Hans Eworth
Encyclopedia
Hans Eworth (c. 1520–1574) was a Flemish
Flanders
Flanders is the community of the Flemings but also one of the institutions in Belgium, and a geographical region located in parts of present-day Belgium, France and the Netherlands. "Flanders" can also refer to the northern part of Belgium that contains Brussels, Bruges, Ghent and Antwerp...

 painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...

 active in England in the mid-16th century. Along with other exiled Flemings, he made a career in Tudor London, painting allegorical
Allegory
Allegory is a demonstrative form of representation explaining meaning other than the words that are spoken. Allegory communicates its message by means of symbolic figures, actions or symbolic representation...

 images as well as portraits of the gentry and nobility. About 40 paintings are now attributed to Eworth, among them portraits of Mary I
Mary I of England
Mary I was queen regnant of England and Ireland from July 1553 until her death.She was the only surviving child born of the ill-fated marriage of Henry VIII and his first wife Catherine of Aragon. Her younger half-brother, Edward VI, succeeded Henry in 1547...

 and Elizabeth I
Elizabeth I of England
Elizabeth I was queen regnant of England and Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty...

. Eworth also executed decorative commissions for Elizabeth's Office of the Revels
Master of the Revels
The Master of the Revels was a position within the English, and later the British, royal household heading the "Revels Office" or "Office of the Revels" that originally had responsibilities for overseeing royal festivities, known as revels, and later also became responsible for stage censorship,...

 in the early 1570s.

Career

Nothing is known of Eworth's early life or training. As "Jan Euworts", he is recorded as a freeman of the artists' Guild of St Luke in Antwerp in 1540. A "Jan and Nicholas Ewouts, painter and mercer" were expelled from Antwerp for heresy in 1544 and scholars generally accept that this Jan is the same individual. By 1545 Eworth was resident in London, where he is well recorded (under a wide variety of spellings) from 1549.

Eworth's earliest surviving works also date from 1549 to 1550. These include the allegorical portrait of Sir John Luttrell
John Luttrell (soldier)
Sir John Luttrell was an English soldier, diplomat, and courtier under Henry VIII and Edward VI. He served under Edward Seymour, Earl of Hertford in Scotland and France...

 with the goddess Pax
Pax (mythology)
In Roman mythology, Pax [paqs] was recognized as a goddess during the rule of Augustus. On the Campus Martius, she had a temple called the Ara Pacis, and another temple on the Forum Pacis. She was depicted in art with olive branches, a cornucopia and a scepter...

, commemorating Luttrell's military exploits and the Treaty of Boulogne (24 March 1550) which finally brought peace between England, Scotland, and France after the long wars known as the Rough Wooing. The original—signed with Eworth's "HE" monogram—was donated to the Courtauld Institute of Art
Courtauld Institute of Art
The Courtauld Institute of Art is a self-governing college of the University of London specialising in the study of the history of art. The Courtauld is one of the premier centres for the teaching of art history in the world; it was the only History of Art department in the UK to be awarded a top...

 by Lord Lee of Farnham in 1932. The painting was in "badly damaged" condition when it was donated to the Institute, although it has subsequently been conserved and restored.

Although there is no direct evidence that Eworth's most important patron was the Catholic queen Mary I, most scholars now accept this to be the case. All his known portraits of Mary I appear to be variants of a portrait in the National Portrait Gallery, London (above) which is signed 'HE' and dated 1554 at the top left. A second portrait, now in the Society of Antiquaries
Society of Antiquaries of London
The Society of Antiquaries of London is a learned society "charged by its Royal Charter of 1751 with 'the encouragement, advancement and furtherance of the study and knowledge of the antiquities and history of this and other countries'." It is based at Burlington House, Piccadilly, London , and is...

 collection, is also signed and dated 1554. Two other portraits show Mary I in later fashions and are thought to have been painted between 1555 and Mary's death in 1558. Over the next decade, Eworth continued to paint portraits of the aristocracy, including paired portraits of the Duke of Norfolk
Thomas Howard, 4th Duke of Norfolk
Thomas Howard, 4th Duke of Norfolk, KG, Earl Marshal was an English nobleman.Norfolk was the son of the poet Henry Howard, Earl of Surrey. He was taught as a child by John Foxe, the Protestant martyrologist, who remained a lifelong recipient of Norfolk's patronage...

 and his second wife and of the Earl and Countess of Moray
James Stewart, 1st Earl of Moray
James Stewart, 1st Earl of Moray , a member of the House of Stewart as the illegitimate son of King James V, was Regent of Scotland for his nephew, the infant King James VI of Scotland, from 1567 until his assassination in 1570...

.

Despite the frequent appearance of a characteristic "HE" monogram, the attribution of works to Eworth—and the identification of his sitters—remains in flux. A well-known painting identified by George Vertue
George Vertue
George Vertue was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.-Life:...

 in 1727 as Lady Frances Brandon
Lady Frances Brandon
Frances Grey, Duchess of Suffolk , born Lady Frances Brandon, was the second child and eldest daughter of Charles Brandon, 1st Duke of Suffolk and Mary Tudor, Dowager Queen of France...

 and her second husband Adrian Stokes has now been correctly identified as Mary Nevill or Neville, Baroness Dacre
Mary Nevill, Baroness Dacre
Mary Fiennes, Baroness Dacre was the daughter of George Nevill, 5th Baron Bergavenny by his third wife, Mary, daughter of Edward Stafford, 3rd Duke of Buckingham....

 and her son Gregory Fiennes, 10th Baron Dacre
Gregory Fiennes, 10th Baron Dacre
Gregory Fiennes, 10th Baron Dacre was an English courtier.He was the son of Thomas Fiennes, 9th Baron Dacre and Mary Nevill...

. The allegorical painting Elizabeth I and the Three Goddesses (1569), with its slightly different "HE" monogram, has been variously attributed by Sir Roy Strong
Roy Strong
Sir Roy Colin Strong FRSL is an English art historian, museum curator, writer, broadcaster and landscape designer. He has been director of both the National Portrait Gallery and the Victoria and Albert Museum in London...

 as cautiously to "The Monogrammist HE" in 1969 and more confidently to Joris Hoefnagel
Joris Hoefnagel
Joris Hoefnagel or Georg Hoefnagel was a Flemish painter and engraver, the son of a diamond merchant.He travelled abroad, making drawings from archaeological subjects, and was a pupil of Hans Bol at Mechlin...

 in 1987; it is now accepted as the work of Eworth. Eworth's last known works date from 1570-3.

Like many other artists of the Tudor court
Artists of the Tudor court
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I....

, Eworth was also engaged in decorative work; he was involved in the set design for a masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...

 given by Elizabeth I in honor of the French Ambassador in 1572. Payment records show that Eworth was designing for the Office of the Revels
Master of the Revels
The Master of the Revels was a position within the English, and later the British, royal household heading the "Revels Office" or "Office of the Revels" that originally had responsibilities for overseeing royal festivities, known as revels, and later also became responsible for stage censorship,...

as late as 1573, and he likely died in 1574.

External Links

HansEworth.com http://www.hanseworth.com
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