Albert de Rippe
Encyclopedia
Albert de Rippe (c. 1500–1551) was an Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 lutenist and composer. He was born in Mantua
Mantua
Mantua is a city and comune in Lombardy, Italy and capital of the province of the same name. Mantua's historic power and influence under the Gonzaga family, made it one of the main artistic, cultural and notably musical hubs of Northern Italy and the country as a whole...

 and worked there before 1528, when he left for France. There, he joined the court of Francis I
Francis I of France
Francis I was King of France from 1515 until his death. During his reign, huge cultural changes took place in France and he has been called France's original Renaissance monarch...

. De Rippe was evidently held in great esteem at the court, as his annual salary was double that of any other lutenist, and he also frequently received gifts of land, money, wine, etc., and various other benefits. He only published three works during his lifetime, but six volumes of his music were published posthumously by his pupil, Guillaume de Morlaye
Guillaume de Morlaye
Guillaume de Morlaye was a French Renaissance era lutenist, composer and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris...

. That edition was titled, and is now sometimes referred to as, tab[u]lature de leut.

De Rippe's oeuvre consists of 26 fantasias, 59 intabulations (46 chansons, 10 motets and 3 madrigals) and 10 dances, all for six-course lute, and 2 fantasias for four-course Renaissance guitar. The lute fantasias are now considered his most important works: they represent a novel type for the time, of purely instrumental composition. Their dense polyphony and complex architecture (some evolve for several hundred bars), as well as the skill required to play them, make the fantasias some of the most important works in the repertoire.

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