Dhumavati
Encyclopedia
Dhumavati is one of the Mahavidya
s, a group of ten Tantric
goddesses. Dhumavati represents the fearsome aspect of Devi
, the Hindu
Divine Mother. She is often portrayed as an old, ugly widow, and is associated with things considered inauspicious and unattractive in Hinduism, such as the crow and the Chaturmas
period. The goddess is often depicted on a horseless chariot or riding a crow, usually in a cremation ground.
Dhumavati is said to manifest herself at the time of cosmic dissolution and is "the Void" that exists before creation and after dissolution. While Dhumavati is generally associated with only inauspicious qualities, her thousand-name hymn relates her positive aspects as well as her negative ones. She is often called tender-hearted and a bestower of boons. Dhumavati is described as a great teacher, one who reveals ultimate knowledge of the universe, which is beyond the illusory divisions, like auspicious and inauspicious. Her ugly form teaches the devotee to look beyond the superficial, to look inwards and seek the inner truths of life.
Dhumavati is described as a giver of siddhi
s (supernatural powers), a rescuer from all troubles, and a granter of all desires and rewards, including ultimate knowledge and moksha
(salvation). Her worship is also prescribed for those who wish to defeat their foes. Dhumavati's worship is considered ideal for unpaired members of society, such as bachelors, widows, and world renouncers as well as Tantrikas. In her Varanasi
temple, however, she transcends her inauspiciousness and acquires the status of a local protective deity. There, even married couples worship her. Although she has very few dedicated temples, her worship by Tantric ritual continues in private in secluded places like cremation grounds and forests.
, the goddess of misfortune and poverty. Kinsley adds another goddess to the list: Jyestha
.
The Vedic
goddess Nirriti is associated with death, decay, bad luck, anger, and need. Hymns emphasize offerings to keep her away. Like Nirriti, Dhumavati is associated with unpromising things and hardship. Jyestha, also an early Hindu goddess, has similarities in iconography with Dhumavati. Like Dhumavati, she is dark, ugly and is associated with the crow. Jyestha is described as being unable to tolerate any auspiciousness. Also like Dhumavati, Jyestha dwells in quarrels, inauspicious places, and has a bad temper. Lakshmana Desika, the commentator on the Saradatilaka-Tantra, identifies Dhumavati with Jyestha. Both Alakshmi, the sister and antithesis of Lakshmi
(Shri), the goddess of wealth, luck and beauty, and Dhumavati are described as old, carrying a broom and having a crow banner. Both symbolize hunger, thirst, need, and poverty.
While there are similarities between Dhumavati and the three goddesses, the latter lack significant characteristics of Dhumavati, like her widowhood and a textual emphasis on her ugliness. The names of the three goddesses also do not figure in Dhumavati's nama stotras (hymns invoking her many names), where such identifications could have been explicitly mentioned. The three also lack the more fierce warrior aspects of Dhumavati as well as her positive aspects in the context of the Mahavidyas. In scholar David Kinsley's opinion, though the three may be Dhumavati's antecedents, they are not "the same" as Dhumavati. According to Kinsley, the concept of ten Mahavidya
s may not be earlier than the 12th century.
's ten avatars with the ten Mahavidyas. The fish incarnation Matsya
is described as arising from Dhumavati. A similar list in the Mundamala equates Dhumavati with Vamana
.
In a story from the Shakta Maha-Bhagavata Purana, which narrates the creation of all the Mahavidyas, Sati
, the daughter of Daksha
and first wife of god Shiva
, feels insulted that she and Shiva are not invited to Daksha's yagna ("fire sacrifice") and insists on going there, despite Shiva's protests. After futile attempts to convince Shiva, the enraged Sati transforms into the Mahavidyas, who surround Shiva from the ten cardinal directions. Dhumavati stands in the southeast. Another similar legend replaces Sati with Kali (the chief Mahavidya) as the wife of Shiva and origin of the other Mahavidyas. The Devi Bhagavata Purana mentions the Mahavidyas as war-companions and forms of goddess Shakambhari
.
A legend from the Shaktisamgama-Tantra describes that Sati commits suicide by jumping in Daksha's yagna and Dhumavati rises with a blackened face from the sad smoke of Sati's burning body. She is "all that is left of Sati" and is her outraged and insulted avatar. The Pranatosini-Tantra explains the widowhood of Dhumavati. Once, Sati asked Shiva to give her food. When Shiva declines, the goddess eats him to satisfy her extreme hunger. When Shiva requests her to disgorge him, she obliges. Shiva then rejects her and curses her to assume the form of a widow. Another oral legend tells that Dhumavati was created by the warrior goddess Durga
in the battle against demons Shumbha and Nishumbha
. Dhumavati's literal name ("she who abides in smoke") comes from her ability to defeat demons by creating stinging smoke.
The Pranatosini-Tantra version stresses Dhumavati's destructive aspect and hunger, which is satisfied only when she consumes Shiva, who himself contains or creates the universe. It brings out her inauspicious status as a widow and her self-assertion on her husband.
) or knowledge-giving gesture (cinmudra). She rides in a horseless chariot bearing an emblem of a crow and a banner. She is astute and crafty, though. Always hungry and thirsty, Dhumavati initiates quarrels and invokes fear.
In the Prapancasarasara-samgraha, Dhumavati is described as having a black complexion and wearing ornaments made of snakes. Her dress is made of rags taken from cremation grounds. She holds a spear and a skull-cup (kapala
) in her two hands. The spear is sometimes replaced by a sword. Another description in the same text says Dhumavati is aged with a wrinkled, angry face and cloud-like complexion. Her nose, eyes, and throat resemble a crow's. She holds a broom, a winnowing fan, a torch, and a club. She is cruel and frowning. Her hair appears dishevelled and she wears the simple clothes of a beggar. Her breasts are dry. Her hair is grey, her teeth crooked and missing, and her clothes old and worn.
Sometimes, Dhumavati rides a crow and holds a trident. She may be depicted wearing a garland of severed heads, with red-coloured limbs and matted but dishevelled hair. Sometimes, she carries the buffalo-horn of Yama
, the god of death, symbolizing her association with death.
Dhumavati has fierce, warlike attributes too. In the Shakta pramoda, she crushes bones in her mouth, creating an awful noise. She also makes the fearful and warlike noises of drums and bells. She wears a garland of skulls, chews the corpses of the demons Chanda
and Munda
, and drinks a mixture of blood and wine.
Though there are standard descriptions of Dhumavati's form, some relatively recent paintings deviate from it. For example, an 18th century painting by Molaram depicts Dhumavati sitting on a chariot pulled by two black scavenger
birds with curved beaks. The painting follows the usual attributes like the winnowing basket, boon-giving gesture, but also depicts her young and beautiful with full breasts and adorned in gold finery, a stark contrast to her usual form. An early 20th century painting from Varanasi
depicts her riding a crow, holding a trident, a sword, a winnowing fan, and a bowl in her four arms, dark-complexioned, with sagging breasts, wearing white clothes and with cremation flames in the background. She is again adorned in gold finery and wears a gold-hewn lower garment, unusual for a widow's dress. Another 18th century Nepal
i manuscript depicts a complete deviation from her traditional descriptions. She is completely nude with high breasts, wears a pearl necklace and headband, stands on a peacock with legs apart, and holds a mirror while looking at her reflection. A ring of fire surrounds her, possibly conveying cremation flames.
Dhumavati is always considered a widow, and thus, is the only Mahavidya without a consort. Though associated with Shiva, having eaten him, he has since left her. Having destroyed the male element (Purusha
) in the universe, she is left with nothing, but she is still Shakti
, the female element with latent energy. Dhumavati's insatiable hunger and thirst is highlighted in many texts, and has been interpreted as the manifestation of her unsatisfied desires.
As a widow in a horseless chariot, Dhumavati is portrayed as a woman going nowhere in life and society. She is "all that is unlucky, unattractive and inauspicious". She appears in the form of the poor, the beggars, the lepers, and the diseased. She dwells in the "wounds of the world", deserts, ruined houses, poverty, tatters, hunger, thirst, quarrels, mourning of children, in wild and other uncivilized, dangerous places. Widows in general are considered inauspicious, dangerous, and susceptible to possession by evil spirits. As a divine widow, Dhumavati is to be feared. Dhumavati is described as a hag
or witch, crafty and quarrelsome; she represents all the dreaded miseries of life.
Alternative paintings show her as young and adorned, as a sexually tempting, eroticised, young, attractive yet inauspicious widow. Her thousand-name hymn says that she gives enjoyment, is completely beautiful and adorned with garlands, clothes, and jewellery. She is also associated with sex in the hymn, which calls her "She Whose Form Is Rati
". Rati literally means "sexual intercourse" and also the name of the Hindu love goddess. She is said to enjoy sexual intercourse, to be present where sexual activity is, and to be occupied with sex. She is said to like liquor (a forbidden drink), to be intoxicated, and to be worshiped by intoxicated people. She also indulges in the Tantric ritual of breaking the five taboos—the Panchamakara
, which include consuming wine, meat, fish, parched grain
and ritual sex
.
Dhumavati is a manifestation of the anti-social and inauspicious elements in women and is an antithesis to the goddess Lakshmi. Like Alakshmi, Dhumavati rules over the four months of the rainy season, when even solar light is obscured by the evil water spirit. This coincides with Chaturmas
, a period during the year when the god Vishnu
sleeps. At that time, darkness rules and the soul loses its usual luster. This period is considered inauspicious, and as such as no auspicious ceremonies like marriage can take place.
The presence of the crow, a carrier of death, in her iconography as well as her textual description of having crow-like features associate her with death and inauspiciousness. Another motif in her iconography linking her with death is the presence of a cremation
ground and cremation pyres in the background. Her thousand name hymn says that she lives in the cremation ground, sits on a corpse, wears ashes, and blesses those who haunt the grounds. The Prapancasarasara-samgraha relates that she wears a dress taken from a corpse. Dhumavati is the embodiment of tamas
guna
, associated with ignorance and darkness. She likes meat and wine, both tamasic in nature.
Dhumavati is often said to appear at the time of Maha-pralaya
, the great dissolution of the cosmos and is equated with the dark clouds that rise during Pralaya. Her thousand name hymn also calls her by names meaning "She Whose Form is Pralaya", "Who Is Occupied with Pralaya", "Who Creates and Causes Pralaya" and "Who Walks About in Pralaya". An author says that she stays even after Shiva (who is Maha-kala) ("Great Time" or "Great Death") disappears, thus she is "the Power of Time", and considered to be beyond time and space. Dhumavati represents ultimate destruction, the smoke that rises after the universe is destroyed.
The goddess' name "Dhumavati" means the "smoky one". She is said not to like offerings burnt in a fire that is not smoky. She likes smoke from incense, offerings, and cremation pyres, as these symbolize destruction. Dhumavati also exists in the form of smoke and roams everywhere at her will.
While Dhumavati generally is associated with only inauspicious qualities, her thousand-name hymn tells about her positive aspects, too. She is often called as bestower of boons and tender-hearted. Her hymn says that she lives in the midst of women and is worshipped by them. Her hymn sings of her as the giver of children.
As an ancestor or Grandmother spirit, she embodies a great teacher and guide, granting knowledge of the ultimate truth of life and death. Her smoke hides that which is obvious, revealing hidden secrets and truths of "the unknown and the unmanifest". Frawley says her outer appearance as poverty is deceptive and a mere illusion that hides the inner reality. She is "the good fortune that comes to us in the form of misfortune". Dhumavati embodies the "power of suffering". Through the negative aspects that Dhumavati represents rise the virtues of patience, persistence, forgiveness, and detachment. Without the revealing of this negativity of life, it cannot be transcended and the secret truths would remain hidden under the smoky veil of illusion.
Dhumavati's outer inauspicious, fearful form reveals the dangers of considering sensory pleasures as fulfilment-giving. The winnowing basket, used to separate the husk from the grain, symbolizes the need to separate the outer illusory form from the inner reality. Her ugly form teaches the devotee to go beyond the outer deceptive appearances and seek the inner truths of life.
Dhumavati is the primordial darkness and ignorance, from which rises the world of illusion. She represents the darkness/ignorance before creation and after decay. This ignorance, which obscures the ultimate reality, is necessary because without the realization of this ignorance, true knowledge can not be achieved. Dhumavati also represents yogic sleep (Yoganidra), the pre-creation state of consciousness, as well as the primal sleep (the Void) in which all creation would dissolve and reach ultimate reality of Brahman
. This void is pure consciousness, the cessation of movements of the mind, and silence. Even Dhumavati's ability to spread disease is also considered positive, as disease punishes the wicked and restores cosmic order. Dhumavati is also associated with the heart or middle region of the body.
Dhumavati is sometimes regarded as an older form of Kali
, in which she represents timelessness and unmanifest life-force. Another tradition identifies Dhumavati with Smashana-kali, "Kali who lives in the cremation ground." She is considered a terrible aspect of the Goddess and included among the Kalikula ("family of Kali") goddesses. Dhumavati's nama stotras (hymn with names of the deities) identify her with Parvati, Sati, and glorify her as a slayer of demons.
s (supernatural powers), a rescuer from all troubles and granter of all desires and rewards, including ultimate knowledge and moksha
(salvation). Dhumavati's worship is prescribed to ward off all the negativity that she stands for and to transcend the smoke screen to acquire true knowledge. By worshipping and confronting her, the embodiment of the impure, the inauspicious and outside the fringes of society, one can look beyond the arbitrary dichotomies of society and acquire ultimate knowledge to become spiritually enlightened.
Married people, however, are advised not to worship Dhumavati. It is said that her worship creates a feeling of wanting solitude and distaste of worldly things, which is considered as highest characteristics of a spiritual quest. Thus, Dhumavati's worship is appropriate for world renouncers who roam as lone wanderers and widows who parallel the life of world renouncers. Dhumavati is also described a being partial to single persons and especially partial to widows. Widows are considered the only beings who can withstand her power.
The mantra
of Dhumavati is "Dhum Dhum Dhumavati Svaha", containing a repetition of her seed syllable Dhum. This mantra used in the worship of Dhumavati, sometimes with her yantra
, is believed to create a protective smoke shielding the devotee from negativity and death. Her worship involves clearing one's mind of all thoughts and leaving back the known, meditating on the unknown silence beyond, and the Void that Dhumavati represents.
The Shaktisamgama Tantra says that Dhumavati can be worshipped for the Uchhatana (eradication) of a person. A worshipper should imagine the world as well as the goddess's mantra as grey. He should blacken his teeth and wear black clothes and observe regulations, such as eating little, sleeping on the ground, and subduing his senses. In this worship procedure called kakakarma (crow-procedure), he should "transform his mind into a crow" by which one can cause harm to a person. Another Tantric text mentions the worshipper should burn a crow in a cremation flame and, while repeating the goddesses' mantra, spread the ashes in the enemy's house, which will lead to his destruction. The text further says Dhumavati should be worshipped only by Dakshinamarga ("right-handed path"). While the Kalarudra-tantra says Dhumavati can be worshipped for destructive purposes, Shakta-pramoda relates that her worship is useful to acquire siddhi to destroy one's foes.
Dhumavati's worship is performed in a the night in a cremation ground, bare-bodied with the exception of a loincloth. The fourth lunar day of the dark fortnight (Krishna Paksha
) is considered the special day to perform her puja (worship). The worshipper should observe a fast and remain silent for a whole day and night. They should also perform a homa
("fire sacrifice"), wearing wet clothes and a turban, repeating the goddess' mantra in a cremation ground, forest, or any lonely place.
Dhumavati temples are extremely rare. At a temple in Varanasi
, Dhumavati is the main deity. Smaller Dhumavati temples exist in Ranchi
in Bihar and near the Kamakhya Temple
near Guwahati
. At the Varanasi temple, which claims to be a Shakti Peetha, Dhumavati's idol rides a chariot and holds a winnowing fan, a broom, and a pot, while the fourth hand makes the fear-not gesture (abhaya-mudra). The goddess is offered usual offerings like flowers and fruit, but also liquor, bhang
, cigarettes, meat, and sometimes even blood sacrifices. Though traditional devotees of Dhumavati (world renouncers and Tantrikas) worship at the Varanasi temple, here the goddess transcends her traditional role as "the inauspicious, dangerous goddess who can be approached only by heroic tantric adepts". Dhumavati acquires the role of a local guardian deity, or village deity, who protects the locals and even married couples worship her.
Mahavidya
Mahavidyas or DashaMahavidyas are a group of ten aspects of the Divine Mother or Devi in Hinduism. The Ten Mahavidyas are Wisdom Goddesses, who represent a spectrum of feminine divinity, from horrific goddesses at one end, to the ravishingly beautiful at the other.The development of Mahvidyas...
s, a group of ten Tantric
Tantra
Tantra , anglicised tantricism or tantrism or tantram, is the name scholars give to an inter-religious spiritual movement that arose in medieval India, expressed in scriptures ....
goddesses. Dhumavati represents the fearsome aspect of Devi
Devi
Devī is the Sanskrit word for Goddess, used mostly in Hinduism, its related masculine term is deva. Devi is synonymous with Shakti, the female aspect of the divine, as conceptualized by the Shakta tradition of Hinduism. She is the female counterpart without whom the male aspect, which represents...
, the Hindu
Hinduism
Hinduism is the predominant and indigenous religious tradition of the Indian Subcontinent. Hinduism is known to its followers as , amongst many other expressions...
Divine Mother. She is often portrayed as an old, ugly widow, and is associated with things considered inauspicious and unattractive in Hinduism, such as the crow and the Chaturmas
Chaturmas
Chaturmas is a holy period of four months , beginning on Shayani Ekadashi—the eleventh day of the first bright half, Shukla paksha, of Ashadh —until Prabodhini Ekadashi, the eleventh day of the first bright half of Kartik in Hinduism, Buddhism and Jainism.Chaturmas is reserved the...
period. The goddess is often depicted on a horseless chariot or riding a crow, usually in a cremation ground.
Dhumavati is said to manifest herself at the time of cosmic dissolution and is "the Void" that exists before creation and after dissolution. While Dhumavati is generally associated with only inauspicious qualities, her thousand-name hymn relates her positive aspects as well as her negative ones. She is often called tender-hearted and a bestower of boons. Dhumavati is described as a great teacher, one who reveals ultimate knowledge of the universe, which is beyond the illusory divisions, like auspicious and inauspicious. Her ugly form teaches the devotee to look beyond the superficial, to look inwards and seek the inner truths of life.
Dhumavati is described as a giver of siddhi
Siddhi
is a Sanskrit noun that can be translated as "perfection", "accomplishment", "attainment", or "success". The term is first attested in the Mahabharata. In the Pancatantra, a siddhi may be any unusual skill or faculty or capability...
s (supernatural powers), a rescuer from all troubles, and a granter of all desires and rewards, including ultimate knowledge and moksha
Moksha
Within Indian religions, moksha or mukti , literally "release" , is the liberation from samsara and the concomitant suffering involved in being subject to the cycle of repeated death and reincarnation or rebirth.-Origins:It is highly probable that the concept of moksha was first developed in...
(salvation). Her worship is also prescribed for those who wish to defeat their foes. Dhumavati's worship is considered ideal for unpaired members of society, such as bachelors, widows, and world renouncers as well as Tantrikas. In her Varanasi
Varanasi
-Etymology:The name Varanasi has its origin possibly from the names of the two rivers Varuna and Assi, for the old city lies in the north shores of the Ganga bounded by its two tributaries, the Varuna and the Asi, with the Ganges being to its south...
temple, however, she transcends her inauspiciousness and acquires the status of a local protective deity. There, even married couples worship her. Although she has very few dedicated temples, her worship by Tantric ritual continues in private in secluded places like cremation grounds and forests.
Origins
Dhumavati hardly has an independent existence outside the Mahavidya group. There is no historical mention of her before she is included among the Mahavidyas. As a goddess of poverty, frustration, and despair, Daniélou associates Dhumavati with Nirriti, the goddess of disease and misery, and AlakshmiAlakshmi
Alakshmi is the older sister of Lakshmi and the Hindu goddess of misfortune. She is also the second wife of Kali, the male demon from the Kalki Purana and the Mahabharata.-Background:...
, the goddess of misfortune and poverty. Kinsley adds another goddess to the list: Jyestha
Jyestha (goddess)
Jyestha or Jyeshtha is the Hindu goddess of inauspicious things and misfortune. She is regarded as the elder sister and antithesis of Lakshmi, the goddess of good fortune and beauty....
.
The Vedic
Vedic
Vedic may refer to:* the Vedas, the oldest preserved Indic texts** Vedic Sanskrit, the language of these texts** Vedic period, during which these texts were produced** Vedic pantheon of gods mentioned in Vedas/vedic period...
goddess Nirriti is associated with death, decay, bad luck, anger, and need. Hymns emphasize offerings to keep her away. Like Nirriti, Dhumavati is associated with unpromising things and hardship. Jyestha, also an early Hindu goddess, has similarities in iconography with Dhumavati. Like Dhumavati, she is dark, ugly and is associated with the crow. Jyestha is described as being unable to tolerate any auspiciousness. Also like Dhumavati, Jyestha dwells in quarrels, inauspicious places, and has a bad temper. Lakshmana Desika, the commentator on the Saradatilaka-Tantra, identifies Dhumavati with Jyestha. Both Alakshmi, the sister and antithesis of Lakshmi
Lakshmi
Lakshmi or Lakumi is the Hindu goddess of wealth, prosperity , light, wisdom, fortune, fertility, generosity and courage; and the embodiment of beauty, grace and charm. Representations of Lakshmi are also found in Jain monuments...
(Shri), the goddess of wealth, luck and beauty, and Dhumavati are described as old, carrying a broom and having a crow banner. Both symbolize hunger, thirst, need, and poverty.
While there are similarities between Dhumavati and the three goddesses, the latter lack significant characteristics of Dhumavati, like her widowhood and a textual emphasis on her ugliness. The names of the three goddesses also do not figure in Dhumavati's nama stotras (hymns invoking her many names), where such identifications could have been explicitly mentioned. The three also lack the more fierce warrior aspects of Dhumavati as well as her positive aspects in the context of the Mahavidyas. In scholar David Kinsley's opinion, though the three may be Dhumavati's antecedents, they are not "the same" as Dhumavati. According to Kinsley, the concept of ten Mahavidya
Mahavidya
Mahavidyas or DashaMahavidyas are a group of ten aspects of the Divine Mother or Devi in Hinduism. The Ten Mahavidyas are Wisdom Goddesses, who represent a spectrum of feminine divinity, from horrific goddesses at one end, to the ravishingly beautiful at the other.The development of Mahvidyas...
s may not be earlier than the 12th century.
Legends
Dhumavati is often named as the seventh Mahavidya. The Guhyatiguhya-Tantra equates VishnuVishnu
Vishnu is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God....
's ten avatars with the ten Mahavidyas. The fish incarnation Matsya
Matsya
Matsya was the first Avatar of Vishnu in Hinduism. The great flood finds mention in Hindu mythology texts like the Satapatha Brahmana, where in the Matsya Avatar takes place to save the pious and the first man, Manu and advices him to build a giant boat.-The Legend:According to the Matsya...
is described as arising from Dhumavati. A similar list in the Mundamala equates Dhumavati with Vamana
Vamana
Vamana is described in the Puranic texts of Hinduism as the Fifth Avatar of Vishnu, and the first incarnation of the Second Age, or the Treta yuga. Also he is the first Avatar of Vishnu which appears with a completely human form, though it was that of a dwarf brahmin. He is also sometimes known as...
.
In a story from the Shakta Maha-Bhagavata Purana, which narrates the creation of all the Mahavidyas, Sati
Dakshayani
Dākshāyani or Satī is a Hindu Goddess of marital felicity and longevity. She is worshipped particularly by Hindu women to seek the long life of their husbands...
, the daughter of Daksha
Daksha
In Hinduism, Daksha, "the skilled one", is an ancient creator god, one of the Prajapatis, the Rishis and the Adityas. Daksha is said to be the son of Aditi and Brahma...
and first wife of god Shiva
Shiva
Shiva is a major Hindu deity, and is the destroyer god or transformer among the Trimurti, the Hindu Trinity of the primary aspects of the divine. God Shiva is a yogi who has notice of everything that happens in the world and is the main aspect of life. Yet one with great power lives a life of a...
, feels insulted that she and Shiva are not invited to Daksha's yagna ("fire sacrifice") and insists on going there, despite Shiva's protests. After futile attempts to convince Shiva, the enraged Sati transforms into the Mahavidyas, who surround Shiva from the ten cardinal directions. Dhumavati stands in the southeast. Another similar legend replaces Sati with Kali (the chief Mahavidya) as the wife of Shiva and origin of the other Mahavidyas. The Devi Bhagavata Purana mentions the Mahavidyas as war-companions and forms of goddess Shakambhari
Shakambhari
In Hinduism, Shakambhari is an incarnation of Ishwari, consort to Shiva. She is the divine mother, called "The Bearer of the Greens."- Etymology :...
.
A legend from the Shaktisamgama-Tantra describes that Sati commits suicide by jumping in Daksha's yagna and Dhumavati rises with a blackened face from the sad smoke of Sati's burning body. She is "all that is left of Sati" and is her outraged and insulted avatar. The Pranatosini-Tantra explains the widowhood of Dhumavati. Once, Sati asked Shiva to give her food. When Shiva declines, the goddess eats him to satisfy her extreme hunger. When Shiva requests her to disgorge him, she obliges. Shiva then rejects her and curses her to assume the form of a widow. Another oral legend tells that Dhumavati was created by the warrior goddess Durga
Durga
For the 1985 Hindi Film of Rajesh Khanna see DurgaaIn Hinduism, Durga ; ; meaning "the inaccessible" or "the invincible"; , durga) or Maa Durga "one who can redeem in situations of utmost distress" is a form of Devi, the supremely radiant goddess, depicted as having eighteen arms, riding a lion...
in the battle against demons Shumbha and Nishumbha
Sumbha and Nisumbha
In the Hindu text the Devi Mahatmyam, Sumbha and Nisumbha, also spelled as Shumbha and Nishumbha, were two Asuras that confronted, and were ultimately slain by, Devi...
. Dhumavati's literal name ("she who abides in smoke") comes from her ability to defeat demons by creating stinging smoke.
The Pranatosini-Tantra version stresses Dhumavati's destructive aspect and hunger, which is satisfied only when she consumes Shiva, who himself contains or creates the universe. It brings out her inauspicious status as a widow and her self-assertion on her husband.
Iconography and textual descriptions
The Dhumavati Tantra describes her as an old and ugly widow. She is thin, tall, unhealthy, and has a pale complexion. She is described as restless and wicked. Unadorned with jewellery, she wears old, dirty clothes and has dishevelled hair. Her eyes are fearsome, her nose long and crooked, and some of her long fang-like teeth have fallen out, leaving her smile with gaps. Her ears are ugly and rough; her breasts hang down. In one of her trembling hands, she holds a winnowing basket, while the other makes a boon-conferring gesture (varada-mudraMudra
A mudrā is a symbolic or ritual gesture in Hinduism and Buddhism. While some mudrās involve the entire body, most are performed with the hands and fingers...
) or knowledge-giving gesture (cinmudra). She rides in a horseless chariot bearing an emblem of a crow and a banner. She is astute and crafty, though. Always hungry and thirsty, Dhumavati initiates quarrels and invokes fear.
In the Prapancasarasara-samgraha, Dhumavati is described as having a black complexion and wearing ornaments made of snakes. Her dress is made of rags taken from cremation grounds. She holds a spear and a skull-cup (kapala
Kapala
A kapala or skullcup is a cup made from a human skull used as a ritual implement in both Hindu Tantra and Buddhist Tantra...
) in her two hands. The spear is sometimes replaced by a sword. Another description in the same text says Dhumavati is aged with a wrinkled, angry face and cloud-like complexion. Her nose, eyes, and throat resemble a crow's. She holds a broom, a winnowing fan, a torch, and a club. She is cruel and frowning. Her hair appears dishevelled and she wears the simple clothes of a beggar. Her breasts are dry. Her hair is grey, her teeth crooked and missing, and her clothes old and worn.
Sometimes, Dhumavati rides a crow and holds a trident. She may be depicted wearing a garland of severed heads, with red-coloured limbs and matted but dishevelled hair. Sometimes, she carries the buffalo-horn of Yama
Yama
Yama , also known as Yamarāja in India and Nepal, Shinje in Tibet, Yanluowang or simply Yan in China, Yeomla Daewang in South Korea and Enma Dai-Ō in Japan, is the lord of death, in Hinduism and then adopted into Buddhism and then further into Chinese mythology and Japanese mythology. First...
, the god of death, symbolizing her association with death.
Dhumavati has fierce, warlike attributes too. In the Shakta pramoda, she crushes bones in her mouth, creating an awful noise. She also makes the fearful and warlike noises of drums and bells. She wears a garland of skulls, chews the corpses of the demons Chanda
Chanda
In Hinduism, Chanda was a monster in the service of Sumbha and Nisumbha that Chamunda Devi killed. It is also a popular name in the Hindu community...
and Munda
Munda (Hinduism)
In Hinduism, Munda was an Asura in the service of Sumbha and Nisumbha who was killed by Chamunda Devi along with Chanda....
, and drinks a mixture of blood and wine.
Though there are standard descriptions of Dhumavati's form, some relatively recent paintings deviate from it. For example, an 18th century painting by Molaram depicts Dhumavati sitting on a chariot pulled by two black scavenger
Scavenger
Scavenging is both a carnivorous and herbivorous feeding behavior in which individual scavengers search out dead animal and dead plant biomass on which to feed. The eating of carrion from the same species is referred to as cannibalism. Scavengers play an important role in the ecosystem by...
birds with curved beaks. The painting follows the usual attributes like the winnowing basket, boon-giving gesture, but also depicts her young and beautiful with full breasts and adorned in gold finery, a stark contrast to her usual form. An early 20th century painting from Varanasi
Varanasi
-Etymology:The name Varanasi has its origin possibly from the names of the two rivers Varuna and Assi, for the old city lies in the north shores of the Ganga bounded by its two tributaries, the Varuna and the Asi, with the Ganges being to its south...
depicts her riding a crow, holding a trident, a sword, a winnowing fan, and a bowl in her four arms, dark-complexioned, with sagging breasts, wearing white clothes and with cremation flames in the background. She is again adorned in gold finery and wears a gold-hewn lower garment, unusual for a widow's dress. Another 18th century Nepal
Nepal
Nepal , officially the Federal Democratic Republic of Nepal, is a landlocked sovereign state located in South Asia. It is located in the Himalayas and bordered to the north by the People's Republic of China, and to the south, east, and west by the Republic of India...
i manuscript depicts a complete deviation from her traditional descriptions. She is completely nude with high breasts, wears a pearl necklace and headband, stands on a peacock with legs apart, and holds a mirror while looking at her reflection. A ring of fire surrounds her, possibly conveying cremation flames.
Symbolism and associations
Vedic scholar Ganapati Muni described the goddess:Dhumavati is always considered a widow, and thus, is the only Mahavidya without a consort. Though associated with Shiva, having eaten him, he has since left her. Having destroyed the male element (Purusha
Purusha
In some lineages of Hinduism, Purusha is the "Self" which pervades the universe. The Vedic divinities are interpretations of the many facets of Purusha...
) in the universe, she is left with nothing, but she is still Shakti
Shakti
Shakti from Sanskrit shak - "to be able," meaning sacred force or empowerment, is the primordial cosmic energy and represents the dynamic forces that are thought to move through the entire universe in Hinduism. Shakti is the concept, or personification, of divine feminine creative power, sometimes...
, the female element with latent energy. Dhumavati's insatiable hunger and thirst is highlighted in many texts, and has been interpreted as the manifestation of her unsatisfied desires.
As a widow in a horseless chariot, Dhumavati is portrayed as a woman going nowhere in life and society. She is "all that is unlucky, unattractive and inauspicious". She appears in the form of the poor, the beggars, the lepers, and the diseased. She dwells in the "wounds of the world", deserts, ruined houses, poverty, tatters, hunger, thirst, quarrels, mourning of children, in wild and other uncivilized, dangerous places. Widows in general are considered inauspicious, dangerous, and susceptible to possession by evil spirits. As a divine widow, Dhumavati is to be feared. Dhumavati is described as a hag
Hag
A hag is a wizened old woman, or a kind of fairy or goddess having the appearance of such a woman, often found in folklore and children's tales such as Hansel and Gretel. Hags are often seen as malevolent, but may also be one of the chosen forms of shapeshifting deities, such as the Morrígan or...
or witch, crafty and quarrelsome; she represents all the dreaded miseries of life.
Alternative paintings show her as young and adorned, as a sexually tempting, eroticised, young, attractive yet inauspicious widow. Her thousand-name hymn says that she gives enjoyment, is completely beautiful and adorned with garlands, clothes, and jewellery. She is also associated with sex in the hymn, which calls her "She Whose Form Is Rati
Rati
Rati is the Hindu goddess of love, carnal desire, lust, passion and sexual pleasure. Usually described as the daughter of Prajapati Daksha, Rati is the female counterpart, the chief consort and the assistant of Kama , the god of love. A constant companion of Kama, she is often depicted with him in...
". Rati literally means "sexual intercourse" and also the name of the Hindu love goddess. She is said to enjoy sexual intercourse, to be present where sexual activity is, and to be occupied with sex. She is said to like liquor (a forbidden drink), to be intoxicated, and to be worshiped by intoxicated people. She also indulges in the Tantric ritual of breaking the five taboos—the Panchamakara
Panchamakara
Panchamakara, also known as the Five Ms, is a Tantric term referring to the five substances used in a Tantric puja or sadhana:...
, which include consuming wine, meat, fish, parched grain
Parched grain
Parched Grain is grain that has been cooked by dry roasting. It is an ancient foodstuff and is thought to be one of the earliest ways in which the hunter gatherers in the Fertile Crescent ate grains...
and ritual sex
Maithuna
Maithuna or Mithuna is a Sanskrit term used in Tantra most often translated as sexual union in a ritual context. It is the most important of the five makara and constitutes the main part of the Grand Ritual of Tantra variously known as Panchamakara, Panchatattva, and Tattva Chakra. Although some...
.
Dhumavati is a manifestation of the anti-social and inauspicious elements in women and is an antithesis to the goddess Lakshmi. Like Alakshmi, Dhumavati rules over the four months of the rainy season, when even solar light is obscured by the evil water spirit. This coincides with Chaturmas
Chaturmas
Chaturmas is a holy period of four months , beginning on Shayani Ekadashi—the eleventh day of the first bright half, Shukla paksha, of Ashadh —until Prabodhini Ekadashi, the eleventh day of the first bright half of Kartik in Hinduism, Buddhism and Jainism.Chaturmas is reserved the...
, a period during the year when the god Vishnu
Vishnu
Vishnu is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God....
sleeps. At that time, darkness rules and the soul loses its usual luster. This period is considered inauspicious, and as such as no auspicious ceremonies like marriage can take place.
The presence of the crow, a carrier of death, in her iconography as well as her textual description of having crow-like features associate her with death and inauspiciousness. Another motif in her iconography linking her with death is the presence of a cremation
Cremation
Cremation is the process of reducing bodies to basic chemical compounds such as gasses and bone fragments. This is accomplished through high-temperature burning, vaporization and oxidation....
ground and cremation pyres in the background. Her thousand name hymn says that she lives in the cremation ground, sits on a corpse, wears ashes, and blesses those who haunt the grounds. The Prapancasarasara-samgraha relates that she wears a dress taken from a corpse. Dhumavati is the embodiment of tamas
Tamas (philosophy)
In the Samkhya school of philosophy, tamas is one of the three gunas , the other two being rajas and sattva or purity). Tamas is the template for inertia or resistance to action...
guna
Guna
' means 'string' or 'a single thread or strand of a cord or twine'. In more abstract uses, it may mean 'a subdivision, species, kind, quality', or an operational principle or tendency....
, associated with ignorance and darkness. She likes meat and wine, both tamasic in nature.
Dhumavati is often said to appear at the time of Maha-pralaya
Pralaya
Pralaya, in Hindu cosmology, is an aeonic term which specifies different periods of time during which non activity situation persists, as per different formats or contexts...
, the great dissolution of the cosmos and is equated with the dark clouds that rise during Pralaya. Her thousand name hymn also calls her by names meaning "She Whose Form is Pralaya", "Who Is Occupied with Pralaya", "Who Creates and Causes Pralaya" and "Who Walks About in Pralaya". An author says that she stays even after Shiva (who is Maha-kala) ("Great Time" or "Great Death") disappears, thus she is "the Power of Time", and considered to be beyond time and space. Dhumavati represents ultimate destruction, the smoke that rises after the universe is destroyed.
The goddess' name "Dhumavati" means the "smoky one". She is said not to like offerings burnt in a fire that is not smoky. She likes smoke from incense, offerings, and cremation pyres, as these symbolize destruction. Dhumavati also exists in the form of smoke and roams everywhere at her will.
While Dhumavati generally is associated with only inauspicious qualities, her thousand-name hymn tells about her positive aspects, too. She is often called as bestower of boons and tender-hearted. Her hymn says that she lives in the midst of women and is worshipped by them. Her hymn sings of her as the giver of children.
As an ancestor or Grandmother spirit, she embodies a great teacher and guide, granting knowledge of the ultimate truth of life and death. Her smoke hides that which is obvious, revealing hidden secrets and truths of "the unknown and the unmanifest". Frawley says her outer appearance as poverty is deceptive and a mere illusion that hides the inner reality. She is "the good fortune that comes to us in the form of misfortune". Dhumavati embodies the "power of suffering". Through the negative aspects that Dhumavati represents rise the virtues of patience, persistence, forgiveness, and detachment. Without the revealing of this negativity of life, it cannot be transcended and the secret truths would remain hidden under the smoky veil of illusion.
Dhumavati's outer inauspicious, fearful form reveals the dangers of considering sensory pleasures as fulfilment-giving. The winnowing basket, used to separate the husk from the grain, symbolizes the need to separate the outer illusory form from the inner reality. Her ugly form teaches the devotee to go beyond the outer deceptive appearances and seek the inner truths of life.
Dhumavati is the primordial darkness and ignorance, from which rises the world of illusion. She represents the darkness/ignorance before creation and after decay. This ignorance, which obscures the ultimate reality, is necessary because without the realization of this ignorance, true knowledge can not be achieved. Dhumavati also represents yogic sleep (Yoganidra), the pre-creation state of consciousness, as well as the primal sleep (the Void) in which all creation would dissolve and reach ultimate reality of Brahman
Brahman
In Hinduism, Brahman is the one supreme, universal Spirit that is the origin and support of the phenomenal universe. Brahman is sometimes referred to as the Absolute or Godhead which is the Divine Ground of all being...
. This void is pure consciousness, the cessation of movements of the mind, and silence. Even Dhumavati's ability to spread disease is also considered positive, as disease punishes the wicked and restores cosmic order. Dhumavati is also associated with the heart or middle region of the body.
Dhumavati is sometimes regarded as an older form of Kali
Kali
' , also known as ' , is the Hindu goddess associated with power, shakti. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Kali means "the black one". Since Shiva is called Kāla - the eternal time, Kālī, his consort, also means "Time" or "Death" . Hence, Kāli is...
, in which she represents timelessness and unmanifest life-force. Another tradition identifies Dhumavati with Smashana-kali, "Kali who lives in the cremation ground." She is considered a terrible aspect of the Goddess and included among the Kalikula ("family of Kali") goddesses. Dhumavati's nama stotras (hymn with names of the deities) identify her with Parvati, Sati, and glorify her as a slayer of demons.
Worship
Though Dhumavati may seem to be a goddess to be avoided due to her inauspiciousness, she is described as tender-hearted and one who gives her devotees whatever they want. In several places, Dhumavati is described as a giver of siddhiSiddhi
is a Sanskrit noun that can be translated as "perfection", "accomplishment", "attainment", or "success". The term is first attested in the Mahabharata. In the Pancatantra, a siddhi may be any unusual skill or faculty or capability...
s (supernatural powers), a rescuer from all troubles and granter of all desires and rewards, including ultimate knowledge and moksha
Moksha
Within Indian religions, moksha or mukti , literally "release" , is the liberation from samsara and the concomitant suffering involved in being subject to the cycle of repeated death and reincarnation or rebirth.-Origins:It is highly probable that the concept of moksha was first developed in...
(salvation). Dhumavati's worship is prescribed to ward off all the negativity that she stands for and to transcend the smoke screen to acquire true knowledge. By worshipping and confronting her, the embodiment of the impure, the inauspicious and outside the fringes of society, one can look beyond the arbitrary dichotomies of society and acquire ultimate knowledge to become spiritually enlightened.
Married people, however, are advised not to worship Dhumavati. It is said that her worship creates a feeling of wanting solitude and distaste of worldly things, which is considered as highest characteristics of a spiritual quest. Thus, Dhumavati's worship is appropriate for world renouncers who roam as lone wanderers and widows who parallel the life of world renouncers. Dhumavati is also described a being partial to single persons and especially partial to widows. Widows are considered the only beings who can withstand her power.
The mantra
Mantra
A mantra is a sound, syllable, word, or group of words that is considered capable of "creating transformation"...
of Dhumavati is "Dhum Dhum Dhumavati Svaha", containing a repetition of her seed syllable Dhum. This mantra used in the worship of Dhumavati, sometimes with her yantra
Yantra
Yantra is the Sanskrit word for "instrument" or "machine". Much like the word "instrument" itself, it can stand for symbols, processes, automata, machinery or anything that has structure and organization, depending on context....
, is believed to create a protective smoke shielding the devotee from negativity and death. Her worship involves clearing one's mind of all thoughts and leaving back the known, meditating on the unknown silence beyond, and the Void that Dhumavati represents.
The Shaktisamgama Tantra says that Dhumavati can be worshipped for the Uchhatana (eradication) of a person. A worshipper should imagine the world as well as the goddess's mantra as grey. He should blacken his teeth and wear black clothes and observe regulations, such as eating little, sleeping on the ground, and subduing his senses. In this worship procedure called kakakarma (crow-procedure), he should "transform his mind into a crow" by which one can cause harm to a person. Another Tantric text mentions the worshipper should burn a crow in a cremation flame and, while repeating the goddesses' mantra, spread the ashes in the enemy's house, which will lead to his destruction. The text further says Dhumavati should be worshipped only by Dakshinamarga ("right-handed path"). While the Kalarudra-tantra says Dhumavati can be worshipped for destructive purposes, Shakta-pramoda relates that her worship is useful to acquire siddhi to destroy one's foes.
Dhumavati's worship is performed in a the night in a cremation ground, bare-bodied with the exception of a loincloth. The fourth lunar day of the dark fortnight (Krishna Paksha
Paksha
Paksha , is a fortnight in a month of the Hindu lunar calendar. Literally meaning side or period, that is either side of the Full Moon Day or Purnima...
) is considered the special day to perform her puja (worship). The worshipper should observe a fast and remain silent for a whole day and night. They should also perform a homa
Homa (ritual)
Homa is a Sanskrit word which refers to any ritual in which making offerings into a consecrated fire is the primary action...
("fire sacrifice"), wearing wet clothes and a turban, repeating the goddess' mantra in a cremation ground, forest, or any lonely place.
Dhumavati temples are extremely rare. At a temple in Varanasi
Varanasi
-Etymology:The name Varanasi has its origin possibly from the names of the two rivers Varuna and Assi, for the old city lies in the north shores of the Ganga bounded by its two tributaries, the Varuna and the Asi, with the Ganges being to its south...
, Dhumavati is the main deity. Smaller Dhumavati temples exist in Ranchi
Ranchi
-Climate:Ranchi has a humid subtropical climate. However, due to its position and the forests around the city, it is known for its pleasant climate. Its climate is the primary reason why Ranchi was once the summer capital of the undivided State of Bihar...
in Bihar and near the Kamakhya Temple
Kamakhya Temple
The Kamakhya Temple is a Shakti Peeth temple situated on the Nilachal Hill in western part of Guwahati city in Assam, India. It is the main temple in a complex of individual temples dedicated to different forms of the mother goddess as the Dasa Mahavidya, including Bhuvaneshvari, Bagalamukhi,...
near Guwahati
Guwahati
Guwahati, Pragjyotishpura in ancient Assam formerly known as Gauhati is a metropolis,the largest city of Assam in India and ancient urban area in North East India, with a population of 963,429. It is also the largest metropolitan area in north-eastern India...
. At the Varanasi temple, which claims to be a Shakti Peetha, Dhumavati's idol rides a chariot and holds a winnowing fan, a broom, and a pot, while the fourth hand makes the fear-not gesture (abhaya-mudra). The goddess is offered usual offerings like flowers and fruit, but also liquor, bhang
Bhang
Bhang is a preparation from the leaves and flowers of the female cannabis plant, smoked or consumed as a beverage in the Indian subcontinent.- India:...
, cigarettes, meat, and sometimes even blood sacrifices. Though traditional devotees of Dhumavati (world renouncers and Tantrikas) worship at the Varanasi temple, here the goddess transcends her traditional role as "the inauspicious, dangerous goddess who can be approached only by heroic tantric adepts". Dhumavati acquires the role of a local guardian deity, or village deity, who protects the locals and even married couples worship her.