Edvard Weie
Encyclopedia
Viggo Thorvald Edvard Weie (1879-1943) was a Danish painter
Art of Denmark
Danish art goes back thousands of years with significant artifacts from the 2nd millennium BC, such as the Trundholm sun chariot. Art from modern Denmark forms part of the art of the Nordic Bronze Age, and then Norse and Viking art...

. His style was influenced by journeys to Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 (1907) and Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 (1912) where he came into contact with French impressionists such as Cézanne.

After returning to Denmark in 1912, he spent a period on the tiny island of Christiansø near Bornholm
Bornholm
Bornholm is a Danish island in the Baltic Sea located to the east of the rest of Denmark, the south of Sweden, and the north of Poland. The main industries on the island include fishing, arts and crafts like glass making and pottery using locally worked clay, and dairy farming. Tourism is...

. He was one of the earliest participants in the Bornholm school of painters
Bornholm school of painters
The Bornholm school of painters started to take shape towards the beginning of the 20th century on the Danish island of Bornholm when a number of artists developed a distinctive style of classic modernism, inspired by the island's unique landscapes and light...

, contributing to landscapes and seascapes in a distinctive modernistic style.

The greys of his earlier work soon gave way to brighter colours in his dramatic cubist compositions combining sea, rocks and figures, several including Poseidon
Poseidon
Poseidon was the god of the sea, and, as "Earth-Shaker," of the earthquakes in Greek mythology. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology: both were sea gods analogous to Poseidon...

, with violent brushstrokes. In his later work, the strokes can hardly be seen and his paintings seem to be characterised by mystic dreams. Finally he experimented with richer, glowing colours and lighter brushwork.
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