Gilbert Duprez
Encyclopedia
Gilbert Duprez was a French tenor
, singing teacher and minor composer who famously pioneered the delivery of the operatic high C from the chest. He also created the role of Edgardo in the popular bel canto
-era opera
Lucia di Lammermoor
in 1835.
. He studied singing, music theory, and composition with Alexandre-Étienne Choron
and made his opera
tic début at the Odéon
in 1825 as Count Almaviva in Rossini's Il barbiere di Siviglia
. He worked in that theatre without much success until 1828, when he decided to try his luck in Italy. There, the operatic scene was more active and developed. As a result, Duprez was able to immerse himself in work, beginning principally with tenore contraltino roles such as Idreno in Semiramide
and Rodrigo in Otello
, both by Rossini. He appeared, too, as Gualtiero in Bellini
's Il pirata
. The latter role proved to be his first undisputed stage success, probably because it was free of elaborate coloratura
passages, which were not considered to be his strong suit as a vocalist.
In 1831, in Lucca
, Duprez took part in the premiere Italian performance of Guglielmo Tell, singing for the first time (in an opera theatre) a high C sung not in the so-called falsettone
register, as other tenors of that time were accustomed to do, but with a full voice, often described as coming "from the chest". His Italian career then proceeded on a highly successful course. It embraced, among other things, two premieres of operas by Donizetti
, namely, Parisina
(in the role of Ugo) at Florence
in 1832, and, more significantly, Lucia di Lammermoor (in the role of Edgardo) at Naples' San Carlo
in 1835.
His Italian reputation strongly established, Duprez returned to Paris in 1837 and scored an immediate success at the Opéra
with his exciting new style of vocal delivery as exemplified in William Tell. Consequently, he obtained equal billing with Adolphe Nourrit
as "First Tenor" at the theatre. Nourit responded by leaving for Italy in emulation of his competitor; but unlike Duprez, he failed to master the chest high C during studies with Donizetti and committed suicide.
Duprez maintained his supreme status at the Opéra until 1849, singing the title role in the première of Berlioz
's Benvenuto Cellini
in 1838, and taking part in several further Donizetti premieres, including those of La favorite
(as Fernand) and Les Martyrs
(as Poliuto), both in 1840, and Dom Sébastien
(in the title role), in 1843. Ironically the role of Poliuto
, which Donizetti had written expressly for Nourrit in order to help him to maintain his exalted position, was to become associated in the public's mind with Duprez.
After singing in London at the Drury Lane
theatre in the years 1843-1844, Duprez began to cut back on his stage performances, making his last public appearance in 1851 in Lucia di Lammermoor at the Théâtre des Italiens
. He then devoted himself to teaching, first at Paris's Conservatoire
(where he had been appointed to a professorship as far back as 1842), and afterwards privately. His students included the celebrated French virtuoso bass
Pol Plançon
(1851–1914), whose voice is preserved on gramophone
recordings made in 1902-1908. Duprez also devised a system of written exercises for singers and composed a few less than successful operetta
s.
In his 1880 book Souvenir d'un chanteur, Duprez, a close friend of Donizetti's, related in deeply felt terms the bitter setbacks and obstructions which the Bergamo
composer had suffered in the theatrical world.
Duprez died at Poissy
, near Paris, in 1896.
tradition of singing. So, when he first went to Italy, he naturally assumed equivalent tenore contraltino roles in operas written by Rossini. However, he failed to make any great impression on Italian audiences with his Rossinian endeavours, perhaps because of his deeply rooted disinclination to indulge in displays of coloratura.
While in Italy, he began by modelling himself on the bel-canto tenor Rubini
, whose bravura vocalism was a byword for sweetness and elegiac inflexion. Soon, however, he found a new source of inspiration in the person of Domenico Donzelli
, the then greatest living "baritonal" tenor. Donzelli possessed a robust voice and a deliberately darkened timbre
, coupled with firmly accented diction, immense nobility of phrasing and a vibrant, intense method of acting. The merging of Rubini and Donzelli's contrasting styles in Duprez, and the introduction of the famous high C from the chest (which soon became a standard feature of Romantic singing), gave rise to a fresh category of tenor, the tenore di forza. The dramatic tenor of the present day is a direct descendant in terms of range, tessitura and tonal thrust from this kind of mid-19th century voice first exemplified by Duprez.
Duprez was a small man and, regrettably, the chest high C was an element of his vocal mechanism which soon took a toll on his physical resources. According to Berlioz
, his voice sounded "hardened" as early as 1838, at the premiere of Benvenuto Cellini, and over the next 10 years, despite some isolated successes, his singing continued to deteriorate. Finally, Duprez was driven into an early retirement from the stage and he took up teaching.
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
, singing teacher and minor composer who famously pioneered the delivery of the operatic high C from the chest. He also created the role of Edgardo in the popular bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
-era opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
Lucia di Lammermoor
Lucia di Lammermoor
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor....
in 1835.
Biography
Gilbert-Louis Duprez, to give his full name, was born in ParisParis
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
. He studied singing, music theory, and composition with Alexandre-Étienne Choron
Alexandre-Étienne Choron
Alexandre-Étienne Choron for a short time directed the Paris Opera. He played an essential role in France in making a clear distinction between sacred and secular music, and was one of the originators of French interest in musicology.- Biography :Choron studied mathematics at the collège de Juilly...
and made his opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic début at the Odéon
Odéon
The Odéon-Théâtre de l'Europe is one of France's six national theatres.It is located at 2 rue Corneille in the 6th arrondissement of Paris on the left bank of the Seine, next to the Luxembourg Garden...
in 1825 as Count Almaviva in Rossini's Il barbiere di Siviglia
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
. He worked in that theatre without much success until 1828, when he decided to try his luck in Italy. There, the operatic scene was more active and developed. As a result, Duprez was able to immerse himself in work, beginning principally with tenore contraltino roles such as Idreno in Semiramide
Semiramide
Semiramide is an opera in two acts by Gioachino Rossini.The libretto by Gaetano Rossi is based on Voltaire's tragedy Semiramis, which in turn was based on the legend of Semiramis of Babylon...
and Rodrigo in Otello
Otello (Rossini)
Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsi, based on Shakespeare's play Othello....
, both by Rossini. He appeared, too, as Gualtiero in Bellini
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...
's Il pirata
Il pirata
Il pirata is an opera in two acts by Vincenzo Bellini to an Italian libretto by Felice Romani from a French translation of the tragic play Bertram, or The Castle of St Aldobrando by Charles Maturin...
. The latter role proved to be his first undisputed stage success, probably because it was free of elaborate coloratura
Coloratura
Coloratura has several meanings. The word is originally from Italian, literally meaning "coloring", and derives from the Latin word colorare . When used in English, the term specifically refers to elaborate melody, particularly in vocal music and especially in operatic singing of the 18th and...
passages, which were not considered to be his strong suit as a vocalist.
In 1831, in Lucca
Lucca
Lucca is a city and comune in Tuscany, central Italy, situated on the river Serchio in a fertile plainnear the Tyrrhenian Sea. It is the capital city of the Province of Lucca...
, Duprez took part in the premiere Italian performance of Guglielmo Tell, singing for the first time (in an opera theatre) a high C sung not in the so-called falsettone
Falsettone
Falsettone is a term used in modern Italian musicology to describe a vocal technique used by male opera singers in the past, in which the fluty sounds typical of falsetto singing are amplified by using the same singing technique as is used in the modal voice register...
register, as other tenors of that time were accustomed to do, but with a full voice, often described as coming "from the chest". His Italian career then proceeded on a highly successful course. It embraced, among other things, two premieres of operas by Donizetti
Gaetano Donizetti
Domenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
, namely, Parisina
Parisina
Parisina is a poem written by Byron. It was published on 13 February 1816 and probably written between 1812 and 1815.It is based on a story related by Edward Gibbon in his Miscellaneous Works about Niccolò III d'Este, one of the dukes of Ferrara who lived in the fifteenth century...
(in the role of Ugo) at Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
in 1832, and, more significantly, Lucia di Lammermoor (in the role of Edgardo) at Naples' San Carlo
Teatro di San Carlo
The Real Teatro di San Carlo is an opera house in Naples, Italy. It is the oldest continuously active such venue in Europe.Founded by the Bourbon Charles VII of Naples of the Spanish branch of the dynasty, the theatre was inaugurated on 4 November 1737 — the king's name day — with a performance...
in 1835.
His Italian reputation strongly established, Duprez returned to Paris in 1837 and scored an immediate success at the Opéra
Paris Opera
The Paris Opera is the primary opera company of Paris, France. It was founded in 1669 by Louis XIV as the Académie d'Opéra and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and renamed the Académie Royale de Musique...
with his exciting new style of vocal delivery as exemplified in William Tell. Consequently, he obtained equal billing with Adolphe Nourrit
Adolphe Nourrit
Adolphe Nourrit was a French operatic tenor, librettist, and composer. One of the most esteemed opera singers of the 1820s and 1830s, he was particularly associated with the works of Gioachino Rossini....
as "First Tenor" at the theatre. Nourit responded by leaving for Italy in emulation of his competitor; but unlike Duprez, he failed to master the chest high C during studies with Donizetti and committed suicide.
Duprez maintained his supreme status at the Opéra until 1849, singing the title role in the première of Berlioz
Hector Berlioz
Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
's Benvenuto Cellini
Benvenuto Cellini (opera)
Benvenuto Cellini is an opera in two acts with music by Hector Berlioz and libretto by Léon de Wailly and Henri Auguste Barbier. It was the first of Berlioz's operas. The story is loosely based on the memoirs of the Florentine sculptor Benvenuto Cellini. The opera is technically very challenging...
in 1838, and taking part in several further Donizetti premieres, including those of La favorite
La favorite
La favorite is an opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play Le comte de Comminges by Baculard d'Arnaud...
(as Fernand) and Les Martyrs
Poliuto
Poliuto is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Pierre Corneille's play Polyeucte . It was composed in 1838 and first performed on 30 November 1848 at the Teatro San Carlo, Naples...
(as Poliuto), both in 1840, and Dom Sébastien
Dom Sébastien
Dom Sébastien, Roi de Portugal is a French grand opera in five acts by Gaetano Donizetti. The libretto was written by Eugène Scribe, based on Paul Foucher's play Don Sébastien de Portugal , a historic-fiction about King Sebastian of Portugal and his ill-fated 1578 expedition to Morocco...
(in the title role), in 1843. Ironically the role of Poliuto
Poliuto
Poliuto is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Pierre Corneille's play Polyeucte . It was composed in 1838 and first performed on 30 November 1848 at the Teatro San Carlo, Naples...
, which Donizetti had written expressly for Nourrit in order to help him to maintain his exalted position, was to become associated in the public's mind with Duprez.
After singing in London at the Drury Lane
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
theatre in the years 1843-1844, Duprez began to cut back on his stage performances, making his last public appearance in 1851 in Lucia di Lammermoor at the Théâtre des Italiens
Comédie-Italienne
Over time, there have been several buildings and several theatrical companies named the "Théâtre-Italien" or the "Comédie-Italienne" in Paris. Following the times, the theatre has shown both plays and operas...
. He then devoted himself to teaching, first at Paris's Conservatoire
Conservatoire de Paris
The Conservatoire de Paris is a college of music and dance founded in 1795, now situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France...
(where he had been appointed to a professorship as far back as 1842), and afterwards privately. His students included the celebrated French virtuoso bass
Bass (voice type)
A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...
Pol Plançon
Pol Plançon
Pol-Henri Plançon was a distinguished French operatic bass . He was one of the most acclaimed singers active during the 1880s, 1890s and early 20th century—a period often referred to as the "Golden Age of Opera".In addition to being among the earliest international opera stars to have made...
(1851–1914), whose voice is preserved on gramophone
Phonograph
The phonograph record player, or gramophone is a device introduced in 1877 that has had continued common use for reproducing sound recordings, although when first developed, the phonograph was used to both record and reproduce sounds...
recordings made in 1902-1908. Duprez also devised a system of written exercises for singers and composed a few less than successful operetta
Operetta
Operetta is a genre of light opera, light in terms both of music and subject matter. It is also closely related, in English-language works, to forms of musical theatre.-Origins:...
s.
In his 1880 book Souvenir d'un chanteur, Duprez, a close friend of Donizetti's, related in deeply felt terms the bitter setbacks and obstructions which the Bergamo
Bergamo
Bergamo is a town and comune in Lombardy, Italy, about 40 km northeast of Milan. The comune is home to over 120,000 inhabitants. It is served by the Orio al Serio Airport, which also serves the Province of Bergamo, and to a lesser extent the metropolitan area of Milan...
composer had suffered in the theatrical world.
Duprez died at Poissy
Poissy
Poissy is a commune in the Yvelines department in the Île-de-France in north-central France. It is located in the western suburbs of Paris from the center.In 1561 it was the site of a fruitless Catholic-Huguenot conference, the Colloquy at Poissy...
, near Paris, in 1896.
Vocal character
One can differentiate two distinct phases in Duprez's artistic life. Initially, being equipped by nature with a clear but comparatively thin voice, he appears to have stood in the French haute-contreHaute-contre
The haute-contre is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.-History:...
tradition of singing. So, when he first went to Italy, he naturally assumed equivalent tenore contraltino roles in operas written by Rossini. However, he failed to make any great impression on Italian audiences with his Rossinian endeavours, perhaps because of his deeply rooted disinclination to indulge in displays of coloratura.
While in Italy, he began by modelling himself on the bel-canto tenor Rubini
Giovanni Battista Rubini
Giovanni Battista Rubini was an Italian tenor, as famous in his time as Enrico Caruso in a later day. His ringing and expressive coloratura dexterity in the highest register of his voice, the tenorino, inspired the writing of operatic roles which today are almost impossible to cast...
, whose bravura vocalism was a byword for sweetness and elegiac inflexion. Soon, however, he found a new source of inspiration in the person of Domenico Donzelli
Domenico Donzelli
Domenico Donzelli was an Italian tenor with a robust voice who enjoyed an important career in Paris, London and his native country during the 1808-1841 period.-Biography:...
, the then greatest living "baritonal" tenor. Donzelli possessed a robust voice and a deliberately darkened timbre
Timbre
In music, timbre is the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices and musical instruments, such as string instruments, wind instruments, and percussion instruments. The physical characteristics of sound that determine the...
, coupled with firmly accented diction, immense nobility of phrasing and a vibrant, intense method of acting. The merging of Rubini and Donzelli's contrasting styles in Duprez, and the introduction of the famous high C from the chest (which soon became a standard feature of Romantic singing), gave rise to a fresh category of tenor, the tenore di forza. The dramatic tenor of the present day is a direct descendant in terms of range, tessitura and tonal thrust from this kind of mid-19th century voice first exemplified by Duprez.
Duprez was a small man and, regrettably, the chest high C was an element of his vocal mechanism which soon took a toll on his physical resources. According to Berlioz
Hector Berlioz
Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
, his voice sounded "hardened" as early as 1838, at the premiere of Benvenuto Cellini, and over the next 10 years, despite some isolated successes, his singing continued to deteriorate. Finally, Duprez was driven into an early retirement from the stage and he took up teaching.
Musical and dramatic works
(List from German Wikipedia)- La Cabane du pechêur, Comic Opera (Libretto: Edmond Duprez), 1st prodn. 1826
- Le Songe du Comte Egmont, Lyric Scena (Libretto: Edmond Duprez), 1st prodn. 1842
- La Lettre au bon Dieu, Comic Opera (Libretto: Eugène Scribe), 1st prodn. 1853
- Jéliotte, or Un Passe-temps de duchesse, Operetta, 1st prodn. 1854
- Samson, Operetta (Libretto by Edmond Duprez after Alexandre Dumas père), 1st prodn. 1857
- Amélina, 1860
- La pazzia della regina, 1st prodn. 1877
- Tariotti
- Zephora
Published writings
- L'art du chant - 1845
- Souvenirs d'un chanteur - 1880
- La mélodie: études complèmentaires - 1888
- Récréations de mon grand áge - in 2 Volumes