The Prodigal Son (Sullivan)
Encyclopedia
The Prodigal Son is an oratorio
by Arthur Sullivan
with text taken from the parable
of the same name in the Gospel of Luke
. It features chorus with Soprano
, Contralto
, Tenor
and Bass solos. It premiered in Worcester Cathedral
on 10 September 1869 as part of the Three Choirs Festival
.
The work was Sullivan's first oratorio, and it was the first sacred music setting of this parable, preceding Claude Debussy
's 1884 cantata L'Enfant prodigue
and Sergei Prokofiev
's Op. 46, "The Prodigal Son."
. A rising star of British music, he had already produced his popular incidental music
to Shakespeare's
The Tempest
, his Irish Symphony
, a Cello concerto
, his Overture in C (In Memoriam)
, The Masque at Kenilworth
, his first ballet, L'Île Enchantée
and two comic opera
s, Cox and Box
and The Contrabandista
, as well as other orchestral pieces and numerous hymns and songs. Therefore, it was no surprise when Sullivan received a commission to compose an oratorio for the Three Choirs Festival.
In the Victorian era
, large-scale choral works with orchestra were a staple of British musical culture, including oratorios in the mould of Handel
and Mendelssohn. Except for theatre pieces, choral works were the only genre in which Sullivan continued to compose regularly after the early 1870s.
Sullivan does not change the story much, but he omits the episode in which the elder son questions the mercy shown to the prodigal son. In his preface to the work, Sullivan justifies this on the grounds that the episode has no dramatic connection with the story. Instead, Sullivan focuses his libretto on the story of the son and his father, leading to the dramatic reconciliation between the two. His preface states his concept of the title character:
, Zelia Trebelli
, Sims Reeves and Charles Santley
; Sullivan conducted. After the premiere, an additional performance was scheduled for 18 December 1869 at The Crystal Palace
. The performance was rescheduled for 11 December 1869 because Sims Reeves was unable to make the performance date. Reeves missed the rescheduled performance and was replaced by Mr. Perren, while Mlle. Vanzini substituted for Titiens. Sullivan's former teacher, Sir John Goss, attended this performance and cautioned his student:
In 1870, there was a performance of The Prodigal Son in Manchester
, and it was repeated at the Three Choirs Festival at Hereford
in September. In November 1870, it was performed in Edinburgh
, with Sullivan conducting. During Sullivan's visit to New York City
to supervise the premiere of The Pirates of Penzance
, he conducted a performance on 23 November 1879 by the Handel and Haydn Society in Boston
. In 1885, the Canadian premiere took place in London, Ontario
.
The piece continued in the standard choral repertory until World War I
. One modern critic wrote, "Even at the young age of 27, Sullivan's scoring has uncommon freshness and accuracy, particularly his writing for winds, and there's a marvelous "Revel" chorus accompanied throughout by snare drum that texturally speaking recalls early Verdi, though the scoring for piccolo and contrabassoon is pure Sullivan. At almost exactly an hour in length, The Prodigal Son deserves to return to the repertoire of choral societies...." In his 1971 biography, Percy Young wrote:
and the New London Orchestra with Ronald Corp conducting. Soloists are Catherine Denley (mezzo-soprano
), Clare Rutter (soprano), Gary Magee (baritone
), and Mark Wilde (tenor), with The London Chorus. Sullivan's Boer War Te Deum
is included on the disc. ASIN: B0000DJENC
The Sir Arthur Sullivan Society issued a recording of The Prodigal Son on cassette tape in 1995. Also on the recording is Sullivan's Imperial Ode (1887) and his 1895 incidental music
to King Arthur. The recording is performed by Imperial Opera, with Michael Withers and Robert Dean conducting.
Other individual songs from the piece have been recorded.
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
by Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
with text taken from the parable
Parable
A parable is a succinct story, in prose or verse, which illustrates one or more instructive principles, or lessons, or a normative principle. It differs from a fable in that fables use animals, plants, inanimate objects, and forces of nature as characters, while parables generally feature human...
of the same name in the Gospel of Luke
Gospel of Luke
The Gospel According to Luke , commonly shortened to the Gospel of Luke or simply Luke, is the third and longest of the four canonical Gospels. This synoptic gospel is an account of the life and ministry of Jesus of Nazareth. It details his story from the events of his birth to his Ascension.The...
. It features chorus with Soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
, Contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
, Tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
and Bass solos. It premiered in Worcester Cathedral
Worcester Cathedral
Worcester Cathedral is an Anglican cathedral in Worcester, England; situated on a bank overlooking the River Severn. It is the seat of the Anglican Bishop of Worcester. Its official name is The Cathedral Church of Christ and the Blessed Mary the Virgin of Worcester...
on 10 September 1869 as part of the Three Choirs Festival
Three Choirs Festival
The Three Choirs Festival is a music festival held each August alternately at the cathedrals of the Three Counties and originally featuring their three choirs, which remain central to the week-long programme...
.
The work was Sullivan's first oratorio, and it was the first sacred music setting of this parable, preceding Claude Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
's 1884 cantata L'Enfant prodigue
L'Enfant prodigue
L'Enfant prodigue was the first feature-length motion picture produced in Europe, running 90 minutes. Directed by Michel Carré, fils from his own three-act stage pantomime, the film was basically an unmodified record, filmed at Gaumont studio in May 1907...
and Sergei Prokofiev
Sergei Prokofiev
Sergei Sergeyevich Prokofiev was a Russian composer, pianist and conductor who mastered numerous musical genres and is regarded as one of the major composers of the 20th century...
's Op. 46, "The Prodigal Son."
Background
Sullivan was still in his 20s when he composed this piece, which, like many of Sullivan's early works, shows the strong musical influence of Felix MendelssohnFelix Mendelssohn
Jakob Ludwig Felix Mendelssohn Barthóldy , use the form 'Mendelssohn' and not 'Mendelssohn Bartholdy'. The Grove Dictionary of Music and Musicians gives ' Felix Mendelssohn' as the entry, with 'Mendelssohn' used in the body text...
. A rising star of British music, he had already produced his popular incidental music
Incidental music
Incidental music is music in a play, television program, radio program, video game, film or some other form not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the "film score" or "soundtrack"....
to Shakespeare's
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
The Tempest
The Tempest (Sullivan)
The Tempest incidental music, Op. 1, is a set of movements for Shakespeare's play composed by Arthur Sullivan in 1861 and expanded in 1862. This was Sullivan's first major piece of composition, and its success quickly brought him to the attention of the musical establishment in...
, his Irish Symphony
Symphony in E, Irish
The Symphony in E, first performed on March 10, 1866, was the only symphony composed by Arthur Sullivan. It is frequently called the 'Irish' Symphony.There are four movements:*Andante – Allegro, ma non troppo vivace*Andante espressivo*Allegretto...
, a Cello concerto
Cello Concerto (Sullivan)
The Cello Concerto in D major is Arthur Sullivan’s only concerto. It was premièred on 24 November 1866 at the Crystal Palace with August Manns conducting and was one of Sullivan's earliest major works.There are three movements:*Allegro moderato...
, his Overture in C (In Memoriam)
Overture In C (In Memoriam)
The Overture in C, "In Memoriam", by Arthur Sullivan, premiered on 30 October 1866 at the Norwich Festival, in honour of his father, who died just before composition began. The piece was written early in Sullivan's career, before he began to work with his famous collaborator, W. S. Gilbert, on...
, The Masque at Kenilworth
The Masque at Kenilworth
Kenilworth, A Masque of the Days of Queen Elizabeth , is a cantata with music by Arthur Sullivan and words by Henry Fothergill Chorley that premiered at the Birmingham Festival on 8 September 1864.In 1575, Queen Elizabeth visited Robert Dudley at Kenilworth Castle, where he presented her with...
, his first ballet, L'Île Enchantée
L'Île Enchantée
L'Île Enchantée is an 1864 ballet by Arthur Sullivan written as a divertissement at the end of Vincenzo Bellini's La Sonnambula at Covent Garden. It was choreographed by H...
and two comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
s, Cox and Box
Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two...
and The Contrabandista
The Contrabandista
The Contrabandista, or The Law of the Ladrones, is a two-act comic opera by Arthur Sullivan and F. C. Burnand. It premiered at St. George's Hall, in London, on 18 December 1867 under the management of Thomas German Reed, for a run of 72 performances. There were brief revivals in Manchester in 1874...
, as well as other orchestral pieces and numerous hymns and songs. Therefore, it was no surprise when Sullivan received a commission to compose an oratorio for the Three Choirs Festival.
In the Victorian era
Victorian era
The Victorian era of British history was the period of Queen Victoria's reign from 20 June 1837 until her death on 22 January 1901. It was a long period of peace, prosperity, refined sensibilities and national self-confidence...
, large-scale choral works with orchestra were a staple of British musical culture, including oratorios in the mould of Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
and Mendelssohn. Except for theatre pieces, choral works were the only genre in which Sullivan continued to compose regularly after the early 1870s.
Composition
Sullivan chose his own text for The Prodigal Son from the gospel of St. Luke and other appropriate books of the bible. Sullivan composed the music in about three weeks. Rachel Scott Russell, a woman with whom Sullivan was having an affair at the time, copied the music.Sullivan does not change the story much, but he omits the episode in which the elder son questions the mercy shown to the prodigal son. In his preface to the work, Sullivan justifies this on the grounds that the episode has no dramatic connection with the story. Instead, Sullivan focuses his libretto on the story of the son and his father, leading to the dramatic reconciliation between the two. His preface states his concept of the title character:
- "...the Prodigal himself has been conceived, not as of a naturally brutish and depraved disposition - a view taken by many commentators with apparently little knowledge of human nature, and no recollection of their own youthful impulses; but rather as a buoyant, restless youth, tired of the monotony of home, and anxious to see what lay beyond the narrow confines of his father's farm, going forth in the confidence of his own simplicity and ardour, and led gradually away into follies and sins which, at the outset, would have been as distasteful as they were strange to him."
Performance and reception
The first performance of the piece was a great success and featured soloists Therese TitiensThérèse Johanne Alexandra Tietjens
Thérèse Johanne Alexandra Tietjens was a leading opera and oratorio soprano of German birth but, according to some sources, Hungarian extraction. She made her career chiefly in London during the 1860s and 1870s, but her unbroken sequence of musical triumphs in the British capital was terminated...
, Zelia Trebelli
Zelia Trebelli-Bettini
Zelia Trebelli-Bettini , also known as Zelia Gilbert or by her stage name Trebelli, was a French opera singer.Mme Trebelli's artistry was greatly admired by George Bernard Shaw, who wrote about her a number of times in his various reviews...
, Sims Reeves and Charles Santley
Charles Santley
Sir Charles Santley was an English-born opera and oratorio star with a bravuraFrom the Italian verb bravare, to show off. A florid, ostentatious style or a passage of music requiring technical skill technique who became the most eminent English baritone and male concert singer of the Victorian era...
; Sullivan conducted. After the premiere, an additional performance was scheduled for 18 December 1869 at The Crystal Palace
The Crystal Palace
The Crystal Palace was a cast-iron and glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's of exhibition space to display examples of the latest technology developed in...
. The performance was rescheduled for 11 December 1869 because Sims Reeves was unable to make the performance date. Reeves missed the rescheduled performance and was replaced by Mr. Perren, while Mlle. Vanzini substituted for Titiens. Sullivan's former teacher, Sir John Goss, attended this performance and cautioned his student:
- "All you have done is most masterly — your orchestration superb, and your effects many of them original and first-rate.... Some day you will, I hope, try another oratorio, putting out all your strength, but not the strength of a few weeks or months, whatever your immediate friends may say... only don't do anything so pretentious as an oratorio or even a symphony without all your power, which seldom comes in one fit."
In 1870, there was a performance of The Prodigal Son in Manchester
Manchester
Manchester is a city and metropolitan borough in Greater Manchester, England. According to the Office for National Statistics, the 2010 mid-year population estimate for Manchester was 498,800. Manchester lies within one of the UK's largest metropolitan areas, the metropolitan county of Greater...
, and it was repeated at the Three Choirs Festival at Hereford
Hereford
Hereford is a cathedral city, civil parish and county town of Herefordshire, England. It lies on the River Wye, approximately east of the border with Wales, southwest of Worcester, and northwest of Gloucester...
in September. In November 1870, it was performed in Edinburgh
Edinburgh
Edinburgh is the capital city of Scotland, the second largest city in Scotland, and the eighth most populous in the United Kingdom. The City of Edinburgh Council governs one of Scotland's 32 local government council areas. The council area includes urban Edinburgh and a rural area...
, with Sullivan conducting. During Sullivan's visit to New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
to supervise the premiere of The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
, he conducted a performance on 23 November 1879 by the Handel and Haydn Society in Boston
Boston
Boston is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had...
. In 1885, the Canadian premiere took place in London, Ontario
London, Ontario
London is a city in Southwestern Ontario, Canada, situated along the Quebec City – Windsor Corridor. The city has a population of 352,395, and the metropolitan area has a population of 457,720, according to the 2006 Canadian census; the metro population in 2009 was estimated at 489,274. The city...
.
The piece continued in the standard choral repertory until World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
. One modern critic wrote, "Even at the young age of 27, Sullivan's scoring has uncommon freshness and accuracy, particularly his writing for winds, and there's a marvelous "Revel" chorus accompanied throughout by snare drum that texturally speaking recalls early Verdi, though the scoring for piccolo and contrabassoon is pure Sullivan. At almost exactly an hour in length, The Prodigal Son deserves to return to the repertoire of choral societies...." In his 1971 biography, Percy Young wrote:
"The Prodigal Son, as Goss suggests, betrays a lack of commitment.... But there are a number of places where the music comes to life, often stimulated by fine details of orchestration.... In 'They went astray' there is some splendidly dramatic writing in gaunt canon – first for soprano and bass, and then for alto and tenor – against an empty orchestral background. Here Sullivan is at his most economical and his most effective, and way ahead of his British contemporaries."
Musical numbers
- Introduction
- Chorus: There is joy
- TenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
Solo: A certain man had two sons - Bass Recitative and Aria: My son, attend to my words
- SopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
Recitative: And the younger son - Tenor Solo and Chorus: Let us eat and drink
- ContraltoContraltoContralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
and Chorus: Woe unto them - Contralto Aria: Love not the world
- Soprano Recitative: And when he had spent all
- Soprano Aria: O that thou hadst hearkened
- Tenor Aria: How many hired servants
- Chorus: There is joy
- Soprano Recitative: And he arose
- Tenor and Bass Duet: Father, I have sinned
- Bass Recit and Aria: Bring forth the best robe
- Chorus: O that men would praise the Lord
- Tenor Recitative: No chastening for the present...
- Come, ye children
- Chorus: Thou, O Lord, art our Father
Recordings
A 2003 recording was made by Hyperion RecordsHyperion Records
Hyperion Records is an independent British classical record label.-History:The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted", in 1980. Early LP releases included rarely recorded 20th century British music by...
and the New London Orchestra with Ronald Corp conducting. Soloists are Catherine Denley (mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
), Clare Rutter (soprano), Gary Magee (baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
), and Mark Wilde (tenor), with The London Chorus. Sullivan's Boer War Te Deum
Te Deum Laudamus (Sullivan)
Arthur Sullivan's Te Deum Laudamus—A Thanksgiving for Victory, usually known as the Boer War Te Deum, is a choral work composed by Sullivan in the last few months of his life. It was commissioned on behalf of Dean and Chapter of London's St...
is included on the disc. ASIN: B0000DJENC
The Sir Arthur Sullivan Society issued a recording of The Prodigal Son on cassette tape in 1995. Also on the recording is Sullivan's Imperial Ode (1887) and his 1895 incidental music
Incidental music
Incidental music is music in a play, television program, radio program, video game, film or some other form not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the "film score" or "soundtrack"....
to King Arthur. The recording is performed by Imperial Opera, with Michael Withers and Robert Dean conducting.
Other individual songs from the piece have been recorded.
External links
- The Prodigal Son at The Gilbert and Sullivan Archive, with links to libretto, midi files, reviews and other information
- Review in The Musical Times, Dec. 1 1888, p. 744, col. 1
- NY Times review of an 1889 New York performance