In the Sulks
Encyclopedia
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
with a libretto by Frank Desprez
Frank Desprez
Frank Desprez was an English playwright, essayist, and poet. He wrote more than twenty pieces for the theatre, as well as numerous shorter works, including his famous poem, Lasca.-Life and career:...
and music by Alfred Cellier
Alfred Cellier
Alfred Cellier was an English composer, orchestrator and conductor.In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and...
. It was first performed at the Opera Comique
Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street and Holywell Street with entrances on the East Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway...
on 21 February 1880; revived 3 April 1880 to 2 April 1881 as a curtain raiser
Curtain raiser (drama)
A curtain raiser is a performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain...
to The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
, and again from 23 or 25 (sources differ) April to 2 May 1881 and from 11 to 14 October 1881 as a curtain raiser to Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
. It was also performed from 21 February to 20 March 1880 at matinees with the Children's Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
. The piece also toured frequently from 1879 to 1882.
There is no printed libretto or vocal score. A copy of the libretto is in the Lord Chamberlain's collection.
The fashion in the late Victorian era
Victorian era
The Victorian era of British history was the period of Queen Victoria's reign from 20 June 1837 until her death on 22 January 1901. It was a long period of peace, prosperity, refined sensibilities and national self-confidence...
was to present long evenings in the theatre, and so producer Richard D'Oyly Carte
Richard D'Oyly Carte
Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer and hotelier during the latter half of the Victorian era...
preceded his Savoy opera
Savoy opera
The Savoy Operas denote a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house...
s with curtain raisers such as In the Sulks. W. J. MacQueen-Pope
W. J. MacQueen-Pope
Walter James MacQueen-Pope was an English theatre historian and publicist. From a theatrical family which could be traced back to contemporaries of Shakespeare, he was in management for the first part of his career, but switched to publicity, in which field he became well-known...
commented, concerning such curtain raisers:
- This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserved much better treatment than they got, but those who saw them delighted in them. ... [They] served to give young actors and actresses a chance to win their spurs ... the stalls and the boxes lost much by missing the curtain-raiser, but to them dinner was more important.
Synopsis
After an argument, Mr. Liverby is sulking and refusing to speak to his wife. Mrs. Liverby decides to make him jealous and writes a love letter to herself, allegedly from a young man. Mr. Liverby finds a love letter, but when he learns it was a joke he forgives her. However, the letter turns out not to be the one Mrs. Liverby had written, but another one written by a young man who has been hanging around the house for days trying to get an opportunity to speak to her. She is terrified, but her husband refuses to listen, thinking that this is another joke to try to make him lose his temper again, and he is determined to stay in a good humour. The young man eventually turns out to be Mr. Liverby's nephew who had been let go by Liverby's firm, and who has merely been trying to persuade Mrs. Liverby to put in a good word for him. Mr. Liverby agrees to reinstate his nephew, and all ends happily.Musical numbers
- No. 1 - Song - Georgina
- No. 2 - Duet - Liverby and Georgina
- No. 3 - Trio - Georgina, Liverby and Joseph
- No. 4 - Finale
Cast information
The original cast was:- Mr. James Liverby, a man of business. George Temple
- Mrs. Georgina Liverby, his wife. Lilian La Rue
- Joseph, a boy in buttons. Frank ThorntonFrank Thornton (Savoyard)Frank Thornton was an English actor, singer, comedian and producer. Despite a successful stage career in comedies in London, on tour and abroad, Thornton is probably best remembered as the understudy to George Grossmith in a series of Gilbert and Sullivan operas from 1877 to 1884.Thornton began...
- one muta persona. Ellen Shirley
When the Pirates company returned from New York in 1881, Julia Gwynne
Julia Gwynne
Julia Gwynne was an English opera singer and actress best remembered for her performances with the D'Oyly Carte Opera Company from 1879 to 1883...
replaced La Rue as Kate (in Pirates) and Mrs. Liverby. When George Temple left at the end of the run of Pirates, W. H. Seymour took over the role of Mr. Liverby.