Manuel Zorrilla
Encyclopedia
Manuel Zorrilla de la Torre (Born 26 April 1919) is an Argentinian painter
, illustrator, engraver, drawer
, and sculptor. His parents were Spanish immigrants.
in 1919.
From his childhood, he takes delight in painting the rural world which surrounds him. The fauna (horses) and the flora (fruit trees, flowers) are inexhaustible sources of inspiration. In 1942, he exposed for the first time together with other artists: critic noticed and greeted him as a young hope for the Fine Art. This year marked the beginning of exhibitions, greeted by the press, which remained continuous until 1980.
From 1949 until 1953, he received numerous prices like the " Watercolorists and Engravers Society price ", the " National Show of Drawing and Engraving price", the " Fine Art Society of Santa Fe price", the " Fine Art Society of Rosario price" and the " Fine Art Society of Mar del Plata price". In 1954 he was elected vice-president of the Argentine Society of the Plastic Arts.
Tireless traveler in Latin America and in Europe, he was interested in the landscapes and the human being in his environment. His work tells the life: in the harvests, to the factory, the "cariocas" from Rio de Janeiro (exposed at the Art museum of São Paulo in Brazil), Indians of the Argentine northwest, the tango in Buenos Aires, the forest in Venezuela but also Paris and the Seine, Rome and its monuments, Venice and Spain. The women is also a subject declined in plenty of "figures". His works of composition are numerous like: " The seat of Numance", " The ground universe and his populations” and the series " The sea " and “The Big River”.
In 1982, he came to settle down in France, to Fontenay Fleury (Yvelines), among which the old village and its fields were sources of inspiration. He also began writing poetry and did several works where he often took back the subjects developed in his pictorial work.
He also participated on various collective exhibitions : "Obras de 30 pintores argentinos" Kraft (1951), "Caballos" Wildenstein (1960), "Pintura argentina" Gran Teatro Opera (1965), "Exposicion del grabado" Casa América(1965), "Muestra de pintores argentinos" Perla Marino y Club Atlético River Plate, "Motivos de tango" Ateneo Popular de la Boca (1974), "Muestra colectiva de Marinas" El Nauta (1975), "Maestros Argentinos del Dibujo" América (1975), Carroussel du Louvre Paris (2001), and as "invité d'honneur" of "Couleurs et Passion 2004" Exhibition in Cheptainville (2004) France.
In 1974, Manuel Zorrilla received the Gold Medal of Llave Mohosa n°199 by the painter Esteban Semino.
On October 5, 1974, he received the Gold Award of "Ateneo Popular de la Boca" given by the Conseiller Victor C. Pereira
on toile, wood and cartouline paper.
Pastel
, oil pastel, charbon, crayon.
Drawing, china ink, colors ink, he developed a personal technic : acuarela ink.
Fresco and ceramic painting.
Lithography
monochrome and color.
Serigraphy.
Terra cota Sculpture
.
Painting "Figura" from the Contemporany Art Museum of the National University of Litoral in Argentina
Radio interview from Radio municipal de Buenos Aires, September 1971
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
, illustrator, engraver, drawer
Drawing
Drawing is a form of visual art that makes use of any number of drawing instruments to mark a two-dimensional medium. Common instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, markers, styluses, and various metals .An artist who...
, and sculptor. His parents were Spanish immigrants.
Career
Zorrilla was born in Buenos AiresBuenos Aires
Buenos Aires is the capital and largest city of Argentina, and the second-largest metropolitan area in South America, after São Paulo. It is located on the western shore of the estuary of the Río de la Plata, on the southeastern coast of the South American continent...
in 1919.
From his childhood, he takes delight in painting the rural world which surrounds him. The fauna (horses) and the flora (fruit trees, flowers) are inexhaustible sources of inspiration. In 1942, he exposed for the first time together with other artists: critic noticed and greeted him as a young hope for the Fine Art. This year marked the beginning of exhibitions, greeted by the press, which remained continuous until 1980.
From 1949 until 1953, he received numerous prices like the " Watercolorists and Engravers Society price ", the " National Show of Drawing and Engraving price", the " Fine Art Society of Santa Fe price", the " Fine Art Society of Rosario price" and the " Fine Art Society of Mar del Plata price". In 1954 he was elected vice-president of the Argentine Society of the Plastic Arts.
Tireless traveler in Latin America and in Europe, he was interested in the landscapes and the human being in his environment. His work tells the life: in the harvests, to the factory, the "cariocas" from Rio de Janeiro (exposed at the Art museum of São Paulo in Brazil), Indians of the Argentine northwest, the tango in Buenos Aires, the forest in Venezuela but also Paris and the Seine, Rome and its monuments, Venice and Spain. The women is also a subject declined in plenty of "figures". His works of composition are numerous like: " The seat of Numance", " The ground universe and his populations” and the series " The sea " and “The Big River”.
In 1982, he came to settle down in France, to Fontenay Fleury (Yvelines), among which the old village and its fields were sources of inspiration. He also began writing poetry and did several works where he often took back the subjects developed in his pictorial work.
Early years
Eminently self-taught, his academy is the life in all its appearances. Since 1935 he has worked with graphic and advertising studios. Quickly he turns towards The Argentine Plastic Artists Society and to The Circle of Fine Art, in Buenos Aires, to draw the nude. It is in the Zoo, in the Botanical garden, in Agricultural show and in the parks of Buenos Aires where he found his models to draw the nature. In the Circle of Fine Art the sculptor Arturo Dresco offered him his first clay to model. But the meeting with Alcides Gubellini, Italian painter and sculptor, tourned out to be determining. Advice on his drawings he lavished and later introduction into the oil painting, guided his first steps. He considers Gubellini as his true master.Exhibitions
Manuel Zorrilla made a lot of individual exhibitions in Argentina on Wildenstein, Witcomb, Peuser, Müller, Perla Marino, El Nauta galleries ; in Brasil, on Ibeu Gallery, Fine Arts Museum of São Paulo ; in France, on Marcel Bernheim Gallery, Theâtre de Fontenay le Fleury.He also participated on various collective exhibitions : "Obras de 30 pintores argentinos" Kraft (1951), "Caballos" Wildenstein (1960), "Pintura argentina" Gran Teatro Opera (1965), "Exposicion del grabado" Casa América(1965), "Muestra de pintores argentinos" Perla Marino y Club Atlético River Plate, "Motivos de tango" Ateneo Popular de la Boca (1974), "Muestra colectiva de Marinas" El Nauta (1975), "Maestros Argentinos del Dibujo" América (1975), Carroussel du Louvre Paris (2001), and as "invité d'honneur" of "Couleurs et Passion 2004" Exhibition in Cheptainville (2004) France.
Prizes
| Year | Exhibition | Prize | Prized works |
|---|---|---|---|
| 1949 | 34th Sociedad de los Acuarelistas y Gravadores Exhibition | First prize of painting given by the president of jury Alfredo Gonzalez Garaño | Painting "Caballos" |
| 1950 | 27th Santa Fe Beautiful Arts Exhibition | Painting prize | Oil painting "Figura de mujer colla" |
| 1950 | 29th Rosario Fine Arts Exhibition | "Adquisicion" prize from instituto social de la Universidad del Litoral | Oil painting "Puerto" |
| 1950 | 35th Sociedad de Acuarelistas y Gravadores Exhibition | First prize of drawing given by the president of jury Alfredo Gonzalez Garaño | Pastel sanguina "Figura Coya (mujer)" |
| 1950 | 9th Mar del Plata fine arts Exhibition | First prize of drawing | "Coya" |
| 1950 | Bahía Blanca Exhibition | Bahía Blanca prize | |
| 1953 | Dibujo y Grabado national Exhibition | Second Prize of drawing | Pastel sanguina "Martita Liliana" |
| 1954 | 7th publicity fine Exhibition | First Prize Arte Folletos | |
Awards
In 1954, Manuel Zorrilla was named Vice President of Argentina Society of Plastics Arts.In 1974, Manuel Zorrilla received the Gold Medal of Llave Mohosa n°199 by the painter Esteban Semino.
On October 5, 1974, he received the Gold Award of "Ateneo Popular de la Boca" given by the Conseiller Victor C. Pereira
Technics developed
Oil PaintingPainting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
on toile, wood and cartouline paper.
Pastel
Pastel
Pastel is an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation....
, oil pastel, charbon, crayon.
Drawing, china ink, colors ink, he developed a personal technic : acuarela ink.
Fresco and ceramic painting.
Lithography
Lithography
Lithography is a method for printing using a stone or a metal plate with a completely smooth surface...
monochrome and color.
Serigraphy.
Terra cota Sculpture
Sculpture
Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer materials can also be used, such as clay, textiles, plastics, polymers and softer metals...
.
External links
reference on the website arte argentino Contemporany Art Museum of National University of Litoral - ArgentinaPainting "Figura" from the Contemporany Art Museum of the National University of Litoral in Argentina
Radio interview from Radio municipal de Buenos Aires, September 1971