Guilhem Ademar
Encyclopedia
Guilhem Ademar was a troubadour
from the Gévaudan
. Noble by birth, but very poor, he travelled between the courts of Albi, Toulouse
, Narbonne
, and Spain
. He achieved fame enough in his lifetime to be satirised by the Monge de Montaudon
. He entered holy orders
towards the end of his life. Sixteen poems—fourteen cansos
, a sirventes
, and a partimen
with Eble d'Ussel
—form his surviving corpus. His cansos are his most famous pieces. Usually humorous, several mock the poetry of Ademar's more illustrious contemporary Arnaut Daniel
. One canso survives with a tune.
According to his vida
, Guilhem was the son of a poor knight from Meyrueis
(Maruois), the lord of which castle created him a knight. He was an eloquent man who "knew well how to invent (trobaire) poetry." When he was no longer able to support himself as a knight he took to minstrel
sy and "was greatly honoured by all the high society." Towards the end of his life he joined the Order of Grandmont (Granmon).
Guilhem Ademar's career can be dated from a reference in a poetic satire of contemporary troubadours by the Monge de Montaudon
around 1195. The Monge playfully insults Guilhem as a "bad joglar" who always wears old clothes and whose lady has thirty lovers. The earliest reference to a W. Ademars, a petty noble of the Gévaudan, occurs in 1192, though this figure, who (variously as Ademars or Azemars) appears in documents until 1217, cannot be definitively identified with the troubadour.
One of Guilhem's more famous pieces is Non pot esser sofert ni atendut, a sensuous canso of courtly love
wherein he is wishing that his lady's husband would go far away. It has presented a riddle for its dating through references to two Spanish kings: a rey Ferrans ("king Ferdinand") and reis N'Amfos, cui dopton li masmut / e.l mieiller coms de la crestiantat ("king Don Alfonso, whom the Almohads fear / and the greatest count in Christendom
"). Ferrans may be either Ferdinand II of León
(died 1188) or Ferdinand III of Castile
(began reigning in 1217), both of whom present difficulties because their reigns lie outside the usual dating of Guilhem's career. The Alfonso could be Alfonso II of Aragon
(contemporary with Ferdinand II), who was also the Count of Barcelona. It could also be Alfonso IX of León
, Ferdinand II's successor, whose kingdom lay about as far away as Guilhem coul possibly hope to send his lover's husband; or Alfonso VIII of Castile
, whose exploits against the Almohads culminated in the definitive victory at Las Navas
in 1212. Since Guilhem wrote a poem sometime between 1215 and 1217 in which he referred to Raymond VI of Toulouse
as En Raimon, mon seigner ("Lord Raymond, my lord"), it has also be posited that the mieiller coms referred to in the previous work is Raymond, who was with Alfonso at Las Navas in 1212. Guilhem may thus have had in mind the events of Las Navas and been writing at a time after Ferdinand III's succession. Guilhem may have even been at Las Navas with Raymond.
Guilhem's poetry is in general light
, easy-going, and characterised by irony
. Like Peire Raimon
, his contemporary at the court of Raymond VI of Toulouse, he seems to have been influenced by (and perhaps had an influence on) Arnaut Daniel. Guilhem's lone surviving piece of music, however, is not similar in style to Arnaut's. Rather, it is neumatic in texture and motivic in phrasing.
In his primary love songs, Guilhem praises two ladies, one from Albi (Na Bona Nasques, a pet name) and another from Narbonne
(Beatriz, perhaps her real name). Despite this, Guilhem has been accused of misogyny
for his poem El temps d'estui, qan par la flors el bruoill. His love song Ben for'oimais sazos e locs is written as a message to his lover to be delivered by her porter, who is strictly warned to follow through. In his only sirventes, Ieu ai ja vista manhta rey, Guilhem moralises in a slightly Marcabru
nian fashion on how loyal and generous suitors are rejected in favour "fools and misers".
Troubadour
A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages . Since the word "troubadour" is etymologically masculine, a female troubadour is usually called a trobairitz....
from the Gévaudan
Gévaudan
Gévaudan is a historical area of France, nowadays situated in Lozère département. It took its name from the Gabali, a Gallic tribe subordinate to the Arverni.- History :...
. Noble by birth, but very poor, he travelled between the courts of Albi, Toulouse
Toulouse
Toulouse is a city in the Haute-Garonne department in southwestern FranceIt lies on the banks of the River Garonne, 590 km away from Paris and half-way between the Atlantic Ocean and the Mediterranean Sea...
, Narbonne
Narbonne
Narbonne is a commune in southern France in the Languedoc-Roussillon region. It lies from Paris in the Aude department, of which it is a sub-prefecture. Once a prosperous port, it is now located about from the shores of the Mediterranean Sea...
, and Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
. He achieved fame enough in his lifetime to be satirised by the Monge de Montaudon
Monge de Montaudon
The Monge de Montaudon , born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne, born at the castle of Vic-sur-Cère near Aurillac, where he became a Benedictine monk around 1180...
. He entered holy orders
Holy Orders
The term Holy Orders is used by many Christian churches to refer to ordination or to those individuals ordained for a special role or ministry....
towards the end of his life. Sixteen poems—fourteen cansos
Canso (song)
The canso is a song style used by the troubadours. It consists of three parts. The first stanza is the exordium, where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the exordium. The canso can end...
, a sirventes
Sirventes
The sirventes or serventes is a genre of Occitan lyric poetry used by the troubadours. In early Catalan it became a sirventesch and was imported into that language in the fourteenth century, where it developed into a unique didactic/moralistic type...
, and a partimen
Partimen
The partimen is a genre of Occitan lyric poetry composed between two troubadours, a subgenre of the tenso or cobla exchange in which one poet presents a dilemma in the form of a question and the two debate the answer, each taking up a different side. It was especially popular in poetic contests....
with Eble d'Ussel
Eble d'Ussel
Eble or Ebles d'Ussel was a Limousin troubadour, the eldest of three brothers, castellans of the castle of Ussel-sur-Sarzonne, northeast of Ventadorn. His younger brothers were Peire and Gui and he also had a cousin named Elias, all troubadours...
—form his surviving corpus. His cansos are his most famous pieces. Usually humorous, several mock the poetry of Ademar's more illustrious contemporary Arnaut Daniel
Arnaut Daniel
Arnaut Daniel de Riberac was an Occitan troubadour of the 12th century, praised by Dante as "il miglior fabbro" and called "Grand Master of Love" by Petrarch...
. One canso survives with a tune.
According to his vida
Vida (Occitan literary form)
Vida is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz.The word vida means "life" in Occitan languages. In the chansonniers, the manuscript collections of medieval troubadour poetry, the works of a particular author are often accompanied by a...
, Guilhem was the son of a poor knight from Meyrueis
Meyrueis
Meyrueis is a commune in the Lozère département in southern France.-In popular culture:Meyrueis is the scene of the sprint finish of an amateur 1977 cycle race, La Tour de Mont Aigoual, which is the subject of the novel The Rider by the Dutch author Tim Krabbé...
(Maruois), the lord of which castle created him a knight. He was an eloquent man who "knew well how to invent (trobaire) poetry." When he was no longer able to support himself as a knight he took to minstrel
Minstrel
A minstrel was a medieval European bard who performed songs whose lyrics told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty...
sy and "was greatly honoured by all the high society." Towards the end of his life he joined the Order of Grandmont (Granmon).
Guilhem Ademar's career can be dated from a reference in a poetic satire of contemporary troubadours by the Monge de Montaudon
Monge de Montaudon
The Monge de Montaudon , born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne, born at the castle of Vic-sur-Cère near Aurillac, where he became a Benedictine monk around 1180...
around 1195. The Monge playfully insults Guilhem as a "bad joglar" who always wears old clothes and whose lady has thirty lovers. The earliest reference to a W. Ademars, a petty noble of the Gévaudan, occurs in 1192, though this figure, who (variously as Ademars or Azemars) appears in documents until 1217, cannot be definitively identified with the troubadour.
One of Guilhem's more famous pieces is Non pot esser sofert ni atendut, a sensuous canso of courtly love
Courtly love
Courtly love was a medieval European conception of nobly and chivalrously expressing love and admiration. Generally, courtly love was secret and between members of the nobility. It was also generally not practiced between husband and wife....
wherein he is wishing that his lady's husband would go far away. It has presented a riddle for its dating through references to two Spanish kings: a rey Ferrans ("king Ferdinand") and reis N'Amfos, cui dopton li masmut / e.l mieiller coms de la crestiantat ("king Don Alfonso, whom the Almohads fear / and the greatest count in Christendom
Christendom
Christendom, or the Christian world, has several meanings. In a cultural sense it refers to the worldwide community of Christians, adherents of Christianity...
"). Ferrans may be either Ferdinand II of León
Ferdinand II of Leon
Ferdinand II was King of León and Galicia from 1157 to his death.-Life:Born in Toledo, Castile, he was the son of King Alfonso VII of León and Castile and of Berenguela, of the House of Barcelona. At his father's death, he received León and Galicia, while his brother Sancho received Castile and...
(died 1188) or Ferdinand III of Castile
Ferdinand III of Castile
Saint Ferdinand III, T.O.S.F., was the King of Castile from 1217 and León from 1230. He was the son of Alfonso IX of León and Berenguela of Castile. Through his second marriage he was also Count of Aumale. He finished the work done by his maternal grandfather Alfonso VIII and consolidated the...
(began reigning in 1217), both of whom present difficulties because their reigns lie outside the usual dating of Guilhem's career. The Alfonso could be Alfonso II of Aragon
Alfonso II of Aragon
Alfonso II or Alfons I ; Huesca, 1-25 March 1157 – 25 April 1196), called the Chaste or the Troubadour, was the King of Aragon and Count of Barcelona from 1164 until his death. He was the son of Ramon Berenguer IV of Barcelona and Petronilla of Aragon and the first King of Aragon who was...
(contemporary with Ferdinand II), who was also the Count of Barcelona. It could also be Alfonso IX of León
Alfonso IX of Leon
Alfonso IX was king of León and Galicia from the death of his father Ferdinand II in 1188 until his own death...
, Ferdinand II's successor, whose kingdom lay about as far away as Guilhem coul possibly hope to send his lover's husband; or Alfonso VIII of Castile
Alfonso VIII of Castile
Alfonso VIII , called the Noble or el de las Navas, was the King of Castile from 1158 to his death and King of Toledo. He is most remembered for his part in the Reconquista and the downfall of the Almohad Caliphate...
, whose exploits against the Almohads culminated in the definitive victory at Las Navas
Battle of Las Navas de Tolosa
The Battle of Las Navas de Tolosa, known in Arab history as the Battle of Al-Uqab , took place on 16 July 1212 and was an important turning point in the Reconquista and in the medieval history of Spain...
in 1212. Since Guilhem wrote a poem sometime between 1215 and 1217 in which he referred to Raymond VI of Toulouse
Raymond VI of Toulouse
Raymond VI was count of Toulouse and marquis of Provence from 1194 to 1222. He was also count of Melgueil from 1173 to 1190.-Early life:...
as En Raimon, mon seigner ("Lord Raymond, my lord"), it has also be posited that the mieiller coms referred to in the previous work is Raymond, who was with Alfonso at Las Navas in 1212. Guilhem may thus have had in mind the events of Las Navas and been writing at a time after Ferdinand III's succession. Guilhem may have even been at Las Navas with Raymond.
Guilhem's poetry is in general light
Trobar leu
The trobar leu , or light style of poetry, was the most popular style used by the troubadours. Its accessibility gave it a wide audience, though modern readers may find its somewhat formulaic nature tiresome after a while....
, easy-going, and characterised by irony
Irony
Irony is a rhetorical device, literary technique, or situation in which there is a sharp incongruity or discordance that goes beyond the simple and evident intention of words or actions...
. Like Peire Raimon
Peire Raimon de Tolosa
Peire Raimon de Tolosa or Toloza was a troubadour from the merchant class of Toulouse. He is variously referred to as lo Viellz and lo Gros , though these are thought by some to refer to two different persons. On the other hand, lo Viellz could refer to his being of an early generation of...
, his contemporary at the court of Raymond VI of Toulouse, he seems to have been influenced by (and perhaps had an influence on) Arnaut Daniel. Guilhem's lone surviving piece of music, however, is not similar in style to Arnaut's. Rather, it is neumatic in texture and motivic in phrasing.
In his primary love songs, Guilhem praises two ladies, one from Albi (Na Bona Nasques, a pet name) and another from Narbonne
Narbonne
Narbonne is a commune in southern France in the Languedoc-Roussillon region. It lies from Paris in the Aude department, of which it is a sub-prefecture. Once a prosperous port, it is now located about from the shores of the Mediterranean Sea...
(Beatriz, perhaps her real name). Despite this, Guilhem has been accused of misogyny
Misogyny
Misogyny is the hatred or dislike of women or girls. Philogyny, meaning fondness, love or admiration towards women, is the antonym of misogyny. The term misandry is the term for men that is parallel to misogyny...
for his poem El temps d'estui, qan par la flors el bruoill. His love song Ben for'oimais sazos e locs is written as a message to his lover to be delivered by her porter, who is strictly warned to follow through. In his only sirventes, Ieu ai ja vista manhta rey, Guilhem moralises in a slightly Marcabru
Marcabru
Marcabru is one of the earliest troubadours whose poems are known. There is no certain information about him; the two vidas attached to his poems tell different stories, and both are evidently built on hints in the poems, not on independent information.According to the brief life in MS...
nian fashion on how loyal and generous suitors are rejected in favour "fools and misers".