Verdaccio
Encyclopedia
Verdaccio is an Italian
name for the mixture of black, white, and yellow pigments resulting in a grayish or yellowish (depending on the proportion) soft greenish brown.
Verdaccio became integral part of fresco painting where this color is used for defining tonal values, creating complete monochromatic underpainting. Often architectural details in frescoes are left in Verdacchio without any additional color layers, best example is the ceiling of the Sistine Chapel
, where you can clearly see verdaccio underpainting left as is on all architectural details of the composition.
The technique of underpainting in verdaccio became known as Verdaccio.
In oil painting a similar technique is used by flemish painters which is referred to as the Dead Layer. "Dead Layer" is applied over the traditional bone colour (1 part raw umber 1 part yellow ochre) priming to refine the values and remove the warm tone of the primer. The resulted "white to olive green to black" underpainting is like "like being lit by a moon light" which does not affect the tonality of the final painting.
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
name for the mixture of black, white, and yellow pigments resulting in a grayish or yellowish (depending on the proportion) soft greenish brown.
Verdaccio became integral part of fresco painting where this color is used for defining tonal values, creating complete monochromatic underpainting. Often architectural details in frescoes are left in Verdacchio without any additional color layers, best example is the ceiling of the Sistine Chapel
Sistine Chapel
Sistine Chapel is the best-known chapel in the Apostolic Palace, the official residence of the Pope in Vatican City. It is famous for its architecture and its decoration that was frescoed throughout by Renaissance artists including Michelangelo, Sandro Botticelli, Pietro Perugino, Pinturicchio...
, where you can clearly see verdaccio underpainting left as is on all architectural details of the composition.
The technique of underpainting in verdaccio became known as Verdaccio.
In oil painting a similar technique is used by flemish painters which is referred to as the Dead Layer. "Dead Layer" is applied over the traditional bone colour (1 part raw umber 1 part yellow ochre) priming to refine the values and remove the warm tone of the primer. The resulted "white to olive green to black" underpainting is like "like being lit by a moon light" which does not affect the tonality of the final painting.