Ellis Worth
Encyclopedia
Ellis Worth or Woorth, was a noted English actor in the Jacobean
Jacobean era
The Jacobean era refers to the period in English and Scottish history that coincides with the reign of King James VI of Scotland, who also inherited the crown of England in 1603 as James I...

 and Caroline
Caroline era
The Caroline era refers to the era in English and Scottish history during the Stuart period that coincided with the reign of Charles I , Carolus being Latin for Charles...

 eras. He was a leading member of two important companies, Queen Anne's Men
Queen Anne's Men
Queen Anne's Men was a playing company, or troupe of actors, in Jacobean era London. -Formation:...

 and Prince Charles's Men
Prince Charles's Men
Prince Charles's Men was a playing company or troupe of actors in Jacobean and Caroline England.-The Jacobean era troupe:...

.

Nothing is known of Worth's origins or early life, or the start of his career; he was with the Queen Anne's company by 1615, and continued with the troupe until it dissolved in 1623. The paucity of the extant historical record means that little is known of the roles he played; he was most likely the "Ellis" who played a Lord in Robert Daborne
Robert Daborne
Robert Daborne was an English dramatist of the Jacobean era.Little is known for certain of his birth, background, or early life; he may have come from a family in Guildford, Surrey. He is now thought to have been a "sizar"—an undergraduate exempt from fees—at King's College, Cambridge...

's The Poor Man's Comfort
The Poor Man's Comfort
The Poor Man's Comfort is a Jacobean era stage play, a tragicomedy by Robert Daborne — one of his two extant plays.-Date, performance, publication:The play's date is uncertain, though it is generally assigned to the 1610–18 era...

around 1617. After 1623, Worth was a member of what is usually called the Company of the Revels at the Red Bull Theatre
Red Bull Theatre
The Red Bull was a playhouse in London during the 17th century. For more than four decades, it entertained audiences drawn primarily from the northern suburbs, developing a reputation for rowdy, often disruptive audiences...

, and sometimes simply the Red Bull company; little is known of their activities.

When Richard Gunnell
Richard Gunnell
Richard Gunnell was an actor, playwright, and theatre manager in Jacobean and Caroline era London. He is best remembered for his role in the founding of the Salisbury Court Theatre.-Actor and playwright:...

 built his Salisbury Court Theatre
Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was located in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salibury Court was acquired by Richard Sackville in 1564; when Thomas Sackville was created Earl of Dorset...

 in 1629, he needed a company to act there. He brought in the new or second version of Prince Charles's Men. Worth was an original member and a "sharer" (partner) in this organization from 1631 to at least 1638, and probably until the theatres were closed in 1642 at the start of the English Civil War
English Civil War
The English Civil War was a series of armed conflicts and political machinations between Parliamentarians and Royalists...

. He played Ardelio in the troupe's December 1631 production of Marmion's
Shackerley Marmion
Shackerley Marmion , also Shakerley, Shakerly, Schackerley, Marmyon, Marmyun, or Mermion, was an early 17th-century dramatist, often classed among the Sons of Ben, the followers of Ben Jonson who continued his style of comedy...

 Holland's Leaguer
Holland's Leaguer
Holland's Leaguer is a Caroline era stage play, a comedy written by Shackerley Marmion. It premiered onstage in 1631 and was first published in 1632...

.

Much of what is known of Worth's career comes from legal documents that pertain to the various controversies in which his companies were involved. The long legal battle between Susan Baskervile and Queen Anne's Men is one obvious example; that lawsuit is often known as the Worth/Baskervile suit, or Worth v. Baskervile, since Worth, due to his leading position in the troupe, was listed first among the roster of actors Baskervile sued. [See: Susan Baskervile
Susan Baskervile
Susan Shore Browne Greene Baskervile , or Baskerville, was one of the most influential and significant women involved in English Renaissance theatre, as theatre investor, litigant, and wife, widow, and mother of actors....

.] Worth also testified in the Keep the Widow Waking
Keep the Widow Waking
Keep the Widow Waking is a lost Jacobean play, significant chiefly for the light it throws on the complexities of collaborative authorship in English Renaissance drama....

suit in 1624 (though he testified that he had nothing to do with the play).

The second Prince Charles's company also had a tempestuous and litigious career, and Worth was deeply enmeshed in its controversies. Worth and Andrew Cane
Andrew Cane
Andrew Cane — also Kayne, Kene, Keine, and other variants — was a comic actor in late Jacobean and Caroline era London...

, the troupe's leaders, were sued by fellow actor William Bankes in 1635. Bankes invested £100 to become an actor/sharer in the company, but was unhappy with the results.

Even after the theatres were closed, the litigation continued; Worth gave a deposition in a Chancery
Court of Chancery
The Court of Chancery was a court of equity in England and Wales that followed a set of loose rules to avoid the slow pace of change and possible harshness of the common law. The Chancery had jurisdiction over all matters of equity, including trusts, land law, the administration of the estates of...

 suit in February 1654, in which, coincidentally, he identifies himself as "of the age of 67 or thereabouts."

Worth's daughter Jane was christened in July 1613. The girl's mother died sometime before 1626, when Worth married the widow of Thomas Holcombe
King's Men personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642...

. Their son Elizeus was christened in March 1629.

For a couple of centuries, nothing was known about Worth's later years; even the year of his death was mysterious. The discovery of his last will and testament provided some valuable data on his family and surviving descendants. Regrettably, the will contains no mention of actors; Worth's colleagues had largely passed from the scene by 1659.
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