Khmer art
Encyclopedia
The history of Cambodian art stretches back centuries to ancient crafts. Traditional Cambodian arts and crafts include textiles, non-textile weaving
, silversmithing, stone carving
, lacquerware
, ceramics
, wat
murals, and kite
-making. Beginning in the mid-20th century, a tradition of modern art began in Cambodia, though in the later 20th century both traditional and modern arts declined for several reasons, including the killing of artists by the Khmer Rouge
. The country has experienced a recent artistic revival due to increased support from governments, NGOs, and foreign tourists.
, silk
weaving
, and stone
carving
. The height of Khmer
art occurred during the Angkor
period; much of the era's stone carving and architecture survives to the present. In pre-colonial Cambodia, art and crafts were generally produced either by rural non-specialists for practical use or by skilled artists producing works for the Royal Palace. In modern Cambodia, many artistic traditions entered a period of decline or even ceased to be practiced, but the country has experienced a recent artistic revival as the tourist market has increased and governments and NGOs have contributed to the preservation of Cambodian culture.
weaving
in Cambodia has a long history. The practice dates to as early as the first century, and textiles were used in trade during Angkor
ian times. Even modern textile production evidences these historic antecedents: motifs found on silk today often echo clothing details on ancient stone sculptures.
There are two main types of Cambodian weaving. The ikat
technique (Khmer: chong kiet), which produces patterned fabric, is quite complex. To create patterns, weavers tie and dye portions of weft
yarn before weaving begins. Patterns are diverse and vary by region; common motifs include lattice, stars, and spots. The second weaving technique, unique to Cambodia, is called "uneven twill
". It yields single or two-color fabrics, which are produced by weaving three threads so that the "color of one thread dominates on one side of the fabric, while the two others determine the colour on the reverse side." Traditionally, Cambodian textiles have employed natural dyes. Red dye comes from lac
insect nests, blue dye from indigo
, yellow and green dye from prohut bark, and black dye from ebony
bark.
Cambodia's modern silk-weaving centers are Takeo
, Battambang
, Beanteay Meanchey, Siem Reap
and Kampot provinces. Silk-weaving has seen a major revival recently, with production doubling over the past ten years. This has provided employment for many rural women. Cambodian silk is generally sold domestically, where it is used in sampot
(wrap skirts), furnishings, and pidan
(pictoral tapestries), but interest in international trade is increasing.
Cotton
textiles have also played a significant role in Cambodian culture. Though today Cambodia imports most of its cotton, traditionally woven cotton remains popular. Rural women often weave homemade cotton fabric, which is used in garments and for household purposes. Krama
, the traditional check scarves worn almost universally by Cambodians, are made of cotton.
(Khmer: tbanh kantrak) for household use or as a supplemental source of income. Most baskets are many of thinly cut bamboo. Regions known for basketry include Siem Reap
and Kampong Cham. Mat weaving (tbanh kantuel) is a common seasonal occupation. They are most commonly made from reeds, either left a natural tan color or dyed in deep jewel tones. The region of Cambodia best-known for mat weaving is the Mekong floodplain, especially around Lvea Em district. Mats are commonly laid out for guests and are important building materials for homes. Wicker and rattan crafts (tbanh kanchoeu) made from dryandra
trees are also significant. Common wicker and rattan products include walls, mats, furniture, and other household items.
, which are "renowned for the scale, richness and detail of their sculpture". In modern times, however, the art of stone carving became rare, largely because older sculptures survived undamaged for centuries (eliminating the need for replacements) and because of the use of cement molds for modern temple architecture. By the 1970s and 1980s, the craft of stone carving was nearly lost.
During the late 20th century, however, efforts to restore Angkor resulted in a new demand for skilled stone carvers to replace missing or damaged pieces, and a new tradition of stone carving is arising to meet this need. Most modern carving is traditional-style, but some carvers are experimenting with contemporary designs. Interest is also renewing for using stone carving in modern wats. Modern carvings are typically made from Banteay Meanchey sandstone
, though stone from Pursat
and Kompong Thom is also used.
was between the 12th and 16th centuries; some examples of work from this era, including gilded Buddha images and betel
boxes, have survived to the present day. Lacquerware was traditionally colored black using burnt wood, representing the underworld; red using mercury, representing the earth; and yellow using arsenic, representing the heavens. Lacquer on Angkorian stone dates to the 15th or 16 century.
In modern Cambodia, the art of lacquerwork nearly faded into oblivion: few lacquer trees survived, and lacquer was unavailable in local markets. Today's revival is still in its infancy, but 100 lacquer artists have been trained by a French expert under the guidance of Artisans d'Angkor, a company that produces traditional crafts in village workshops. Some artists are "beginning to experiment with different techniques and styles...to produce modern and striking effects."
, near the former royal capital Oudong
. Silver was made into a variety of items, including weaponry, coins, ceremonial objects used in funerary and religious rituals, and betel boxes. During Cambodia's colonial period, artisans at the School of Fine Art produced celebrated silverwork, and by the late 1930s there were more than 600 silversmiths. Today, silverwork is popular for boxes, jewellery, and souvenir items; these are often adorned with fruit, fire, and Angkor-inspired motifs. Men produce most of the forms for such work, but women often complete the intricate filigree.
Potting traditionally was done either on a pottery wheel or using shaping tools such as paddles and anvils. Firing was done in clay kilns, which could reach temperatures of 1,000–1,200 °C, or in the open air, at temperatures of around 700 °C. Primarily green and brown glazes were used. In rural Cambodia, traditional pottery methods remained. Many pieces are hand-turned and fired on an open fire without glaze. The country's major center for pottery is Kompong Chhnang Province.
In modern Cambodia, the art of glazed ceramics faded into oblivion: the technique of stoneware stop to be used around 14th century, at the end of Angkor era. Today this technique begin a slow revival through a Belgian ceramist who founded the Khmer Ceramics & Fine Arts Center, in Siem Reap, the organization lead vocational training and researches about this lost skill.
mural
s remain in Cambodia. In the 1960s, art historians Guy and Jacqueline Nafilyan photographed 19th-century murals, providing a record of this lost cultural heritage. The best known surviving murals are at the Silver Pagoda in Phnom Penh
, Wat Rajabo in Siem Reap province, and Wat Kompong Tralach Leu in Kompong Chhnang Province. In the last decade, wat murals have seen a resurgence, but Cambodia's surviving older murals are generally more refined and detailed.
. Others have pointed out that it looks more like a chameleon
or a Mountain Horned Dragon , both found in that area.
; he has become the painter of reference for modern painters. During the subsequent Khmer Rouge era, many artists were killed and art production nearly ceased.
After the fall of the Khmer Rouge, artists and professors returned the University of Fine Arts to rebuild arts training. Socialist Bloc governments sponsored the education of young art students in Poland, Bulgaria, the former Soviet Union, and Hungary during the late 1980s and early 1990s. Other local efforts aimed to re-establish workshops, collect documents, and preserve traditional knowledge.
Though several galleries present changing exhibitions in Phnom Penh, the vast majority of artists cannot support themselves through exhibitions and sales of modern work. Artists generally earn income from Angkor-inspired art for tourists or from painting commercial signs and large reproductions that in the West would be mechanically produced.
Several broad schools of art exist among modern Cambodian artists. Some artists, including Som Samai (a silversmith), An Sok (a mask-maker), and Chet Chan (a painter) follow colonial traditions to produce traditional Khmer art. Chhim Sothy
's work is also derived from these traditions. Many young artists who studied abroad in the 1980s, including Phy Chan Than, Soeung Vannara, Long Sophea, and Prom Sam An, have presented a modern Khmer art forms combining subjects from Khmer art with Western modernism. Other notable Cambodian artists include Leang Seckon, Pich Sopheap, Svay Ken, Asasax, Chhan Dina, Lam Soeung, and Chhorn Bun Son. During the 1990s, Cambodia saw the return of many members of the Khmer diaspora, including several internationally recognized artists. Among these are Marine Ky and Chath Piersath
.
Weaving
Weaving is a method of fabric production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The other methods are knitting, lace making and felting. The longitudinal threads are called the warp and the lateral threads are the weft or filling...
, silversmithing, stone carving
Stone carving
Stone carving is an ancient activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, evidence can be found that even the earliest societies indulged in some form of stone work....
, lacquerware
Lacquerware
Lacquerware are objects decoratively covered with lacquer. The lacquer is sometimes inlaid or carved. Lacquerware includes boxes, tableware, buttons and even coffins painted with lacquer in cultures mostly in the Eastern Hemisphere.-History:...
, ceramics
Ceramic art
In art history, ceramics and ceramic art mean art objects such as figures, tiles, and tableware made from clay and other raw materials by the process of pottery. Some ceramic products are regarded as fine art, while others are regarded as decorative, industrial or applied art objects, or as...
, wat
Wat
A wat is a monastery temple in Cambodia, Thailand, or Laos. The word "wat" means "school".- Introduction :...
murals, and kite
Kite
A kite is a tethered aircraft. The necessary lift that makes the kite wing fly is generated when air flows over and under the kite's wing, producing low pressure above the wing and high pressure below it. This deflection also generates horizontal drag along the direction of the wind...
-making. Beginning in the mid-20th century, a tradition of modern art began in Cambodia, though in the later 20th century both traditional and modern arts declined for several reasons, including the killing of artists by the Khmer Rouge
Khmer Rouge
The Khmer Rouge literally translated as Red Cambodians was the name given to the followers of the Communist Party of Kampuchea, who were the ruling party in Cambodia from 1975 to 1979, led by Pol Pot, Nuon Chea, Ieng Sary, Son Sen and Khieu Samphan...
. The country has experienced a recent artistic revival due to increased support from governments, NGOs, and foreign tourists.
History
The history of Cambodian art stretches back centuries to ancient potteryPottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
, silk
Silk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The best-known type of silk is obtained from the cocoons of the larvae of the mulberry silkworm Bombyx mori reared in captivity...
weaving
Weaving
Weaving is a method of fabric production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The other methods are knitting, lace making and felting. The longitudinal threads are called the warp and the lateral threads are the weft or filling...
, and stone
Rock (geology)
In geology, rock or stone is a naturally occurring solid aggregate of minerals and/or mineraloids.The Earth's outer solid layer, the lithosphere, is made of rock. In general rocks are of three types, namely, igneous, sedimentary, and metamorphic...
carving
Stone carving
Stone carving is an ancient activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, evidence can be found that even the earliest societies indulged in some form of stone work....
. The height of Khmer
Khmer Empire
The Khmer Empire was one of the most powerful empires in Southeast Asia. The empire, which grew out of the former kingdom of Chenla, at times ruled over and/or vassalized parts of modern-day Laos, Thailand, Vietnam, Burma, and Malaysia. Its greatest legacy is Angkor, the site of the capital city...
art occurred during the Angkor
Angkor
Angkor is a region of Cambodia that served as the seat of the Khmer Empire, which flourished from approximately the 9th to 15th centuries. The word Angkor is derived from the Sanskrit nagara , meaning "city"...
period; much of the era's stone carving and architecture survives to the present. In pre-colonial Cambodia, art and crafts were generally produced either by rural non-specialists for practical use or by skilled artists producing works for the Royal Palace. In modern Cambodia, many artistic traditions entered a period of decline or even ceased to be practiced, but the country has experienced a recent artistic revival as the tourist market has increased and governments and NGOs have contributed to the preservation of Cambodian culture.
Textiles
SilkSilk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The best-known type of silk is obtained from the cocoons of the larvae of the mulberry silkworm Bombyx mori reared in captivity...
weaving
Weaving
Weaving is a method of fabric production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The other methods are knitting, lace making and felting. The longitudinal threads are called the warp and the lateral threads are the weft or filling...
in Cambodia has a long history. The practice dates to as early as the first century, and textiles were used in trade during Angkor
Angkor
Angkor is a region of Cambodia that served as the seat of the Khmer Empire, which flourished from approximately the 9th to 15th centuries. The word Angkor is derived from the Sanskrit nagara , meaning "city"...
ian times. Even modern textile production evidences these historic antecedents: motifs found on silk today often echo clothing details on ancient stone sculptures.
There are two main types of Cambodian weaving. The ikat
Ikat
Ikat, or Ikkat, is a dyeing technique used to pattern textiles that employs a resist dyeing process similar to tie-dye on either the warp or weft fibres....
technique (Khmer: chong kiet), which produces patterned fabric, is quite complex. To create patterns, weavers tie and dye portions of weft
Weft
In weaving, weft or woof is the yarn which is drawn through the warp yarns to create cloth. In North America, it is sometimes referred to as the "fill" or the "filling yarn"....
yarn before weaving begins. Patterns are diverse and vary by region; common motifs include lattice, stars, and spots. The second weaving technique, unique to Cambodia, is called "uneven twill
Twill
Twill is a type of textile weave with a pattern of diagonal parallel ribs . This is done by passing the weft thread over one or more warp threads and then under two or more warp threads and so on, with a "step" or offset between rows to create the characteristic diagonal pattern. Because of this...
". It yields single or two-color fabrics, which are produced by weaving three threads so that the "color of one thread dominates on one side of the fabric, while the two others determine the colour on the reverse side." Traditionally, Cambodian textiles have employed natural dyes. Red dye comes from lac
Lac
Lac is the scarlet resinous secretion of a number of species of insects, namely some of the species of the genera Metatachardia, Laccifer, Tachordiella, Austrotacharidia, Afrotachardina, and Tachardina of the superfamily Coccoidea, of which the most commonly cultivated species is Kerria lacca.The...
insect nests, blue dye from indigo
Indigo
Indigo is a color named after the purple dye derived from the plant Indigofera tinctoria and related species. The color is placed on the electromagnetic spectrum between about 420 and 450 nm in wavelength, placing it between blue and violet...
, yellow and green dye from prohut bark, and black dye from ebony
Ebony
Ebony is a dense black wood, most commonly yielded by several species in the genus Diospyros, but ebony may also refer to other heavy, black woods from unrelated species. Ebony is dense enough to sink in water. Its fine texture, and very smooth finish when polished, make it valuable as an...
bark.
Cambodia's modern silk-weaving centers are Takeo
Takeo
is a common masculine Japanese given name.-Possible writings:Takeo can be written using different kanji characters and can mean:*武夫, "warrior, man"*武雄, "warrior, brave"*猛雄, "fierce, brave"*健男, "health, man"...
, Battambang
Battambang
Battambang is the capital city of Battambang province in northwestern Cambodia.Battambang is the second-largest city in Cambodia with a population of over 250,000. Founded in the 11th century by the Khmer Empire, Battambang is well known for being the leading rice-producing province of the country...
, Beanteay Meanchey, Siem Reap
Siem Reap
Siem Reap is the capital city of Siem Reap Province in northwestern Cambodia, and is the gateway to Angkor region.Siem Reap has colonial and Chinese-style architecture in the Old French Quarter, and around the Old Market...
and Kampot provinces. Silk-weaving has seen a major revival recently, with production doubling over the past ten years. This has provided employment for many rural women. Cambodian silk is generally sold domestically, where it is used in sampot
Sampot
The sampot is a long, rectangular cloth worn around the lower body. It can be draped and folded in several different ways. The traditional dress is similar to the dhoti of Southern Asia...
(wrap skirts), furnishings, and pidan
Pidan (textile)
A pidan is a type of silk cloth used in Cambodian weddings, funerals, and Buddhist ceremonies as a canopy or tapestry. Pidan are often decorated with images of wats, nāgas, apsaras, scenes from the life of Buddha, Angkor Wat, animals , and...
(pictoral tapestries), but interest in international trade is increasing.
Cotton
Cotton
Cotton is a soft, fluffy staple fiber that grows in a boll, or protective capsule, around the seeds of cotton plants of the genus Gossypium. The fiber is almost pure cellulose. The botanical purpose of cotton fiber is to aid in seed dispersal....
textiles have also played a significant role in Cambodian culture. Though today Cambodia imports most of its cotton, traditionally woven cotton remains popular. Rural women often weave homemade cotton fabric, which is used in garments and for household purposes. Krama
Krama
A krama is a sturdy traditional Cambodian garment with many uses, including as a scarf, bandanna, to carry children, to cover the face, and for decorative purposes. It is worn by men, women and children, and can be fairly ornate, though most typical kramas contain a gingham pattern of some sort,...
, the traditional check scarves worn almost universally by Cambodians, are made of cotton.
Non-textile weaving
Many Cambodian farmers weave basketsBasket weaving
Basket weaving is the process of weaving unspun vegetable fibres into a basket or other similar form. People and artists who weave baskets are called basketmakers and basket weavers.Basketry is made from a variety of fibrous or pliable materials•anything that will bend and form a shape...
(Khmer: tbanh kantrak) for household use or as a supplemental source of income. Most baskets are many of thinly cut bamboo. Regions known for basketry include Siem Reap
Siem Reap
Siem Reap is the capital city of Siem Reap Province in northwestern Cambodia, and is the gateway to Angkor region.Siem Reap has colonial and Chinese-style architecture in the Old French Quarter, and around the Old Market...
and Kampong Cham. Mat weaving (tbanh kantuel) is a common seasonal occupation. They are most commonly made from reeds, either left a natural tan color or dyed in deep jewel tones. The region of Cambodia best-known for mat weaving is the Mekong floodplain, especially around Lvea Em district. Mats are commonly laid out for guests and are important building materials for homes. Wicker and rattan crafts (tbanh kanchoeu) made from dryandra
Dryandra
Banksia ser. Dryandra is a series of 94 species of shrub to small tree in the plant genus Banksia. It was considered a separate genus named Dryandra until early 2007, when it was merged into Banksia on the basis of extensive molecular and morphological evidence that Banksia was paraphyletic with...
trees are also significant. Common wicker and rattan products include walls, mats, furniture, and other household items.
Stone carving
Cambodia's best-known stone carving adorns the temples of AngkorAngkor
Angkor is a region of Cambodia that served as the seat of the Khmer Empire, which flourished from approximately the 9th to 15th centuries. The word Angkor is derived from the Sanskrit nagara , meaning "city"...
, which are "renowned for the scale, richness and detail of their sculpture". In modern times, however, the art of stone carving became rare, largely because older sculptures survived undamaged for centuries (eliminating the need for replacements) and because of the use of cement molds for modern temple architecture. By the 1970s and 1980s, the craft of stone carving was nearly lost.
During the late 20th century, however, efforts to restore Angkor resulted in a new demand for skilled stone carvers to replace missing or damaged pieces, and a new tradition of stone carving is arising to meet this need. Most modern carving is traditional-style, but some carvers are experimenting with contemporary designs. Interest is also renewing for using stone carving in modern wats. Modern carvings are typically made from Banteay Meanchey sandstone
Sandstone
Sandstone is a sedimentary rock composed mainly of sand-sized minerals or rock grains.Most sandstone is composed of quartz and/or feldspar because these are the most common minerals in the Earth's crust. Like sand, sandstone may be any colour, but the most common colours are tan, brown, yellow,...
, though stone from Pursat
Pursat
Pursat is the capital of Pursat Province, Cambodia. Its name derived from a type of tree.- Notes :...
and Kompong Thom is also used.
Lacquerware
The height of Cambodian traditional lacquerwareLacquerware
Lacquerware are objects decoratively covered with lacquer. The lacquer is sometimes inlaid or carved. Lacquerware includes boxes, tableware, buttons and even coffins painted with lacquer in cultures mostly in the Eastern Hemisphere.-History:...
was between the 12th and 16th centuries; some examples of work from this era, including gilded Buddha images and betel
Betel
The Betel is the leaf of a vine belonging to the Piperaceae family, which includes pepper and Kava. It is valued both as a mild stimulant and for its medicinal properties...
boxes, have survived to the present day. Lacquerware was traditionally colored black using burnt wood, representing the underworld; red using mercury, representing the earth; and yellow using arsenic, representing the heavens. Lacquer on Angkorian stone dates to the 15th or 16 century.
In modern Cambodia, the art of lacquerwork nearly faded into oblivion: few lacquer trees survived, and lacquer was unavailable in local markets. Today's revival is still in its infancy, but 100 lacquer artists have been trained by a French expert under the guidance of Artisans d'Angkor, a company that produces traditional crafts in village workshops. Some artists are "beginning to experiment with different techniques and styles...to produce modern and striking effects."
Silversmithing
Silversmithing in Cambodia dates back centuries. The Royal Palace traditionally patronized silversmiths' workshops, and silversmiths remain concentrated at Kompong LuongKompong Luong
Kompong Luong is a large floating village north of Krakor, on Tonlé Sap Lake. Its distance from Krakor and NH5 may vary from 2 to 7 km, following the seasonal expansion and shrinking of the lake....
, near the former royal capital Oudong
Oudong
Udong is a town in Cambodia, situated in the north-western part of Kandal Province. The town is located on top of the mountain Phnom Udong, about 40 km northwest of the capital Phnom Penh...
. Silver was made into a variety of items, including weaponry, coins, ceremonial objects used in funerary and religious rituals, and betel boxes. During Cambodia's colonial period, artisans at the School of Fine Art produced celebrated silverwork, and by the late 1930s there were more than 600 silversmiths. Today, silverwork is popular for boxes, jewellery, and souvenir items; these are often adorned with fruit, fire, and Angkor-inspired motifs. Men produce most of the forms for such work, but women often complete the intricate filigree.
Ceramics
Cambodian pottery traditions date to 5000 BCE. Ceramics were mostly used for domestic purposes such as holding food and water. There is no evidence that Khmer ceramics were ever exported, though ceramics were imported from elsewhere in Asia beginning in the 10th century. Ceramics in the shape of birds, elephants, rabbits, and other animals were popular between the 11th and 13th centuries.Potting traditionally was done either on a pottery wheel or using shaping tools such as paddles and anvils. Firing was done in clay kilns, which could reach temperatures of 1,000–1,200 °C, or in the open air, at temperatures of around 700 °C. Primarily green and brown glazes were used. In rural Cambodia, traditional pottery methods remained. Many pieces are hand-turned and fired on an open fire without glaze. The country's major center for pottery is Kompong Chhnang Province.
In modern Cambodia, the art of glazed ceramics faded into oblivion: the technique of stoneware stop to be used around 14th century, at the end of Angkor era. Today this technique begin a slow revival through a Belgian ceramist who founded the Khmer Ceramics & Fine Arts Center, in Siem Reap, the organization lead vocational training and researches about this lost skill.
Wat murals
Because of destruction during recent war, few historic watWat
A wat is a monastery temple in Cambodia, Thailand, or Laos. The word "wat" means "school".- Introduction :...
mural
Mural
A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A particularly distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.-History:Murals of...
s remain in Cambodia. In the 1960s, art historians Guy and Jacqueline Nafilyan photographed 19th-century murals, providing a record of this lost cultural heritage. The best known surviving murals are at the Silver Pagoda in Phnom Penh
Phnom Penh
Phnom Penh is the capital and largest city of Cambodia. Located on the banks of the Mekong River, Phnom Penh has been the national capital since the French colonized Cambodia, and has grown to become the nation's center of economic and industrial activities, as well as the center of security,...
, Wat Rajabo in Siem Reap province, and Wat Kompong Tralach Leu in Kompong Chhnang Province. In the last decade, wat murals have seen a resurgence, but Cambodia's surviving older murals are generally more refined and detailed.
The Cambodian Stegosaurus
There is a creature depicted in a little picture on the Angkor Wat which some have said resembles a StegosaurusStegosaurus
Stegosaurus is a genus of armored stegosaurid dinosaur. They lived during the Late Jurassic period , some 155 to 150 million years ago in what is now western North America. In 2006, a specimen of Stegosaurus was announced from Portugal, showing that they were present in Europe as well...
. Others have pointed out that it looks more like a chameleon
Chameleon
Chameleons are a distinctive and highly specialized clade of lizards. They are distinguished by their parrot-like zygodactylous feet, their separately mobile and stereoscopic eyes, their very long, highly modified, and rapidly extrudable tongues, their swaying gait, the possession by many of a...
or a Mountain Horned Dragon , both found in that area.
Masks
- See http://www.culturalprofiles.net/cambodia/Directories/Cambodia_Cultural_Profile/-1831.html
Kites
Cambodia's kite-making and kite-flying tradition, which dates back many centuries, was revived in the early 1990s and is now extremely popular throughout the country. Kites (Khmer: khleng ek) are generally flown at night during the northeast monsoon season. A bow attached to the kites resonates in the wind, producing a musical sound.Modern and contemporary visual arts
Cambodia's tradition of modern (representational) drawing, painting, and sculpture was established in the late 1940s at the School of Cambodian Arts (later called the University of Fine Arts), where it occupied occupied much of the school's curriculum a decade later. These developments were supported by the government, which encouraged new areas of specialization (e.g. design and modern painting) at the school and purchased modern art for the Prime Minister's residences and for government buildings. Galleries opened in Phnom Penh during the 1960s, and cultural centers hosted exhibitions of modern paintings and provided art libraries. One important painter of the 1960s was Nhek DimNhek Dim
Nhek Dim was a Cambodian artist, painter, writer and composer.-Biography:Nhek Dim was born on February 12, 1934 in Reap village, Reap commune, Pea Reang District, in Prey Veng Province, Cambodia. His parents, Nhek Pidaou and Prom Pul, were prosperous farmers. From childhood he showed a remarkable...
; he has become the painter of reference for modern painters. During the subsequent Khmer Rouge era, many artists were killed and art production nearly ceased.
After the fall of the Khmer Rouge, artists and professors returned the University of Fine Arts to rebuild arts training. Socialist Bloc governments sponsored the education of young art students in Poland, Bulgaria, the former Soviet Union, and Hungary during the late 1980s and early 1990s. Other local efforts aimed to re-establish workshops, collect documents, and preserve traditional knowledge.
Though several galleries present changing exhibitions in Phnom Penh, the vast majority of artists cannot support themselves through exhibitions and sales of modern work. Artists generally earn income from Angkor-inspired art for tourists or from painting commercial signs and large reproductions that in the West would be mechanically produced.
Several broad schools of art exist among modern Cambodian artists. Some artists, including Som Samai (a silversmith), An Sok (a mask-maker), and Chet Chan (a painter) follow colonial traditions to produce traditional Khmer art. Chhim Sothy
Chhim Sothy
Chhim Sothy is an acclaimed Cambodian painter and sculptor noted for his ability in a diverse number of artistic techniques and mediums. -Biography:...
's work is also derived from these traditions. Many young artists who studied abroad in the 1980s, including Phy Chan Than, Soeung Vannara, Long Sophea, and Prom Sam An, have presented a modern Khmer art forms combining subjects from Khmer art with Western modernism. Other notable Cambodian artists include Leang Seckon, Pich Sopheap, Svay Ken, Asasax, Chhan Dina, Lam Soeung, and Chhorn Bun Son. During the 1990s, Cambodia saw the return of many members of the Khmer diaspora, including several internationally recognized artists. Among these are Marine Ky and Chath Piersath
Chath PierSath
Chath Piersath, born in Chath Piersath, born in Chath Piersath, born in (Kop Nymit, Svay Sisophon District, in Battambang Province is a noted Cambodian American poet, painter and humanitarian...
.