Velvet Tone Records
Overview
 
Velvet Tone Records was a United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

 based record label
Record label
In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos. Most commonly, a record label is the company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing and promotion,...

, active from 1925
1925 in music
-Events:* February 25 - Art Gillham - The Whispering Pianist records the first electrical recordings to be released for Columbia using the Western Electric system ....

 through 1932
1932 in music
-Events:*January 14 – Maurice Ravel's Piano Concerto is premièred in Paris.*May 1 – The music to John Alden Carpenter's ballet Skyscrapers is recorded by the Victor Symphony Orchestra, under the direction of Nathaniel Shilkret; in addition to be being issued as six sides on 78 rpm discs, the...

. It was produced by Columbia Records
Columbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...

 and contained material identical to that of Columbia's two other low price labels, Harmony Records
Harmony Records
Harmony Records was a label owned by Columbia Records. It was originally used as a label for low-price 78 rpm records in the 1920s and 1930s; subsequently it was revived as a label for budget albums of reissued tracks during the 1950s with nine or ten songs per album...

 and Diva Records
Diva Records
Diva Records was a United States based record label from 1925 to 1931. The label was a subsidiary of Columbia Records marketed by the W.T. Grant department store chain. Diva Records were acoustic through early 1929...

.
 
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