The Potato Eaters
Encyclopedia
The Potato Eaters is a painting by the Dutch painter Vincent van Gogh
Vincent van Gogh
Vincent Willem van Gogh , and used Brabant dialect in his writing; it is therefore likely that he himself pronounced his name with a Brabant accent: , with a voiced V and palatalized G and gh. In France, where much of his work was produced, it is...

 which he painted in April 1885 while in Nuenen
Nuenen
Nuenen is a town in the municipality of Nuenen, Gerwen en Nederwetten, in the Netherlands.Vincent Van Gogh resided in Nuenen from 1883-1885. During that time he painted many character studies of peasants and weavers that culminated in The Potato Eaters...

, Netherlands. It is housed in the Van Gogh Museum
Van Gogh Museum
The Van Gogh Museum is an art museum in Amsterdam, Netherlands, featuring the works of the Dutch painter Vincent van Gogh and his contemporaries. It has the largest collection of Van Gogh's paintings and drawings in the world.-Background:...

 in Amsterdam. The version at the Kröller-Müller Museum
Kröller-Müller Museum
The Kröller-Müller Museum is an art museum and sculpture garden, located in the Hoge Veluwe National Park in Otterlo in the Netherlands.-Museum:...

 in Otterlo is a preliminary oil sketch.

During March and the beginning of April 1885 he sketched studies for the painting, and corresponded with his brother, who was not impressed with his current work or the sketches Van Gogh sent him. He worked on the painting from April 13 until the beginning of May, when it was mostly done except for minor changes which he made with a small brush later the same year.
Van Gogh said he wanted to depict peasants as they really were. He deliberately chose coarse and ugly models, thinking that they would be natural and unspoiled in his finished work: "You see, I really have wanted to make it so that people get the idea that these folk, who are eating their potatoes by the light of their little lamp, have tilled the earth themselves with these hands they are putting in the dish, and so it speaks of manual labor and — that they have thus honestly earned their food. I wanted it to give the idea of a wholly different way of life from ours — civilized people. So I certainly don’t want everyone just to admire it or approve of it without knowing why."

Writing to his sister Willemina
Wil van Gogh
Willemina Jacoba van Gogh , called Wil, was the youngest sister of the artist Vincent van Gogh and the art dealer Theo van Gogh. She was amongst the earliest feminists....

 two years later in Paris Van Gogh still considered The Potato Eaters his most successful painting: "What I think about my own work is that the painting of the peasants eating potatoes that I did in Nuenen is after all the best thing I did"). However, the work was criticized by his friend Anthon van Rappard
Anthon van Rappard
Anthon Gerard Alexander van Rappard was a Dutch painter and draughtsman. He was a pupil of Lawrence Alma-Tadema and for about four years a friend and mentor of Vincent van Gogh, who appreciated him, amongst other reasons, for his social engagement.-Biography:According to the RKD he worked in...

 soon after it was painted. This was a blow to van Gogh's confidence as an emerging artist, and he wrote back to his friend, "you...had no right to condemn my work in the way you did" (July 1885), and later, "I am always doing what I can't do yet in order to learn how to do it." (September 1885).

Lithograph study

Van Gogh made a lithograph study of The Potato Eaters before embarking on the painting proper. He sent impressions to his brother and later says in a letter that he made the lithograph from memory in the space of a day.

Van Gogh had first experimented with lithography in The Hague in 1882. Though he appreciated small scale graphic work and was an enthusiastic collector of English engravings he worked relatively little in graphic mediums. In a letter dated around 3 December 1882 he remarks
I believe, though, that it would be a great mistake to imagine that such things as, for instance, the print The Grace (a family of woodcutters or peasants at table) were created at a stroke in their final form. No, in most cases the solidity and pith of the small is only obtained through much more serious study than is imagined by those who think lightly of the task of illustrating ...

Anyway, some paintings in their huge frames look very substantial, and later one is surprised when they actually leave behind such an empty and dissatisfied feeling. On the other hand, one overlooks many an unpretentious woodcut or lithograph or etching now and then, but comes back to it and becomes more and more attached to it with time, and senses something great in it.

Influence of the Hague School

Van Gogh is often associated in people's mind with the Impressionist movement but in fact his artistic roots lay much closer to home in the artists of the Hague School
Hague School
The Hague School is the name given to a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively sombre colours, which is why...

 such as Anton Mauve
Anton Mauve
Anthonij Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. He was a very significant early influence on his cousin-in-law Vincent van Gogh.Most of Mauve's work depicts people and animals in...

 and Jozef Israëls
Jozef Israëls
Jozef Israëls was a Dutch painter, and "the most respected Dutch artist of the second half of the nineteenth century".-Youth:...

.

In a letter to his brother Theo
Theo van Gogh (art dealer)
Theodorus "Theo" van Gogh was a Dutch art dealer. He was the younger brother of Vincent van Gogh, and Theo's unfailing financial and emotional support allowed his brother to devote himself entirely to painting...

 written mid-June 1884 from Theunen Vincent remarks
When I hear you talk about a lot of new names, it’s not always possible for me to understand when I’ve seen absolutely nothing by them. And from what you said about ‘Impressionism’, I’ve grasped that it’s something different from what I thought it was, but it’s still not entirely clear to me what one should understand by it.

But for my part, I find so tremendously much in Israëls, for instance, that I’m not particularly curious about or eager for something different or newer.


Before Vincent painted The Potato Eaters Israëls has already treated the same subject in his A Peasant Family at the Table and judging from comment in a letter to Theo 11 March 1882 Vincent has seen this (or at least a variation of it) and had been inspired by it to produce his own version of it. Compositionally the two are very similar:in both paintings the composition is centered by a figure whose back is turned to us.

Theft

Thieves stole the early version of The Potato Eaters, the Weaver's Interior, and Dried Sunflowers from the Kröller-Müller Museum
Kröller-Müller Museum
The Kröller-Müller Museum is an art museum and sculpture garden, located in the Hoge Veluwe National Park in Otterlo in the Netherlands.-Museum:...

 in December, 1988. In April, 1989, the thieves returned Weaver's Interior in an attempt to gain a $2.5 million ransom
Ransom
Ransom is the practice of holding a prisoner or item to extort money or property to secure their release, or it can refer to the sum of money involved.In an early German law, a similar concept was called bad influence...

. The police recovered the other two on July 13, 1989. A ransom was not paid.

On April 14, 1991, the Vincent Van Gogh National Museum was robbed of twenty major paintings including the final version of The Potato Eaters. For unknown reasons, the robbers abandoned the art 35 minutes after the robbery, and the paintings were quickly recovered.

External links

The Potato Eaters (1885), oil on canvas, Van Gogh Museum, Amsterdam

The Potato Eaters (1885), oil on canvas, Kröller-Müller Museum, Otterlo
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