Cathédrale St-Julien du Mans
Encyclopedia
Catholic
The word catholic comes from the Greek phrase , meaning "on the whole," "according to the whole" or "in general", and is a combination of the Greek words meaning "about" and meaning "whole"...
cathedral situated in Le Mans
Le Mans
Le Mans is a city in France, located on the Sarthe River. Traditionally the capital of the province of Maine, it is now the capital of the Sarthe department and the seat of the Roman Catholic diocese of Le Mans. Le Mans is a part of the Pays de la Loire region.Its inhabitants are called Manceaux...
, France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
. It is dedicated to Saint Julian of Le Mans
Julian of Le Mans
Saint Julian of Le Mans is a saint venerated in both the Roman Catholic and Eastern Orthodox Church, honored as the first bishop of Le Mans. His feast day is January 27...
, the city's first bishop, who established Christianity in the area around the beginning of the 4th century.
The cathedral, which combines a Romanesque
Romanesque architecture
Romanesque architecture is an architectural style of Medieval Europe characterised by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style,...
nave
Nave
In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the central approach to the high altar, the main body of the church. "Nave" was probably suggested by the keel shape of its vaulting...
and a High Gothic
Gothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
choir, is notable for its rich collection of stained glass and the spectacular bifurcating flying buttresses at its eastern end.
Previous buildings
Nothing is known about the form of the original church founded here by St Julian, which was co-dedicated (as with many early cathedrals) to The Virgin and to St Peter. Although there is no archaeological evidence for the building phases prior to 1080, the history of the bishopric and its cathedral is extensively detailed in the 9th century Actus pontificum Cenomannis in urbe degentiumActus pontificum cenomannis
The Actus pontificum Cenomannis is a series of short biographies of bishops of the city of Le Mans, starting with the first bishop Julian, one of the Seventy Disciples. The core text was written in the middle ninth century, probably by a cleric or clerics of the cathedral of Le Mans, though it had...
According to this chronicle, in the first half of the 9th century a major rebuilding of Julian's original cathedral took place under under Bishop Aldric. This new building, designed to house the relics of St Julian, incorporated a large choir (consecrated 834) with an apse and an ambulatory housing five altars – possibly one of the very earliest examples of the chevet-type design that later became a standard for major churches throughout northern Europe.
Another remodelling was undertaken throughout the second half of the 11th century (begun under Bishop Vulgrin c.1060, completed under Bishop Hildevert and consecrated 1120).
Current building
The cathedral occupies the northeastern corner of the old town (known as Vieux Mans or the Cité Plantagenêt), an area on top of a slight ridge dominated by cobbled streets and half-timbered houses.Nave
The current nave is of a typical RomanesqueRomanesque architecture
Romanesque architecture is an architectural style of Medieval Europe characterised by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style,...
basilica
Basilica
The Latin word basilica , was originally used to describe a Roman public building, usually located in the forum of a Roman town. Public basilicas began to appear in Hellenistic cities in the 2nd century BC.The term was also applied to buildings used for religious purposes...
form with round-arched arcades and single aisles either side of a larger central vessel lit by clerestory
Clerestory
Clerestory is an architectural term that historically denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. In modern usage, clerestory refers to any high windows...
windows. Following a fire in 1134, a major rebuilding programme was begun by Bishop Guillaume de Passavant (reg.1142–1186). The new works were partly funded by King Henry II of England, whose father, Geoffroy of Anjou, was buried here in 1151. Whereas the previous buildings had all featured a wooden roof, Bishop Guillaume's new nave, which today survives largely intact, incorporated stone vaults - a feature which required considerable thickening of the old walls and the addition of flying buttresses along the flanks of the nave.
The capitals of the nave piers are richly carved, some with classicising acanthus leaves, others with more naturalistic vegetation incorporating a range of animals and human figures. Around the walls, the springers and corbels are similarly decorated with a rich variety of naturalistic or grotesque (and sometimes humorous) figures.
Choir
In 1217, the cathedral chapter obtained authorisation to demolish part of the 4th century Gallo-Roman city walls which had blocked further expansion to the east (any modifications to city walls in medieval France required the permission of the king). Work on a greatly enlarged eastern end began immediately and the new choir was consecrated Bishop Geoffroy de Loudon on April 24, 1254. In cross-section the new choir closely follows the earlier examples at Bourges and Coutances, having two aisles (a double ambulatory), with stepped elevations, either side of the central vessel. The Le Mans architect combined this Bourges-style design with a number of details borrowed from Chartres, most notably the elongated chapels radiating from the apse and the treatment of the external flying-buttresses as decorative elements as well as structural supports.The stone carving is generally of a high quality and is highly decorative, particularly in the naturalistic foliage filling the spandrels of the inner arcardes.
Seen from the east, the flying buttresses on the outside of the choir present an unusually dense forest of masonry, owing to their unique bifurcating design. Each of the sloping flyers splits in two, presenting a 'Y'-shape in a bird's-eye view, with each arm engaging on a separate upright buttress. Although this design was not taken up elsewhere, it lends an uncharacteristically graceful and delicate feel to the eastern end of the building, especially when seen from the bottom of the hill (in Place des Huguenots).
The Transepts
After the completion of the choir, the next priority was to rebuild the transepts in order to link the new Gothic elements to the Romanesque nave, however this work was delayed by lack of funds. The south transept, designed by Jean le Maczon was begun in the 1380s and completed in 1392 with the aid of funds donated by King Charles VICharles VI of France
Charles VI , called the Beloved and the Mad , was the King of France from 1380 to 1422, as a member of the House of Valois. His bouts with madness, which seem to have begun in 1392, led to quarrels among the French royal family, which were exploited by the neighbouring powers of England and Burgundy...
(who had been cared for by the canons of Le Mans Cathedral during one of his bouts of insanity). Work on its northern counterpart began in 1403 but was delayed by a resumption of the Hundred Years War and was not completed until the 1430s. In 1500, plans to heighten the transepts were abandoned for reasons of cost.
Stained glass
The nave at Le Mans retains around 20 stained glass windows from Bishop Guillaume's mid-12th century rebuilding, though all but one have been moved from their original locations and all were very heavily restored in the 19th century. The great western window, depicting scenes from the Life of St Julian of Le Mans, dates from around 1155. The Ascension window, towards the western end of the south aisle of the nave,has been dated to 1120, making it one of the oldest extant stained glass windows in France.Unlike the earlier Romanesque windows, the 13th century glazing programme in the upper parts of the choir is largely intact and presents a very diverse range of scenes from the Old and New Testaments, the Lives of Saints, and various miracles of the Vigin. These windows are notable for their lack of coherent programme (there is no obvious pattern in the distribution of subjects and some episodes, such as the story of Theophilus or the 'miracle of the Jewish boy of Bourges', are repeated in different windows) and for the variety of artistic styles. The windows in the radiating chapels fared less well and most of the surviving panels have been reassembled out of context in the axial chapel.
Portals
Opening into the south aisle of the nave is an early gothic portal (c.1150), sheltered by a substantial porch which would have provided shelter for ceremonies and processions entering or leaving the cathedral. Stylistically and in its overall design, this portal is closely related to the Portail Royale at Chartres Cathedral and the west facade at the Abbey Church of St Denis, wwith which it is roughly contemporary. The tympanumTympanum (architecture)
In architecture, a tympanum is the semi-circular or triangular decorative wall surface over an entrance, bounded by a lintel and arch. It often contains sculpture or other imagery or ornaments. Most architectural styles include this element....
features the Majestas Domini (Christ in a mandorla surrounded by the four Evangelist symbols), over the twelve evangelists on the lintel. The doorposts feature St Peter and St Paul (as at Moissac), flanked by eight Old Testament figures on the jamb columns, carved in the hieratic Early Gothic style found at Laon, Chartres (west facade) and in the south portal at Bourges. The archivolts are carved with scenes from the Life of Christ, some of which are squeezed rather awkwardly into the cut-down voussoirs, suggesting they may have originally been intended for a different doorway, or else that the design was changed during construction.
On the right hand corner of the west facade is a 4.5m high prehistoric menhir
Menhir
A menhir is a large upright standing stone. Menhirs may be found singly as monoliths, or as part of a group of similar stones. Their size can vary considerably; but their shape is generally uneven and squared, often tapering towards the top...
, locally known as the Pierre St Julien (St Julian's Stone). Natural weathering of the sandstone has given the menhir's surface an unusual appearance, superficially similar to carved drapery. The stone was moved here in 1778, after the dolmen
Dolmen
A dolmen—also known as a portal tomb, portal grave, dolmain , cromlech , anta , Hünengrab/Hünenbett , Adamra , Ispun , Hunebed , dös , goindol or quoit—is a type of single-chamber megalithic tomb, usually consisting of...
of which it had been part which was demolished.