Three Graces (Raphael)
Encyclopedia
The Three Graces is an oil painting
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...

 by Italian painter Raphael
Raphael
Raffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...

, housed in the Musée Condé of Chantilly
Chantilly, Oise
Chantilly is a small city in northern France. It is designated municipally as a commune in the department of Oise.It is in the metropolitan area of Paris 38.4 km...

, France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

. The date of origin has not been positively determined, though it seems to have been painted at some point after his arrival to study with Pietro Perugino
Pietro Perugino
Pietro Perugino , born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance...

 in about 1500, possibly 1503-1505. According to James Patrick in 2007's Renaissance and Reformation, the painting represents the first time that Raphael had depicted the nude female form in front and back views.

Inspiration and theme

The image depicts three of the Graces
Grâces
Grâces is a commune in the Côtes-d'Armor department in Bretagne in northwestern France.-Population:Inhabitants of Grâces are called gracieux.-External links:*...

 of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy. Julia Cartwright in Early Work of Raphael (2006) proposes that the painting bears far more influence of the school of Ferrara
School of Ferrara (painting)
The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well known for its patronage of the arts. Patronage was extended with the ascent of Ercole d'Este I in 1470, and the family continued in power till...

 than classical sculpture, making clear that the statue was not Raphael's model.
The three women in the painting may represent stages of development of woman, with the girded figure on the left representing the maiden (Chastitas) and the woman to the right maturity (Voluptas),though other interpretations have certainly been advanced.

In 1930, Professor Erwin Panofsky
Erwin Panofsky
Erwin Panofsky was a German art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work remains highly influential in the modern academic study of iconography...

 proposed that this painting was part of a diptych
Diptych
A diptych di "two" + ptychē "fold") is any object with two flat plates attached at a hinge. Devices of this form were quite popular in the ancient world, wax tablets being coated with wax on inner faces, for recording notes and for measuring time and direction.In Late Antiquity, ivory diptychs with...

 along with Vision of a Knight
Vision of a Knight (Raphael)
The Vision of a Knight or The Dream of Scipio or Allegory is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1504. It is in the National Gallery in London...

and that based on the theme of Vision the painting represented the Hesperides
Hesperides
In Greek mythology, the Hesperides are nymphs who tend a blissful garden in a far western corner of the world, located near the Atlas mountains in North Africa at the edge of the encircling Oceanus, the world-ocean....

 with the golden apple
Golden apple
The golden apple is an element that appears in various national and ethnic folk legends or fairy tales. Recurring themes depict a hero retrieving the golden apples hidden or stolen by a monstrous antagonist...

s which Hercules stole. Some art historians disagree with Panofsky's conclusion. Roger Jones and Nicholas Penny
Nicholas Penny
Nicholas Penny, FSA is a British art historian. Since Spring 2008 he has been director of the National Gallery in London....

, in 1987's biography Raphael, suggest that the scale differences of the figures in the paintings make it unlikely that they were intended as a diptych, though "one might have formed the lid of the other." In 16th Century Italian Art (2006), Michael Wayne Cole opines that while "there can be no doubt that they form a pair...they must not be imagined as a diptych, which is excluded by their square shape and also by the change in scale of the figures." Cole presents the figures as handmaidens of Venus
Venus
Venus is the second planet from the Sun, orbiting it every 224.7 Earth days. The planet is named after Venus, the Roman goddess of love and beauty. After the Moon, it is the brightest natural object in the night sky, reaching an apparent magnitude of −4.6, bright enough to cast shadows...

, holding the golden apples with which she is associated and affirming the proper connection of "Virtus
Virtus (virtue)
Virtus was a specific virtue in Ancient Rome. It carries connotations of valor, manliness, excellence, courage, character, and worth, perceived as masculine strengths...

" (presented by Vision) and Amor.
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