Revivals/Restagings

• Revival by Filippo Taglioni for the Ballet du Théâtre de l'Académie Royale de Musique under the title Nathalie, ou la Laitière suisse, with Michele Carafa
  Michele Carafa
  Michele Enrico Carafa di Colobrano was an Italian opera composer. He was born in Naples and studied in Paris with Luigi Cherubini. He was Professor of counterpoint at the Paris Conservatoire from 1840 to 1858...
  
   revising Gyrowetz's score. First presented in Paris, France, on November 7, 1832. Principal dancers – Marie Taglioni
  Marie Taglioni
  Marie Taglioni was a famous Italian/Swedish ballerina of the Romantic ballet era, a central figure in the history of European dance.-Biography:...
  
  .

• Revival by Jules Perrot, Marius Petipa and Jean Petipa in 2 acts-2 scenes for the Imperial Ballet
  Mariinsky Ballet
  The Mariinsky Ballet is a classical ballet company based at the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies...
  
   under the title Lydia, ou la Laitière Suisse with Cesare Pugni
  Cesare Pugni
  Cesare Pugni was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed while serving as Composer of the Ballet Music to Her Majesty's Theatre...
  
   revising Carafa's 1832 version of Gyrowetz's score. First presented at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia on . Principal Dancers – Fanny Elssler
  Fanny Elssler
  Fanny Elssler - 27 November 1884), born Franziska Elßler, was an Austrian ballerina of the 'Romantic Period'.- Life :Daughter of Johann Florian Elssler, a second generation employee of Prince Esterhazy in Eisenstadt. Both Johann and his brother Josef were employed as copyists to the Prince's...
  
  

NB

• The Balletmaster Antoine Titus created a ballet with the same title for the Théâtre de la Porte Saint-Martin
  Théâtre de la Porte Saint-Martin
  The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10e arrondissement of Paris.- History :...
  
  , in Paris in 1823. In 1832 Titus restaged his 1823 production of for the Court Opera Ballet
  Berlin State Opera
  The Staatsoper Unter den Linden is a German opera company. Its permanent home is the opera house on the Unter den Linden boulevard in the Mitte district of Berlin, which also hosts the Staatskapelle Berlin orchestra.-Early years:...
  
   in Berlin, Prussia
  Prussia
  Prussia was a German kingdom and historic state originating out of the Duchy of Prussia and the Margraviate of Brandenburg. For centuries, the House of Hohenzollern ruled Prussia, successfully expanding its size by way of an unusually well-organized and effective army. Prussia shaped the history...
  
   with Fanny Elssler
  Fanny Elssler
  Fanny Elssler - 27 November 1884), born Franziska Elßler, was an Austrian ballerina of the 'Romantic Period'.- Life :Daughter of Johann Florian Elssler, a second generation employee of Prince Esterhazy in Eisenstadt. Both Johann and his brother Josef were employed as copyists to the Prince's...
  
   in the lead role, and in 1833 staged the work for the Imperial Ballet in St. Petersburg where it was not well-received.

• Marius Petipa claimed sole authorship of the 1849 revival in St. Petersburg in his memoirs, in which he refers to the work as "a new ballet of my own.". This was disputed throughout the 19th century—a published review by A. Wolf of the Imperial Ballet's 1849–1850 season credits the work as "Jules Perrot's new production", while in the ballet historian Alexander Pleshcheyev's study of the ballet of Tsarist St. Petersburg, titled Our Ballet, the work is attributed to Petipa's father Jean Petipa, with only Perrot having contributed one of the ballet's dances. In the biography Jules Perrot: Master of the Romantic Ballet by the ballet historian Ivor Guest, the ballet's choreography is credited to Jean Petipa, except for the Scène dansante and a Pas de trois which are credited to Perrot.