Allegory of Virtue and Vice (Lotto)
Encyclopedia
The Allegory of Virtue and Vice is a painting by the Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 High Renaissance
High Renaissance
The expression High Renaissance, in art history, is a periodizing convention used to denote the apogee of the visual arts in the Italian Renaissance...

 painter Lorenzo Lotto
Lorenzo Lotto
Lorenzo Lotto was a Northern Italian painter draughtsman and illustrator, traditionally placed in the Venetian school. He painted mainly altarpieces, religious subjects and portraits...

, dating to 1505. It is housed in the National Gallery of Art
National Gallery of Art
The National Gallery of Art and its Sculpture Garden is a national art museum, located on the National Mall between 3rd and 9th Streets at Constitution Avenue NW, in Washington, DC...

 in Washington, United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

.

History

The painting originally formed the protective cover of the Portrait of Bernardo de' Rossi, the bishop of Treviso who was Lotto's patron at the time. It was brought to Parma
Parma
Parma is a city in the Italian region of Emilia-Romagna famous for its ham, its cheese, its architecture and the fine countryside around it. This is the home of the University of Parma, one of the oldest universities in the world....

 when de' Rossi fled Treviso
Treviso
Treviso is a city and comune in Veneto, northern Italy. It is the capital of the province of Treviso and the municipality has 82,854 inhabitants : some 3,000 live within the Venetian walls or in the historical and monumental center, some 80,000 live in the urban center proper, while the city...

, and there it became part of the Farnese collection, from which it was bought in 1803; after a series of different possessors, it arrived in the United States in 1935, and was donated to the current museum four years later.

Description

The painting is an allegoric scene with the bishop's coat of arms lying on a tree in the center of the composition. The tree divides the latter in two parts corresponding to its two branches, one green and one dried. The former is associated to the allegory of Virtue, featuring a putto playing with books (a symbol of wisdom) and the symbols of the Liberal Arts
Liberal arts
The term liberal arts refers to those subjects which in classical antiquity were considered essential for a free citizen to study. Grammar, Rhetoric and Logic were the core liberal arts. In medieval times these subjects were extended to include mathematics, geometry, music and astronomy...

.

The right half shows a drunk silenus
Silenus
In Greek mythology, Silenus was a companion and tutor to the wine god Dionysus.-Evolution of the character:The original Silenus resembled a folklore man of the forest with the ears of a horse and sometimes also the tail and legs of a horse...

, sleeping among the symbols of vice; to these, in the background, corresponds a valley with an easy access, but dark and including a forest, which is a symbol of getting lost without the divine light, as well as a boat sinking in a lake, a symbol of failure.

The theme is perhaps derived from an engraving by Albrecht Dürer
Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since...

, which also includes a similar tree with moral symbols.
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