Le Sopha, conte moral
Encyclopedia
The Sofa: A Moral Tale is a 1742 libertine novel
Libertine novel
The libertine novel was an 18th century literary genre of which the roots lay in the European but mainly French libertine tradition. The genre effectively ended with the French Revolution...

 by Claude Prosper Jolyot de Crébillon
Claude Prosper Jolyot de Crébillon
Claude Prosper Jolyot de Crébillon was a French novelist.Born in Paris, he was the son of a famous tragedian, Prosper Jolyot de Crébillon. He received a Jesuit education at the elite Lycée Louis-le-Grand...

.

The story concerns a young courtier, Amanzéï, whose soul in a previous life was condemned by Brahma
Brahma
Brahma is the Hindu god of creation and one of the Trimurti, the others being Vishnu and Shiva. According to the Brahma Purana, he is the father of Mānu, and from Mānu all human beings are descended. In the Ramayana and the...

 to inhabit a series of sofas, and not to be reincarnated in a human body until two virgin lovers had consummated their passion on him. The novel is structured as a frame story
Frame story
A frame story is a literary technique that sometimes serves as a companion piece to a story within a story, whereby an introductory or main narrative is presented, at least in part, for the purpose of setting the stage either for a more emphasized second narrative or for a set of shorter stories...

 in an oriental setting, evocative of the Arabian Nights, in which Amanzéï recounts the adventures of seven couples, which he witnessed in his sofa form, to the bored sultan Shah Baham (grandson of Shehryār and Scheherazade
Scheherazade
Scheherazade , sometimes Scheherazadea, Persian transliteration Shahrazad or Shahrzād is a legendary Persian queen and the storyteller of One Thousand and One Nights.-Narration :...

). The longest episode, that of Zulica, takes up nine chaptes; the final episode concerns the teenage Zéïnis et Phéléas, whose innocent pleasure provides the means of freeing Amanzéï.

Many of the characters in the novel are satirical portraits of influential and powerful Parisians of Crébillon’s time; the author takes the opportunity to ridicule hypocrisy in its different forms (worldly respectability, virtue, religious devotion). In particular, some recognize Louis XV in the figure of the ridiculous Shah Baham. Although the book was published anonymously and with a false imprint, Crébillon was discovered to be the author and was exiled to a distance of thirty leagues from Paris on April 7, 1742. He was able to return on July 22, after claiming that the work had been commissioned by Frederick II of Prussia
Frederick II of Prussia
Frederick II was a King in Prussia and a King of Prussia from the Hohenzollern dynasty. In his role as a prince-elector of the Holy Roman Empire, he was also Elector of Brandenburg. He was in personal union the sovereign prince of the Principality of Neuchâtel...

 and that it had been published against his will.

Le Sopha was translated into English by Eliza Haywood
Eliza Haywood
Eliza Haywood , born Elizabeth Fowler, was an English writer, actress and publisher. Since the 1980s, Eliza Haywood’s literary works have been gaining in recognition and interest...

 and William Hatchett in 1742, by Bonamy Dobrée
Bonamy Dobrée
Bonamy Dobrée , British academic, was Professor of English Literature at the University of Leeds from 1936 to 1955....

 in 1927, and by Martin Kamin in 1930 (as The Divan: A Morality Story).

Le Sopha is visible as the title of a book in The Toilette
Marriage à-la-mode: 4. The Toilette
The Toilette is the fourth canvas in the series of six satirical paintings known as Marriage à-la-mode painted by William Hogarth.The old Earl has died and the son is now the new Earl and his wife, the Countess...

, one of William Hogarth
William Hogarth
William Hogarth was an English painter, printmaker, pictorial satirist, social critic and editorial cartoonist who has been credited with pioneering western sequential art. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects"...

's series of satirical paintings Marriage à-la-mode, made 1743-1745

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