University of California Jazz Ensembles
Encyclopedia
The University of California Jazz Ensembles, also known as the UC Jazz Ensembles, UC Jazz, or UCJE, is the student jazz organization founded in 1967 on the University of California, Berkeley, campus. Founded in 1967, it comprises one or more big bands, numerous jazz combos, a vocal jazz ensemble, an alumni big band, and instructional classes. With a mission statement to foster a community for the performance, study, and promotion of jazz at U.C. Berkeley, its Wednesday Night big band provides free concerts every Thursday noon on Lower Sproul Plaza, its various units perform throughout the San Francisco Bay Area including area high schools, travel to collegiate jazz festivals, and perform overseas, and for many years it sponsored the annual Pacific Coast Jazz Festival. It also provides master classes by its instructors and clinics by prominent guest artists. It has nurtured numerous musicians who have become professional jazz musicians and educators. UC Jazz Ensembles is one of three groups, with the Cal (marching) Band and UC Choral Ensembles, forming Student Musical Activities (SMA), a department within Cal Performances on the U.C. Berkeley campus. Its members are primarily U.C. Berkeley undergraduate and graduate students, representing many academic disciplines.
The first concert of the then-named ASUC Jazz Ensembles was in May, 1968, an event heralded by an article in The Daily Californian. The article included commentary by educator Dr. Herb Wong, Ph.D, a disc jockey at KJAZ-FM radio, jazz historian, jazz critic, album liner author, and jazz festival adjudicator, who was to form a lasting supportive bond with the UC Jazz Ensembles and a strong friendship based on common interests and mutual admiration with soon-to-be-named director David W. Tucker
.
The UC Jazz Ensembles became an official student organization under the auspices of the Associated Students of the University California in 1971 with Dr. David W. “Doc” Tucker as its first director. Pianist Susan Muscarella was appointed to the position of Associate Director in 1974. Student interest led to the formation of three big bands, all under the direction of Tucker, with the Wednesday Night Band being the premier group.
Tucker also reached out to Milton Williams, the director of choral ensembles under student activities. Several jazz vocal groups were created, some of which performed with the UC Jazz Ensembles at various concerts, notably the spring concert.
and the band performed on Friday, March 19.
In the spring of 1972, the Wednesday Night Band traveled to southern California and performed at its first Pacific Coast Collegiate Jazz Festival, the Northridge Collegiate Jazz Festival, part of the American College Jazz Festival, performing on March 25, 1972. The Wednesday Night Band returned to the Reno Jazz Festival, performing on March 23, 1973. On this trip, the band was housed at the Towne House Motor Lodge, the B-Gay, to the disappointment of band members, being sold out.
In 1974, after the ensembles began hosting the Pacific Coast Collegiate Jazz Festival, the Wednesday Night Band won 3rd place, having performed on April 27. This placed them among the elite bands of the west coast, able to compete with the Los Angeles college bands notorious for seating “ringers,” professional studio musicians taking a minimum of courses.
With the reputation of the UC Jazz Ensembles growing, numerous requests for bands to perform at weddings and other functions were made. Tucker referred these requests to members of the organization who had begun jobbing bands using members of the organization, including the Les Morris Quintet, led by Les Golden, and bands led by Dave Le Febvre and Susan Muscarella and saxophonists Don and Dave Megill featuring trumpeter Lee Shenk.
Notably, the 1979 European Tour band appeared on the same bill as Dizzy Gillespie
, and the 1981 Japan Tour band performed in, among other venues, Korakuen Stadium
, home of the Tokyo Giants
baseball team. This was most likely the largest UC Jazz performance venue in its history.
City Jazz Orchestra from New Zealand.
The UC Jazz Ensembles expanded to include seven part-time instructors, creating the structure that remains in place. Each instructor coaches one of the combos or big bands as well as conducting master classes in his own instrument.
The UC Jazz Ensembles is currently directed by drummer Ted Moore.
(1929–2003) was the force behind the success of the UC Jazz Ensembles and is inextricably associated with it. A native of Cerro Gordo, a small town in central Illinois, he was graduated from the University of Illinois with a B.S. (1950) and M.S. (1951) in Music Education. In 1965, he both began teaching music at Luther Burbank High School in Sacramento and began studies toward a doctorate in Music Education at U.C. Berkeley. In 1966, at the request of the Sacramento school district, Tucker assumed the position of Director of Bands at Sacramento City College. While in Sacramento, Tucker played trombone in the pit bands at Lake Tahoe casinos. He completed his Ed.D. at Berkeley in 1969.
In the fall of 1968, Tucker was hired as an arranger and composer for the Cal Marching Band. He was appointed Associate Director in 1969. His responsibilities with the Cal Band included rehearsing, auditioning prospective new members, and directing on the football field opposite director James Berdahl. For the 1971 season, during Berdahl’s sabbatical year in Japan, Tucker was named Acting Director.
In 1969, he was asked by members of the ASUC Jazz Ensembles affiliated with the Cal Band, most notably Docken, to direct the big band in his spare time, a role Tucker, with his jazz trombone background, eagerly accepted. His personal skills led numerous Cal Band musicians to join the big band, with the result that personnel issues were never to be a problem again.
At the end of the 1971 season, Tucker left the Cal Band to accept the newly-created position of Director of the UC Jazz Ensembles under Cal’s musical activities department. The band faced continual financial hurdles, with minimal funding from the university and low staff salaries, but prospered and grew in influence and popularity in the campus community. Within a couple years, with the increasing interest of more student musicians to join the big band, two additional big bands were created, the Tuesday Night Band and the Thursday Night Band, with the original big band, composed of the most skilled of the jazz musicians, named the Wednesday Night Band.
It continued to expand its programming, adding combos to the big bands and, beginning in 1974 sponsoring the Pacific Coast Collegiate Jazz Festival (PCCJF). The organization now had two sets of student administrators, the officers of the band itself and those running the PCCJF. Under Tucker’s guidance, the PCCJF, later called the Pacific Coast Jazz Festival because of its inclusion of competition among high school bands, became the largest collegiate jazz festival in the country in terms of number of student participants and number of musical groups. These grew to include big bands, combos, and vocal ensembles.
Under Tucker, the various bands began to perform at various venues on the U.C. Berkeley campus and in the Bay Area. These include the Thursday noontime concerts on Lower Sproul Plaza, in the Bear’s Lair, at a spring concert, at the Oakland Art Museum, and for official receptions and parties at the university president’s home on the U.C. Berkeley campus. An annual spring concert, entitled “Spring Thing” included various bands from the UC Jazz Ensembles, vocal jazz groups from UC Choral Ensembles, and guest stars. Pianist George Duke
was featured at the first Spring Thing in 1971.
Tucker directed the UC Jazz Ensembles until he retired in 1985 to pursue other interests, having mentored, befriended, supported, and provided performing as well as management opportunities for hundreds of musicians. His student musicians remember “Doc” fondly, how he served as a mentor to many and always took time to advise, lend a hand, or just chat. The organization has proven to be an effective recruitment tool for U.C. Berkeley, with many high school musicians interested in attending U.C. Berkeley but also interested in performing jazz finding it to fit both interests. The PCCJF itself promoted U.C. Berkeley, surprisingly to many high school students attracted to the campus mainly because of its academic renown, as a jazz education and performance center.
The logistical, funding, and planning demands were substantial, but beginning in 1974, the UC Jazz Ensembles began to annually sponsor the Pacific Coast Collegiate Jazz Festival or PCCJF. The guest artist for this first festival was flutist Hubert Laws
. At the Saturday night awards and concert presentation, the Wednesday Night Band was augmented with additional French horns, strings, harp, and other instruments in their performance with Laws.
The PCCJF, as the other festivals of the American College Jazz Festival, was a competitive gathering for big bands, combos, and jazz vocal ensembles. Because it also came to include high school bands, it was later renamed the Pacific Coast Jazz Festival.
In addition to the student officers of UC Jazz, an entire slate of officers was created to administer the PCCJF. Both slates were guided by Tucker.
The PCCJF provided multiple venues on the University of California campus over several days for adjudicated performances, culminating in an awards ceremony on Saturday night in Zellerbach Auditorium, clinics led by the adjudicators and guest artists, and a performance at the awards ceremony by guest artists performing with the Wednesday Night Band.
Among the adjudicators has been Dr. Herb Wong, associated with the UC Jazz Ensembles since its beginning. He also supports alumni of the program, providing, for example, liner notes for their recordings
The PCCJF proved to be an effective recruitment tool for U.C. Berkeley, with many high school musicians who performed at the PCCJF later matriculating on the U.C. Berkeley campus. Such include pianist Michael Wolff
, saxophonist former Associate Director Dave Le Febvre, and first trumpet Paul Giorsetto. Other high school musicians obtained recognition at the PCCJF, including trumpeter Jon Faddis
from Pleasant Hill High School and vocalist Barbara Garcia from South San Francisco High School.
Over the years guest artists at the PCCJF have included numerous jazz luminaries. These include tenor saxophonist Sonny Rollins
(1977), trumpeter Freddy Hubbard, flutist Hubert Laws
(1974), Tonight Show drummer Ed Shaughnessy, pianist Patrice Rushen
, pianist Bill Evans
, pianist Earl “Fatha” Hines
, trombonist Bill Watrous
, the Toshiko Akiyoshi – Lew Tabackin Big Band
, alto saxophonist Richie Cole
, who also performed with the band at the Rio Vista Jazz Festival in the 1970s, vocalist Bobby McFerrin
(1982), bassist Christian McBride
(1997), saxophonist Joe Lovano
(also 1997), trumpeter Jon Faddis
(1998), trombonist Slide Hampton
(also 1998), bassist Jimmy Heath
(also 1998!), saxophonist Michael Brecker
(1999), pianist Chick Corea
, and saxophonist Joe Henderson
.
In the 2000s, it was decided that the PCCJF required manpower that was no longer available among the staff and members, underscoring the value of the motivational skills, ambition, and dedication of Tucker. The last student-run festival was held on the Berkeley campus in that decade.
, who has worked with Airto, the Thad Jones-Mel Lewis Orchestra, Sonny Rollins
, Cal Tjader
, Jean-Luc Ponty
, Cannonball Adderley, Herbie Mann
, among others, was the musical director for many years for vocalist Nancy Wilson
, and was the director of the house band for The Arsenio Hall Show
; Andy Narell
, a pianist with the UC Jazz Ensembles who was the first widely recognized jazz player on the steelpan
or “steel drums”; pianist Susan Muscarella, who was the founder of the Jazzschool in Berkeley; bass guitarist, who played bass trombone and tuba with UC Jazz Ensembles, Dave Meros
; pianist Steve Carter; saxophonist Dave Le Febvre; flutist Cheryl Pyle; Chris Gillock and his blues group, Mr. G and the Mystery Band; bassist Dave Kopf and Octobop; drummer Scott Latham, currently residing in Japan where he has performed and recorded with, among others, Eric Miyashiro; saxophonist Bill Aron of the San Francisco Saxophone Quartet; drummer Kent Reed, who also performs in symphony orchestras; composer/arranger/valve trombonist Jules Rowell of the Jules Rowell Quintet; pianist Murray Low of the Wayne Wallace Latin Jazz Quintet; guitarist Harold Hansen; trombonist and composer Nic Ten Broeck (a classmate at Berkeley High School with Michael Wolff); Jeff Zias of the Touch of Brass big band; trumpet Russ Button of the Horns A Plenty brass band; vocalist and agent Linda Goldstein; college music educators Dave and Don Megill, and others. Many of the instructors at the Jazzschool were themselves members of the UC Jazz Ensembles.
The UC Alumni Jazz Band has a provisional website with one CD listed: http://calumbigband.8m.com/
Contact Sam Lind for other CDs and how to get copies
Memorial Library.
Beginnings
Although a big band had existed briefly on the U.C. Berkeley campus in the late 1950s, the long-lasting UC Jazz Ensembles itself had its beginnings in 1966. The response was heavily loaded with guitar players and the project was put on hold. In 1967, Bob Docken, the first trombone player with the Cal Band and a respondent to the ad, followed Golden’s lead and placed his own ad in the Daily Californian. The response was more favorable and with Rick Penner, a trumpet player in the Cal Band, rehearsals of the big band began on Sunday mornings in the Cal Band band room.The first concert of the then-named ASUC Jazz Ensembles was in May, 1968, an event heralded by an article in The Daily Californian. The article included commentary by educator Dr. Herb Wong, Ph.D, a disc jockey at KJAZ-FM radio, jazz historian, jazz critic, album liner author, and jazz festival adjudicator, who was to form a lasting supportive bond with the UC Jazz Ensembles and a strong friendship based on common interests and mutual admiration with soon-to-be-named director David W. Tucker
David W. Tucker
David W. Tucker was a jazz trombonist, music educator, composer of band and orchestral music, record producer, and marching band arranger, most renowned as the director of the University of California Jazz Ensembles from 1969 until 1985...
.
The UC Jazz Ensembles became an official student organization under the auspices of the Associated Students of the University California in 1971 with Dr. David W. “Doc” Tucker as its first director. Pianist Susan Muscarella was appointed to the position of Associate Director in 1974. Student interest led to the formation of three big bands, all under the direction of Tucker, with the Wednesday Night Band being the premier group.
Tucker also reached out to Milton Williams, the director of choral ensembles under student activities. Several jazz vocal groups were created, some of which performed with the UC Jazz Ensembles at various concerts, notably the spring concert.
Maturity
Several major events signified the maturity of the organization. By March 1971, Tucker believed that the Wednesday Night Band had reached a sufficient level of musicality and took it to the first jazz festival in which the UC Jazz Ensembles participated, the prestigious Reno Jazz Festival, the band being housed at the “legendary” B-Gay Motor Lodge. The guest artist at the festival was vibist Gary BurtonGary Burton
Gary Burton is an American jazz vibraphonist.A true original on the vibraphone, Burton developed a pianistic style of four-mallet technique as an alternative to the usual two-mallets. This approach caused Burton to be heralded as an innovator and his sound and technique are widely imitated...
and the band performed on Friday, March 19.
In the spring of 1972, the Wednesday Night Band traveled to southern California and performed at its first Pacific Coast Collegiate Jazz Festival, the Northridge Collegiate Jazz Festival, part of the American College Jazz Festival, performing on March 25, 1972. The Wednesday Night Band returned to the Reno Jazz Festival, performing on March 23, 1973. On this trip, the band was housed at the Towne House Motor Lodge, the B-Gay, to the disappointment of band members, being sold out.
In 1974, after the ensembles began hosting the Pacific Coast Collegiate Jazz Festival, the Wednesday Night Band won 3rd place, having performed on April 27. This placed them among the elite bands of the west coast, able to compete with the Los Angeles college bands notorious for seating “ringers,” professional studio musicians taking a minimum of courses.
With the reputation of the UC Jazz Ensembles growing, numerous requests for bands to perform at weddings and other functions were made. Tucker referred these requests to members of the organization who had begun jobbing bands using members of the organization, including the Les Morris Quintet, led by Les Golden, and bands led by Dave Le Febvre and Susan Muscarella and saxophonists Don and Dave Megill featuring trumpeter Lee Shenk.
International Tours
The first of its international tours occurred in the summer of 1979. The Wednesday Night Band embarked upon a four-week tour of Europe, playing several major jazz festivals in Finland, Sweden, Norway, Denmark, and Poland. In the summer of 1981 the band traveled to the Far East, touring Tokyo, Kyoto, Nara, and Osaka. In 1984, it was invited to tour again in Japan.Notably, the 1979 European Tour band appeared on the same bill as Dizzy Gillespie
Dizzy Gillespie
John Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...
, and the 1981 Japan Tour band performed in, among other venues, Korakuen Stadium
Korakuen Stadium
was a stadium in Tokyo, Japan. Completed in 1937, it was primarily used for baseball and was home to the Yomiuri Giants until 1988 when they moved next door, to the Tokyo Dome, which sits on the site of the Velodrome. The ballpark had a capacity of 50,000 people. In 1942 Korakuen Stadium played...
, home of the Tokyo Giants
Yomiuri Giants
The are a professional baseball team based in Bunkyo, Tokyo, Japan. The team competes in the Central League in Nippon Professional Baseball, the top level of professional play in Japan. They play their home games in the Tokyo Dome, opened in 1988. The English-language press occasionally calls the...
baseball team. This was most likely the largest UC Jazz performance venue in its history.
International Associations
In the 1990s, the UC Jazz Ensembles extended their international associations by building relationships with foreign jazz groups. Visiting bands have performed either in evening concerts on the Berkeley campus or at the weekly Thursday noon-time venue in Lower Sproul Plaza. Such bands included The Australian Performing Arts Unit Big Band, The Rare Sounds Jazz Ensemble from Japan, and The DunedinDunedin
Dunedin is the second-largest city in the South Island of New Zealand, and the principal city of the Otago Region. It is considered to be one of the four main urban centres of New Zealand for historic, cultural, and geographic reasons. Dunedin was the largest city by territorial land area until...
City Jazz Orchestra from New Zealand.
Directors
In 1984 Tucker took a sabbatical and he announced his retirement in 1985. Susan Muscarella became the director, appointing saxophonist Dave Le Febvre as Associate Director. Dave LeFebvre and Robert Calonico were co-directors between 1989 and 1995, Michael Stryker was director in the 1996 school year, and Bevan Manson was director from 1998 to 2000. The big bands and combo programs continued the ambitious programs begun under Tucker, winning awards at jazz festivals throughout California. After years of lobbying of the academic department of music, music majors can earn academic credits as members of the UC Jazz Ensembles.The UC Jazz Ensembles expanded to include seven part-time instructors, creating the structure that remains in place. Each instructor coaches one of the combos or big bands as well as conducting master classes in his own instrument.
The UC Jazz Ensembles is currently directed by drummer Ted Moore.
Dr. David W. “Doc” Tucker
Dr. David W. “Doc” TuckerDavid W. Tucker
David W. Tucker was a jazz trombonist, music educator, composer of band and orchestral music, record producer, and marching band arranger, most renowned as the director of the University of California Jazz Ensembles from 1969 until 1985...
(1929–2003) was the force behind the success of the UC Jazz Ensembles and is inextricably associated with it. A native of Cerro Gordo, a small town in central Illinois, he was graduated from the University of Illinois with a B.S. (1950) and M.S. (1951) in Music Education. In 1965, he both began teaching music at Luther Burbank High School in Sacramento and began studies toward a doctorate in Music Education at U.C. Berkeley. In 1966, at the request of the Sacramento school district, Tucker assumed the position of Director of Bands at Sacramento City College. While in Sacramento, Tucker played trombone in the pit bands at Lake Tahoe casinos. He completed his Ed.D. at Berkeley in 1969.
In the fall of 1968, Tucker was hired as an arranger and composer for the Cal Marching Band. He was appointed Associate Director in 1969. His responsibilities with the Cal Band included rehearsing, auditioning prospective new members, and directing on the football field opposite director James Berdahl. For the 1971 season, during Berdahl’s sabbatical year in Japan, Tucker was named Acting Director.
In 1969, he was asked by members of the ASUC Jazz Ensembles affiliated with the Cal Band, most notably Docken, to direct the big band in his spare time, a role Tucker, with his jazz trombone background, eagerly accepted. His personal skills led numerous Cal Band musicians to join the big band, with the result that personnel issues were never to be a problem again.
At the end of the 1971 season, Tucker left the Cal Band to accept the newly-created position of Director of the UC Jazz Ensembles under Cal’s musical activities department. The band faced continual financial hurdles, with minimal funding from the university and low staff salaries, but prospered and grew in influence and popularity in the campus community. Within a couple years, with the increasing interest of more student musicians to join the big band, two additional big bands were created, the Tuesday Night Band and the Thursday Night Band, with the original big band, composed of the most skilled of the jazz musicians, named the Wednesday Night Band.
It continued to expand its programming, adding combos to the big bands and, beginning in 1974 sponsoring the Pacific Coast Collegiate Jazz Festival (PCCJF). The organization now had two sets of student administrators, the officers of the band itself and those running the PCCJF. Under Tucker’s guidance, the PCCJF, later called the Pacific Coast Jazz Festival because of its inclusion of competition among high school bands, became the largest collegiate jazz festival in the country in terms of number of student participants and number of musical groups. These grew to include big bands, combos, and vocal ensembles.
Under Tucker, the various bands began to perform at various venues on the U.C. Berkeley campus and in the Bay Area. These include the Thursday noontime concerts on Lower Sproul Plaza, in the Bear’s Lair, at a spring concert, at the Oakland Art Museum, and for official receptions and parties at the university president’s home on the U.C. Berkeley campus. An annual spring concert, entitled “Spring Thing” included various bands from the UC Jazz Ensembles, vocal jazz groups from UC Choral Ensembles, and guest stars. Pianist George Duke
George Duke
George Duke is a multi-faceted American musician, known as a keyboard pioneer, composer, singer and producer in both jazz and popular mainstream musical genres. He has worked with numerous acclaimed artists as arranger, music director, writer and co-writer, record producer and professor of music...
was featured at the first Spring Thing in 1971.
Tucker directed the UC Jazz Ensembles until he retired in 1985 to pursue other interests, having mentored, befriended, supported, and provided performing as well as management opportunities for hundreds of musicians. His student musicians remember “Doc” fondly, how he served as a mentor to many and always took time to advise, lend a hand, or just chat. The organization has proven to be an effective recruitment tool for U.C. Berkeley, with many high school musicians interested in attending U.C. Berkeley but also interested in performing jazz finding it to fit both interests. The PCCJF itself promoted U.C. Berkeley, surprisingly to many high school students attracted to the campus mainly because of its academic renown, as a jazz education and performance center.
Pacific Coast (Collegiate) Jazz Festival
Following the trips by the Wednesday Night Band to the Northridge Jazz Festival and the renowned Reno Jazz Festival, Tucker embarked on hosting the UC Jazz Ensembles own collegiate jazz festival. The Pacific region festival, which had been hosted by Cal State Northridge in Northridge, California, was part of the American College Jazz Festival, which existed from 1967 to 1973. When the jazz group at Cal State Northridge opted to discontinue their being host, Tucker volunteered to assume the hosting responsibilities on the U.C. Berkeley campus.The logistical, funding, and planning demands were substantial, but beginning in 1974, the UC Jazz Ensembles began to annually sponsor the Pacific Coast Collegiate Jazz Festival or PCCJF. The guest artist for this first festival was flutist Hubert Laws
Hubert Laws
Hubert Laws is an American flutist and saxophonist with a 40+ year career in jazz, classical, and other music genres. Alongside Herbie Mann, Laws is probably the most recognized and respected jazz flutist...
. At the Saturday night awards and concert presentation, the Wednesday Night Band was augmented with additional French horns, strings, harp, and other instruments in their performance with Laws.
The PCCJF, as the other festivals of the American College Jazz Festival, was a competitive gathering for big bands, combos, and jazz vocal ensembles. Because it also came to include high school bands, it was later renamed the Pacific Coast Jazz Festival.
In addition to the student officers of UC Jazz, an entire slate of officers was created to administer the PCCJF. Both slates were guided by Tucker.
The PCCJF provided multiple venues on the University of California campus over several days for adjudicated performances, culminating in an awards ceremony on Saturday night in Zellerbach Auditorium, clinics led by the adjudicators and guest artists, and a performance at the awards ceremony by guest artists performing with the Wednesday Night Band.
Among the adjudicators has been Dr. Herb Wong, associated with the UC Jazz Ensembles since its beginning. He also supports alumni of the program, providing, for example, liner notes for their recordings
The PCCJF proved to be an effective recruitment tool for U.C. Berkeley, with many high school musicians who performed at the PCCJF later matriculating on the U.C. Berkeley campus. Such include pianist Michael Wolff
Michael Wolff
Michael Blieden Wolff is an American jazz pianist, composer, producer, actor, and jazz educator. He was the bandleader and musical director of The Arsenio Hall Show...
, saxophonist former Associate Director Dave Le Febvre, and first trumpet Paul Giorsetto. Other high school musicians obtained recognition at the PCCJF, including trumpeter Jon Faddis
Jon Faddis
Jon Faddis is an American jazz trumpet player, conductor, composer, and educator renowned for both his highly virtuosic command of the instrument and for his expertise in the field of music education...
from Pleasant Hill High School and vocalist Barbara Garcia from South San Francisco High School.
Over the years guest artists at the PCCJF have included numerous jazz luminaries. These include tenor saxophonist Sonny Rollins
Sonny Rollins
Theodore Walter "Sonny" Rollins is a Grammy-winning American jazz tenor saxophonist. Rollins is widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St...
(1977), trumpeter Freddy Hubbard, flutist Hubert Laws
Hubert Laws
Hubert Laws is an American flutist and saxophonist with a 40+ year career in jazz, classical, and other music genres. Alongside Herbie Mann, Laws is probably the most recognized and respected jazz flutist...
(1974), Tonight Show drummer Ed Shaughnessy, pianist Patrice Rushen
Patrice Rushen
Patrice Rushen is a Grammy Award-winning African American R&B and jazz vocalist, composer and pianist.-Biography:...
, pianist Bill Evans
Bill Evans
William John Evans, known as Bill Evans was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists including: Chick Corea, Herbie...
, pianist Earl “Fatha” Hines
Earl Hines
Earl Kenneth Hines, universally known as Earl "Fatha" Hines, was an American jazz pianist. Hines was one of the most influential figures in the development of modern jazz piano and, according to one source, is "one of a small number of pianists whose playing shaped the history of jazz".-Early...
, trombonist Bill Watrous
Bill Watrous
William Russell Watrous III is a jazz trombonist. He is perhaps best known by casual fans of jazz music for his rendition of Sammy Nestico's arrangement of the Johnny Mandel ballad "A Time for Love," which he recorded on a 1993 album of the same name...
, the Toshiko Akiyoshi – Lew Tabackin Big Band
Toshiko Akiyoshi – Lew Tabackin Big Band
The Toshiko Akiyoshi – Lew Tabackin Big Band was a 16 piece jazz big band created by pianist Toshiko Akiyoshi and tenor saxophone / flutist Lew Tabackin in Los Angeles in 1973. In 1982 the principals moved from Los Angeles to New York city and re-formed the group with new members under the name,...
, alto saxophonist Richie Cole
Richie Cole
Richard Cole was an Australian rules footballer for the Collingwood and Essendon Football Clubs in the Australian Football League....
, who also performed with the band at the Rio Vista Jazz Festival in the 1970s, vocalist Bobby McFerrin
Bobby McFerrin
Robert "Bobby" McFerrin, Jr. is an American vocalist and conductor. He is best known for his 1988 hit song "Don't Worry, Be Happy". He is a ten-time Grammy Award winner.-Life:...
(1982), bassist Christian McBride
Christian McBride
Christian McBride is an American jazz bassist. His father, Lee Smith, and his great uncle, Howard Cooper, are well known Philadelphia bassists who served as McBride's early mentors...
(1997), saxophonist Joe Lovano
Joe Lovano
Joseph Salvatore "Joe" Lovano is a post bop jazz saxophonist, alto clarinetist, flautist, and drummer. Since the late 1980s, Lovano has been one of the world's premiere tenor saxophone players, earning a Grammy award and several nods on Down Beat magazine's critics' and readers' polls...
(also 1997), trumpeter Jon Faddis
Jon Faddis
Jon Faddis is an American jazz trumpet player, conductor, composer, and educator renowned for both his highly virtuosic command of the instrument and for his expertise in the field of music education...
(1998), trombonist Slide Hampton
Slide Hampton
Locksley Wellington "Slide" Hampton is an American jazz trombonist, composer and arranger.He was a 1998 Grammy Award winner for "Best Jazz Arrangement Accompanying Vocalist", as arranger for "Cotton Tail" performed by Dee Dee Bridgewater...
(also 1998), bassist Jimmy Heath
Jimmy Heath
James Edward Heath , nicknamed Little Bird, is an American jazz saxophonist, composer and arranger. He is the brother of bassist Percy Heath and drummer Albert Heath.-Biography:...
(also 1998!), saxophonist Michael Brecker
Michael Brecker
Michael Leonard Brecker was an American jazz saxophonist and composer. Acknowledged as "a quiet, gentle musician widely regarded as the most influential tenor saxophonist since John Coltrane," he has been awarded 15 Grammy Awards as both performer and composer and was inducted into Down Beat Jazz...
(1999), pianist Chick Corea
Chick Corea
Armando Anthony "Chick" Corea is an American jazz pianist, keyboardist, and composer.Many of his compositions are considered jazz standards. As a member of Miles Davis' band in the 1960s, he participated in the birth of the electric jazz fusion movement. In the 1970s he formed Return to Forever...
, and saxophonist Joe Henderson
Joe Henderson
Joe Henderson was an American jazz tenor saxophonist. In a career spanning more than forty years Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note.-Early life:From a very large family with five sisters and nine...
.
In the 2000s, it was decided that the PCCJF required manpower that was no longer available among the staff and members, underscoring the value of the motivational skills, ambition, and dedication of Tucker. The last student-run festival was held on the Berkeley campus in that decade.
Prominent Alumni in Music
The UC Jazz Ensembles has nurtured numerous musicians who have embarked upon jazz careers, as performers, band leaders, performers’ agents, and educators. These include pianist Michael WolffMichael Wolff
Michael Blieden Wolff is an American jazz pianist, composer, producer, actor, and jazz educator. He was the bandleader and musical director of The Arsenio Hall Show...
, who has worked with Airto, the Thad Jones-Mel Lewis Orchestra, Sonny Rollins
Sonny Rollins
Theodore Walter "Sonny" Rollins is a Grammy-winning American jazz tenor saxophonist. Rollins is widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St...
, Cal Tjader
Cal Tjader
Callen Radcliffe Tjader, Jr. a.k.a. Cal Tjader was a Latin jazz musician, though he also explored various other jazz idioms. Unlike other American jazz musicians who experimented with the music from Cuba, the Caribbean, and Latin America, he never abandoned it, performing it until his...
, Jean-Luc Ponty
Jean-Luc Ponty
Jean-Luc Ponty is a French virtuoso violinist and jazz composer.- Early years:Ponty was born into a family of classical musicians on 29 September 1942 in Avranches, France. His father taught violin, his mother taught piano...
, Cannonball Adderley, Herbie Mann
Herbie Mann
Herbert Jay Solomon , better known as Herbie Mann, was a Jewish American jazz flutist and important early practitioner of world music...
, among others, was the musical director for many years for vocalist Nancy Wilson
Nancy Wilson
Nancy Wilson may refer to:* Nancy Wilson , American jazz singer and actress* Nancy Wilson , American singer and guitar player, member of the band Heart...
, and was the director of the house band for The Arsenio Hall Show
The Arsenio Hall Show
The Arsenio Hall Show is an American variety/talk show that aired late weeknights in syndication from January 3, 1989 to May 27, 1994. The show was created and hosted by comedian/actor Arsenio Hall.- Background :...
; Andy Narell
Andy Narell
Andy Narell is a musician and composer specialized in the steelpan.-Biography:He was born in New York City and moved to California in his teens. He took up the steelpan at a very young age in Queens, New York...
, a pianist with the UC Jazz Ensembles who was the first widely recognized jazz player on the steelpan
Steelpan
Steelpans is a musical instrument originating from The Republic of Trinidad and Tobago...
or “steel drums”; pianist Susan Muscarella, who was the founder of the Jazzschool in Berkeley; bass guitarist, who played bass trombone and tuba with UC Jazz Ensembles, Dave Meros
Dave Meros
Dave Meros , is an American bass guitar player, best known as the bass player for progressive rock band Spock's Beard...
; pianist Steve Carter; saxophonist Dave Le Febvre; flutist Cheryl Pyle; Chris Gillock and his blues group, Mr. G and the Mystery Band; bassist Dave Kopf and Octobop; drummer Scott Latham, currently residing in Japan where he has performed and recorded with, among others, Eric Miyashiro; saxophonist Bill Aron of the San Francisco Saxophone Quartet; drummer Kent Reed, who also performs in symphony orchestras; composer/arranger/valve trombonist Jules Rowell of the Jules Rowell Quintet; pianist Murray Low of the Wayne Wallace Latin Jazz Quintet; guitarist Harold Hansen; trombonist and composer Nic Ten Broeck (a classmate at Berkeley High School with Michael Wolff); Jeff Zias of the Touch of Brass big band; trumpet Russ Button of the Horns A Plenty brass band; vocalist and agent Linda Goldstein; college music educators Dave and Don Megill, and others. Many of the instructors at the Jazzschool were themselves members of the UC Jazz Ensembles.
Discography
Among its recordings, the 1979 European Tour band recorded "UC Berkeley Jazz Ensemble Vol. 1, 1979" at the College for Recording Arts in San Francisco, and the 1981 Japan Tour band recorded "Orange Blossom Special" at Polydor Studios in Tokyo, Japan.UC Jazz
Current (2011) instructors and the groups they lead are: Ted Moore, Director of UC Jazz Ensembles, Percussion, Advanced Combo and Intermediate Combo; Steve Campos, Trumpet, Big Band; Frank Martin, Piano, Advanced Combo; Glenn Richman, Bass, Intermediate Combo; Marty Wehner, Trombone, Intermediate Combo; Dann Zinn, Saxophone, Advanced ComboThe Cal Alumni Big Band
Under the management of Sam Lind and the direction of Paul Siebel, the Cal Alumni Big Band has rehearsed and performed at various Bay Area venues for more than two decades. It regularly donates income derived from its frequent public performances toward support of UC Jazz programs.The UC Jazz Alumni Club
The alumni club was formed in the 1980s , with George Gaebler one of the primary driving forces, to keep graduates and staff of U.C. Berkeley who had performed in the UC Jazz Ensembles connected to each other and the program. It sends out periodic newsletters and emails to members. Its current president is Sam Lind.The UC Alumni Jazz Band has a provisional website with one CD listed: http://calumbigband.8m.com/
Contact Sam Lind for other CDs and how to get copies
The UC Jazz Club
In reaction to budget cuts for education from the State of California, alumni and members of the UC Jazz Ensembles formed the UC Jazz Club. Its goal is to support the work of the organization by acquiring private and corporate funding to purchase teaching materials, sheet music, instruments, studio equipment, and recordings for the Duke EllingtonDuke Ellington
Edward Kennedy "Duke" Ellington was an American composer, pianist, and big band leader. Ellington wrote over 1,000 compositions...
Memorial Library.