder of the Innocents", after Raphael

Raphael

Raffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...

, and the "Virgin Suckling the Infant Jesus", after Lodovico Carracci. He died in Paris in 1664.