Antonio Maria Lucchini
Encyclopedia
Antonio Maria Lucchini or Luchini (Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

, c. 1690 – Venice, before 1730) was an Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 librettist
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

. His texts were set to music by Antonio Vivaldi
Antonio Vivaldi
Antonio Lucio Vivaldi , nicknamed because of his red hair, was an Italian Baroque composer, priest, and virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe...

, Baldassare Galuppi, Leonardo Vinci
Leonardo Vinci
Leonardo Vinci was an Italian composer, best known for his operas.He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his opere buffe in Neapolitan dialect in 1719; he also composed many opere serie...

, and Rinaldo di Capua
Rinaldo di Capua
Rinaldo di Capua was an Italian composer. Little is known of him with any certainty, including his name, although he was known to Charles Burney...

, among others.

Libretti

  • Foca superbo (set to music by Antonio Lotti
    Antonio Lotti
    Antonio Lotti was an Italian composer of classical music.Lotti was born in Venice, although his father Matteo was Kapellmeister at Hanover at the time. In 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church...

    , 1716)
  • Tieteberga (set to music by Antonio Vivaldi
    Antonio Vivaldi
    Antonio Lucio Vivaldi , nicknamed because of his red hair, was an Italian Baroque composer, priest, and virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe...

    , 1717)
  • Giove in Argo (set to music by Antonio Lotti
    Antonio Lotti
    Antonio Lotti was an Italian composer of classical music.Lotti was born in Venice, although his father Matteo was Kapellmeister at Hanover at the time. In 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church...

    , 1717; set to music by Georg Friedrich Händel, 1739; set to music by Carl Heinrich Graun
    Carl Heinrich Graun
    Carl Heinrich Graun was a German composer and tenor singer. Along with Johann Adolf Hasse, he is considered to be the most important German composer of Italian opera of his time.-Biography:...

    , 1747)
  • Ascanio ovvero Gli odi delusi dal sangue (set to music by Antonio Lotti
    Antonio Lotti
    Antonio Lotti was an Italian composer of classical music.Lotti was born in Venice, although his father Matteo was Kapellmeister at Hanover at the time. In 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church...

    , 1718)
  • L'inganno tradito dall'amore (set to music by Antonio Caldara
    Antonio Caldara
    Antonio Caldara was an Italian Baroque composer.Caldara was born in Venice , the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi...

    , 1720)
  • Ermengarda (set to music by Tomaso Albinoni
    Tomaso Albinoni
    Tomaso Giovanni Albinoni was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.-Biography:Born in Venice, Republic of Venice, to Antonio Albinoni, a...

    , 1723)
  • Gli sforzi d'ambizione e d'amore (set to music by Giovanni Porta
    Giovanni Porta
    Giovanni Porta was an Italian opera composer.One of the masters of early 18th-century opera and one of the leading Venetian musicians, Porta made his way from Rome, to Vicenza, to Verona, then London where his opera Numitore was performed in 1720 by the Royal Academy of Music , and eventually back...

    , 1724)
  • Farnace (set to music by Leonardo Vinci
    Leonardo Vinci
    Leonardo Vinci was an Italian composer, best known for his operas.He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his opere buffe in Neapolitan dialect in 1719; he also composed many opere serie...

    , 1724; set to music by Antonio Vivaldi
    Antonio Vivaldi
    Antonio Lucio Vivaldi , nicknamed because of his red hair, was an Italian Baroque composer, priest, and virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe...

    , 1727; set to music by Francesco Corselli, 1739; set to music by Rinaldo di Capua
    Rinaldo di Capua
    Rinaldo di Capua was an Italian composer. Little is known of him with any certainty, including his name, although he was known to Charles Burney...

    , 1739; set to music by Giuseppe Arena, 1742; set to music by Pietro Alessandro Guglielmi
    Pietro Alessandro Guglielmi
    Pietro Alessandro Guglielmi was an Italian opera composer.Guglielmi was born in Massa. He received his first musical education from his father, and afterwards studied under Francesco Durante at the Conservatorio di Santa Maria di Loreto at Naples...

    , 1765)
  • Dorilla in Tempe (set to music by Antonio Vivaldi
    Antonio Vivaldi
    Antonio Lucio Vivaldi , nicknamed because of his red hair, was an Italian Baroque composer, priest, and virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe...

    , 1726)
  • Gl'odi delusi dal sangue (set to music by Baldassare Galuppi e Giovanni Battista Pescetti
    Giovanni Battista Pescetti
    Giovanni Battista Pescetti was an organist and composer. Born in Venice around 1704, he studied under Antonio Lotti for some time...

    , 1728)
  • L'osservanza della divina legge nel martirio de’ Maccabei (set to music by Francesco Bartolomeo Conti
    Francesco Bartolomeo Conti
    Francesco Bartolomeo Conti was an Italian composer and player of the mandolin and theorbo.Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan...

    , 1732)
  • Il martiro della madre de’ Maccabei (set to music by Francesco Bartolomeo Conti
    Francesco Bartolomeo Conti
    Francesco Bartolomeo Conti was an Italian composer and player of the mandolin and theorbo.Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan...

    , 1736)
  • Sant’Elena al Calvario (set to music by Francesco Bartolomeo Conti
    Francesco Bartolomeo Conti
    Francesco Bartolomeo Conti was an Italian composer and player of the mandolin and theorbo.Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan...

    , 1736)
  • Various madrigal
    Madrigal (music)
    A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied; the number of voices varies from two to eight, and most frequently from three to six....

    texts
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