Kaoru Kuroki
Encyclopedia
, is a former adult video (AV) performer and a multi-media personality whose role as a media counselor expressing outspoken views on sex and society have drawn comparisons to La Cicciolina
and Dr. Ruth
.
While still attending Yokohama National University
, Kuroki began appearing in AVs, at first considering this to be another form of art. "I wanted to approach it purely as a performance art form, but it turned out to be a lot crazier than that. In fact, if I'd continued to see porno video as art without also acknowledging it as just a fuck film, I wouldn't have gone this far."
She expresses admiration for the films of Nagisa Oshima
, Ingmar Bergman
and Bernardo Bertolucci
, but, while she continues to view her AV performances as a social mission, she contrasts the AV with film. She says the AV "has a different atmosphere. It's not very sophisticated, in fact it's primitive. It's a bit like eating and menus in restaurants: you're hungry and you have a sudden craving for noodles, so you go and eat noodles. Your appetite is towards a porno video, so you go and rent whatever turns you on. And as with food, viewers can use basic ingredients to 'cook' the desired stimulation from the video themselves."
, under the innovative AV director and former porn actor, Toru Muranishi
. Muranishi was the creator of the documentary style often emulated in Japanese AVs. Kuroki, sharing Muranishi's opinion that the AV should have a documentary quality, continued to work with him when he founded his own company, Diamond Visual. Kuroki's AVs for Muranishi usually began with her seated, sharply dressed, and addressing the camera in an improvised talk on a subject like sexual liberation. This would typically be followed by a modeling segment, either nude or in a swimsuit. The remaining video footage would be taken up with various sexual performances, often involving S&M
.
Regarding the sex scenes, Bornoff states, "the peripherals in a Kuroki video are fairly violent stuff. She oscillates between abused sexual slave and the epitome of self-assertion with schizophrenic rapidity. To some, the documentary makes for a jarring experience; the feedback she gets from viewers can be surprising. Some say they almost find her frightening; that they can't get a hard-on."
Kuroki responds, "The men who find my videos frightening often recognize the wilder, more uninhibited side of their own girlfriends. In order to liberate themselves, they must first take off their armour. If a man recognizes Kuroki in his wife or girlfriend, he is forced to strip it off in order to deal with her. That's how I liberate both sexes."
In 1988 Kuroki visited Italy
where she met Cicciolina, whom she regards as sensei
. She was pleased to find that many of their opinions coincided, but was surprised by Cicciolina's discomfort with Kuroki's masochistic tendencies and preference for the S&M genre. Kuroki attributes this to cultural and personal differences, and does not feel that S&M equates to submissiveness. Indeed, Fornander points out that Kuroki made AVs in general, and S&M in particular a feminist issue in Japan.
In 1989, Kuroki appeared with the new AV star and fellow Diamond Visual employee, Kimiko Matsuzaka
in her second AV. In two entries of Diamond's later How to Sex - Sexual Information series of instructional sex videos, Kuroki served as the instructor/lecturer with Matsuzaka performing the physical demonstrations. After Matsuzaka's retirement from AV appearances in 1990, Kuroki also appeared with Matsuzaka at the Akasaka
club, "Mirukuhooru" ("Milk Hall").
, for 22 million yen for invasion of privacy. In April, 2007, the presiding judge ruled the articles illegal and awarded Kuroki 1.7 million yen (about $14,000). Shogakukan was reportedly considering appealing the decision.
At the height of her popularity, Kuroki's AVs were averaging 17,000 sales a piece, a huge amount by industry standards, exceeding a million dollars. According to Rosemary Iwamura, "Kaoru changed the image of AV girls; she didn't seem to be making videos because of a lack of options but rather as an informed choice." For bringing the AV industry to the attention of mainstream media in Japan, as well as her polite but frank outspokenness on subjects like sex and censorship, Kjell Fornander calls her "the first high-profile AV actress." She permanently changed the way that the AV industry and AV actresses were viewed by the general public in Japan.
Ilona Staller
Ilona Staller , also known by her stage name la Cicciolina, is a Hungarian-born Italian porn star, politician, and singer. She continued to make hardcore pornographic films while in office. She is famous for delivering political speeches with one breast exposed.-Early life:Anna Ilona was born in...
and Dr. Ruth
Ruth Westheimer
Ruth Westheimer is an American sex therapist, media personality, and author. Best known as Dr. Ruth, the New York Times described her as a "Sorbonne-trained psychologist who became a kind of cultural icon in the 1980s...
.
Early life
Kaoru Kuroki (whose stage name translates to "Blackwood Fragrance") was born January 21, 1965 to a conservative, comfortably middle-class family. The daughter of an engineer, Kuroki was a naturally gifted child and showed artistic talent from an early age. She left public school at the age of 15 to attend art college, and later studied Renaissance art history at Yokohama National University.While still attending Yokohama National University
Yokohama National University
, or is a national university in Hodogaya-ku, Yokohama, Kanagawa Prefecture, Japan. It offers Doctoral degrees in education as part of a coalition with Tokyo Gakugei University, Saitama University, and Chiba University. It is noted for its Business Administration program.-History:The predecessor...
, Kuroki began appearing in AVs, at first considering this to be another form of art. "I wanted to approach it purely as a performance art form, but it turned out to be a lot crazier than that. In fact, if I'd continued to see porno video as art without also acknowledging it as just a fuck film, I wouldn't have gone this far."
She expresses admiration for the films of Nagisa Oshima
Nagisa Oshima
is a Japanese film director and screenwriter. After graduating from Kyoto University he was hired by Shochiku Ltd. and quickly progressed to directing his own movies, making his debut feature A Town of Love and Hope in 1959....
, Ingmar Bergman
Ingmar Bergman
Ernst Ingmar Bergman was a Swedish director, writer and producer for film, stage and television. Described by Woody Allen as "probably the greatest film artist, all things considered, since the invention of the motion picture camera", he is recognized as one of the most accomplished and...
and Bernardo Bertolucci
Bernardo Bertolucci
Bernardo Bertolucci is an Italian film director and screenwriter, whose films include The Conformist, Last Tango in Paris, 1900, The Last Emperor and The Dreamers...
, but, while she continues to view her AV performances as a social mission, she contrasts the AV with film. She says the AV "has a different atmosphere. It's not very sophisticated, in fact it's primitive. It's a bit like eating and menus in restaurants: you're hungry and you have a sudden craving for noodles, so you go and eat noodles. Your appetite is towards a porno video, so you go and rent whatever turns you on. And as with food, viewers can use basic ingredients to 'cook' the desired stimulation from the video themselves."
AV debut
Kuroki's adult video debut was on October 2, 1986 at the major AV company Crystal-EizouCrystal-Eizou
, known in English as Crystal Image or Crystal Video, is a Japanese corporation involved in the production and distribution of adult videos.-Company history:...
, under the innovative AV director and former porn actor, Toru Muranishi
Toru Muranishi
is an innovative and controversial director of Japanese adult videos who, in a 1992 Tokyo Journal article by Kjell Fornander, was called "the dirtiest of the industry’s dirty old men"...
. Muranishi was the creator of the documentary style often emulated in Japanese AVs. Kuroki, sharing Muranishi's opinion that the AV should have a documentary quality, continued to work with him when he founded his own company, Diamond Visual. Kuroki's AVs for Muranishi usually began with her seated, sharply dressed, and addressing the camera in an improvised talk on a subject like sexual liberation. This would typically be followed by a modeling segment, either nude or in a swimsuit. The remaining video footage would be taken up with various sexual performances, often involving S&M
Sadism and masochism
Sadomasochism broadly refers to the receiving of pleasure—often sexual—from acts involving the infliction or reception of pain or humiliation. The name originates from two authors on the subject, Marquis de Sade and Leopold von Sacher-Masoch...
.
Regarding the sex scenes, Bornoff states, "the peripherals in a Kuroki video are fairly violent stuff. She oscillates between abused sexual slave and the epitome of self-assertion with schizophrenic rapidity. To some, the documentary makes for a jarring experience; the feedback she gets from viewers can be surprising. Some say they almost find her frightening; that they can't get a hard-on."
Kuroki responds, "The men who find my videos frightening often recognize the wilder, more uninhibited side of their own girlfriends. In order to liberate themselves, they must first take off their armour. If a man recognizes Kuroki in his wife or girlfriend, he is forced to strip it off in order to deal with her. That's how I liberate both sexes."
Mainstream breakthrough
Kuroki was engaged in video and magazine appearances typical to being an AV model when she caught the attention of the mainstream media in 1988. Her decision to stop shaving her under-arm hair, as a symbolic protest against Japan's long-standing censorship of the depiction of pubic hair in print or film, gained Kuroki interviews with the mainstream media. Kuroki concedes that her decision to stop shaving her under-arms worked as a gimmick to help set her apart from the mass of AV girls, but considers it also an expression of femininity and identity. Impressed by her ability to speak intelligently and matter-of-factly about subjects normally considered unmentionable, late-night talk shows began inviting Kuroki as a guest. Soon she had become a popular daytime TV panellist, was appearing in commercials, and served as a large department store's campaign girl. While she was popular with her male audience for her AV appearances, she also appealed to a female audience by expressing feminist view on daytime television. Reflecting on her popularity, unprecedented for an AV model up to that time, Kuroki points out that there was a social need for someone like her. "I talk about life as a woman, but with my background, obviously the focus is on sex. I seem to have become a spokeswoman for the too many women who are embarrassed to talk about it."In 1988 Kuroki visited Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
where she met Cicciolina, whom she regards as sensei
Sensei
' is a Japanese word that basically means "person born before another." In general usage, it means "master" or "teacher," and the word is used as a title to refer to or address teachers, professors, professionals such as lawyers, CPA and doctors, politicians, clergymen, and other figures of authority...
. She was pleased to find that many of their opinions coincided, but was surprised by Cicciolina's discomfort with Kuroki's masochistic tendencies and preference for the S&M genre. Kuroki attributes this to cultural and personal differences, and does not feel that S&M equates to submissiveness. Indeed, Fornander points out that Kuroki made AVs in general, and S&M in particular a feminist issue in Japan.
In 1989, Kuroki appeared with the new AV star and fellow Diamond Visual employee, Kimiko Matsuzaka
Kimiko Matsuzaka
is a Japanese AV idol who was prominent during the late-1980s and early-1990s noted for her large breasts. An authority on the AV industry points to Matsuzaka's career as the beginning of the "Big Bust Boom" in Japan.- AV Debut :...
in her second AV. In two entries of Diamond's later How to Sex - Sexual Information series of instructional sex videos, Kuroki served as the instructor/lecturer with Matsuzaka performing the physical demonstrations. After Matsuzaka's retirement from AV appearances in 1990, Kuroki also appeared with Matsuzaka at the Akasaka
Akasaka, Tokyo
is a residential and commercial district of Minato, Tokyo, located west of the government center in Nagatachō and north of the Roppongi nightlife district....
club, "Mirukuhooru" ("Milk Hall").
Retirement and legacy
Kuroki retired from public life in 1994. In the January 2002 issue of the magazine Josei Seven, and the January 2004 issue of Shukan Post, stories and pictures on Kuroki's private life were printed. Kuroki claimed that as an ordinary citizen no longer in the public eye, the magazines needed her permission to print these stories. Kuroki sued the publisher, ShogakukanShogakukan
is a Japanese publisher of dictionaries, literature, manga, non-fiction, DVDs, and other media in Japan.Shogakukan founded Shueisha which founded Hakusensha. These are three separate companies, but are together called the Hitotsubashi Group, one of the largest publishing groups in Japan...
, for 22 million yen for invasion of privacy. In April, 2007, the presiding judge ruled the articles illegal and awarded Kuroki 1.7 million yen (about $14,000). Shogakukan was reportedly considering appealing the decision.
At the height of her popularity, Kuroki's AVs were averaging 17,000 sales a piece, a huge amount by industry standards, exceeding a million dollars. According to Rosemary Iwamura, "Kaoru changed the image of AV girls; she didn't seem to be making videos because of a lack of options but rather as an informed choice." For bringing the AV industry to the attention of mainstream media in Japan, as well as her polite but frank outspokenness on subjects like sex and censorship, Kjell Fornander calls her "the first high-profile AV actress." She permanently changed the way that the AV industry and AV actresses were viewed by the general public in Japan.