The Jazz Epistles
Encyclopedia
The Jazz Epistles were South Africa
South Africa
The Republic of South Africa is a country in southern Africa. Located at the southern tip of Africa, it is divided into nine provinces, with of coastline on the Atlantic and Indian oceans...

's first important (albeit short lived) bebop
Bebop
Bebop differed drastically from the straightforward compositions of the swing era, and was instead characterized by fast tempos, asymmetrical phrasing, intricate melodies, and rhythm sections that expanded on their role as tempo-keepers...

 band. Inspired by Art Blakey
Art Blakey
Arthur "Art" Blakey , known later as Abdullah Ibn Buhaina, was an American Grammy Award-winning jazz drummer and bandleader. He was a member of the Ahmadiyya Muslim Community....

's Jazz Messengers, its members included Dollar Brand (later known as Abdullah Ibrahim
Abdullah Ibrahim
Abdullah Ibrahim , born Adolph Johannes Brand, 9 October 1934 in Cape Town, South Africa, and formerly known as Dollar Brand, is a South African pianist and composer...

) on piano, Kippie Moeketsi
Kippie Moeketsi
Kippie ‘Morolong’ Moeketsi was a South African saxophonist and jazz musician. Born into a musical Johannesburg family, Moeketsi was the youngest of eleven brothers, and one sister who was a nurse of whom all but 4 played an instrument...

 on alto saxophone, Jonas Gwangwa
Jonas Gwangwa
Jonas Mosa Gwangwa has been an important figure in South African jazz for over 40 years. He first gained significance playing trombone with The Jazz Epistles...

 on trombone, Hugh Masekela
Hugh Masekela
Hugh Ramopolo Masekela is a South African trumpeter, flugelhornist, cornetist, composer, and singer.-Early life:Masekela was born in Kwa-Guqa Township, Witbank, South Africa. He began singing and playing piano as a child...

 on trumpet, Johnny Gertze on bass, and Early Mabuza or Makaya Ntshoko
Makaya Ntshoko
Makaya or Makhaya Ntshoko is a South African drummer.Ntshoko played with Dollar Brand's trio in 1958, and recorded in a sextet with Hugh Masekela and John Mehegan in 1959. Ntshoko plays on the Jazz Epistles album Jazz Epistle: Verse 1, one of the most prominent examples of South African hard bop...

  on drums. The group became famous after performing in the jam sessions called Jazz at the Odin in the Odin Theater in Sophiatown.

In 1959 just before breaking up, Jazz Epistles recorded the first album by a black South African band, Jazz Epistle, Verse 1. That same year, composer Todd Matshikiza
Todd Matshikiza
Todd Tozama Matshikiza was a South African jazz pianist, composer and journalist.-Overview:Matshikiza came from a musical family. He graduated from St Peter's College in Rosettenville, Johannesburg and went on to obtain a diploma in music and a teaching diploma. He then taught English and...

's musical King Kong became a hit in Johannesburg
Johannesburg
Johannesburg also known as Jozi, Jo'burg or Egoli, is the largest city in South Africa, by population. Johannesburg is the provincial capital of Gauteng, the wealthiest province in South Africa, having the largest economy of any metropolitan region in Sub-Saharan Africa...

. It used a jazz
Jazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...

 score to tell the tragic story of South African heavyweight boxer Ezekial "King Kong" Dhlamini. Miriam Makeba
Miriam Makeba
Miriam Makeba , nicknamed Mama Africa, was a Grammy Award winning South African singer and civil rights activist....

, members of the Manhattan Brothers
Manhattan Brothers
The Manhattan Brothers was a popular South African music group in the 1940s and 1950s, during the Apartheid Era. Their sound drew on American ragtime, jive, swing, doo-wop, and several other jazz strains, as well as African choral and Zulu harmonies...

, and the Jazz Epistles musicians were involved in the production.

The 1960 Sharpeville Massacre
Sharpeville massacre
The Sharpeville Massacre occurred on 21 March 1960, at the police station in the South African township of Sharpeville in the Transvaal . After a day of demonstrations, at which a crowd of black protesters far outnumbered the police, the South African police opened fire on the crowd, killing 69...

 marked the beginning of an era of vicious apartheid and greater repression of African culture. After Sharpeville, the government imposed a State of Emergency, made mass arrests, issued thousands of bannings, and put activists who challenged apartheid laws on trial. The repression extended to African art
African art
African art constitutes one of the most diverse legacies on earth. Though many casual observers tend to generalize "traditional" African art, the continent is full of people, societies, and civilizations, each with a unique visual special culture. The definition also includes the art of the African...

s. Jazz was an expressive force seeking musical and social equality. The apartheid system could not tolerate it. Performances were not allowed, jazz was prohibited from radio broadcasts, and prominent musicians were threatened.

When the producers of King Kong received invitations to perform in Europe, the South African government, believing the musical would be helpful propaganda, issued passports to African performers who otherwise would not have had opportunities to leave the country. Members of Jazz Epistles welcomed the opportunity. Most of them found the freedom and the contacts with other musicians in Europe irresistible and chose exile over returning. Thus many of the most adventurous strains in South African music were pursued outside its borders for several decades.

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