Bebop
Encyclopedia
Bebop differed drastically from the straightforward compositions of the swing era, and was instead characterized by fast tempos, asymmetrical phrasing, intricate melodies
, and rhythm sections that expanded on their role as tempo-keepers. The music itself seemed jarringly different to the ears of the public, who were used to the bouncy, organized, danceable tunes of Benny Goodman
and Glenn Miller
during the swing era. Instead, bebop appeared to sound racing, nervous, and often fragmented. But to jazz musicians and jazz music lovers, bebop was an exciting and beautiful revolution in the art of jazz.
While swing music tended to feature orchestrated big band arrangements, bebop music highlighted improvisation. Typically, a theme (a "head," often the main melody of a pop or jazz standard of the swing era) would be presented together at the beginning and the end of each piece, with improvisational solos based on the chords of the tune. Thus, the majority of a song in bebop style would be improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous melodies from start to finish.
Chord progressions for bebop tunes were often taken directly from popular swing-era songs and reused with a new and more complex melody, forming new compositions. This practice was already well-established in earlier jazz, but came to be central to the bebop style. The style made use of several relatively common chord progressions, such as blues (at base, I-IV-V, but infused with II-V motion) and 'rhythm changes' (I-VI-II-V, the chords to the 1930s pop standard I Got Rhythm
). Late bop also moved towards extended forms that represented a departure from pop and show tunes.
Bebop musicians also employed several harmonic devices not typical of previous jazz. Complicated harmonic substitutions for more basic chords became commonplace. These substitutions often emphasized certain dissonant intervals such as the flat ninth, sharp ninth, or the sharp eleventh/tri-tone
.
, trumpet
, bass
, drums, and piano
. This was a format used (and popularized) by both Charlie Parker
(alto sax
) and Dizzy Gillespie
(trumpet
) in their 1940s groups and recordings, sometimes augmented by an extra saxophonist or guitar (electric or acoustic), occasionally adding other horns (often a trombone), or other strings (usually fiddle or violin) or dropping an instrument and leaving only a quartet.
Although only one part of a rich jazz tradition, bebop music continues to be played regularly throughout the world. Trends in improvisation since its era have changed from its harmonically-tethered style, but the capacity to improvise over a complex sequence of altered chords is a fundamental part of any jazz education.
and John Coltrane
among others) began to explore directions beyond the standard bebop vocabulary. Simultaneously, other players expanded on the bold steps of bebop: "cool jazz
" or "West Coast jazz
", modal jazz
, as well as free jazz
and avant-garde
forms of development from the likes of George Russell.
Bebop style also influenced the Beat Generation
whose spoken-word style drew on jazz rhythms, and whose poets often employed jazz musicians to accompany them. The bebop influence also shows in rock and roll
, which contains solos employing a form similar to bop solos, and "hippies" of the 60s and 70s, like the boppers had a unique, non-conformist style of dress, a vocabulary incoherent to outsiders, and a communion through music. Fans of bebop were not restricted to the United States; the music gained cult status in France and Japan.
More recently, Hip-hop artists (A Tribe Called Quest
, Guru
) have cited bebop as an influence on their rapping and rhythmic style. Bassist Ron Carter
even collaborated with A Tribe Called Quest on 1991's The Low End Theory
, and vibraphonist Roy Ayers
and trumpeter Donald Byrd
were featured on Jazzmatazz
, by Guru, in the same year. Bebop samples, especially bass lines, ride cymbal swing clips, and horn and piano riffs are found throughout the hip-hop compendium.
Melody
A melody , also tune, voice, or line, is a linear succession of musical tones which is perceived as a single entity...
, and rhythm sections that expanded on their role as tempo-keepers. The music itself seemed jarringly different to the ears of the public, who were used to the bouncy, organized, danceable tunes of Benny Goodman
Benny Goodman
Benjamin David “Benny” Goodman was an American jazz and swing musician, clarinetist and bandleader; widely known as the "King of Swing".In the mid-1930s, Benny Goodman led one of the most popular musical groups in America...
and Glenn Miller
Glenn Miller
Alton Glenn Miller was an American jazz musician , arranger, composer, and bandleader in the swing era. He was one of the best-selling recording artists from 1939 to 1943, leading one of the best known "Big Bands"...
during the swing era. Instead, bebop appeared to sound racing, nervous, and often fragmented. But to jazz musicians and jazz music lovers, bebop was an exciting and beautiful revolution in the art of jazz.
While swing music tended to feature orchestrated big band arrangements, bebop music highlighted improvisation. Typically, a theme (a "head," often the main melody of a pop or jazz standard of the swing era) would be presented together at the beginning and the end of each piece, with improvisational solos based on the chords of the tune. Thus, the majority of a song in bebop style would be improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous melodies from start to finish.
Chord progressions for bebop tunes were often taken directly from popular swing-era songs and reused with a new and more complex melody, forming new compositions. This practice was already well-established in earlier jazz, but came to be central to the bebop style. The style made use of several relatively common chord progressions, such as blues (at base, I-IV-V, but infused with II-V motion) and 'rhythm changes' (I-VI-II-V, the chords to the 1930s pop standard I Got Rhythm
I Got Rhythm
"I Got Rhythm" is a song composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's Bebop...
). Late bop also moved towards extended forms that represented a departure from pop and show tunes.
Bebop musicians also employed several harmonic devices not typical of previous jazz. Complicated harmonic substitutions for more basic chords became commonplace. These substitutions often emphasized certain dissonant intervals such as the flat ninth, sharp ninth, or the sharp eleventh/tri-tone
Tritone
In classical music from Western culture, the tritone |tone]]) is traditionally defined as a musical interval composed of three whole tones. In a chromatic scale, each whole tone can be further divided into two semitones...
.
Instrumentation
The classic bebop combo consisted of saxophoneSaxophone
The saxophone is a conical-bore transposing musical instrument that is a member of the woodwind family. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. The saxophone was invented by the Belgian instrument maker Adolphe Sax in 1846...
, trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
, bass
Double bass
The double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...
, drums, and piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
. This was a format used (and popularized) by both Charlie Parker
Charlie Parker
Charles Parker, Jr. , famously called Bird or Yardbird, was an American jazz saxophonist and composer....
(alto sax
Saxophone
The saxophone is a conical-bore transposing musical instrument that is a member of the woodwind family. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. The saxophone was invented by the Belgian instrument maker Adolphe Sax in 1846...
) and Dizzy Gillespie
Dizzy Gillespie
John Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...
(trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
) in their 1940s groups and recordings, sometimes augmented by an extra saxophonist or guitar (electric or acoustic), occasionally adding other horns (often a trombone), or other strings (usually fiddle or violin) or dropping an instrument and leaving only a quartet.
Although only one part of a rich jazz tradition, bebop music continues to be played regularly throughout the world. Trends in improvisation since its era have changed from its harmonically-tethered style, but the capacity to improvise over a complex sequence of altered chords is a fundamental part of any jazz education.
Influence
By the mid-1950s musicians (Miles DavisMiles Davis
Miles Dewey Davis III was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz,...
and John Coltrane
John Coltrane
John William Coltrane was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz...
among others) began to explore directions beyond the standard bebop vocabulary. Simultaneously, other players expanded on the bold steps of bebop: "cool jazz
Cool jazz
Cool is a style of modern jazz music that arose following the Second World War. It is characterized by its relaxed tempos and lighter tone, in contrast to the bebop style that preceded it...
" or "West Coast jazz
West coast jazz
West Coast jazz refers to various styles of jazz music that developed around Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a sub-genre of cool jazz, which featured a less frenetic, calmer style than bebop or hard bop. The music tended to be more heavily arranged,...
", modal jazz
Modal jazz
Modal jazz is jazz that uses musical modes rather than chord progressions as a harmonic framework. Originating in the late 1950s and 1960s, modal jazz is characterized by Miles Davis's "Milestones" Kind of Blue and John Coltrane's classic quartet from 1960–64. Other important performers include...
, as well as free jazz
Free jazz
Free jazz is an approach to jazz music that was first developed in the 1950s and 1960s. Though the music produced by free jazz pioneers varied widely, the common feature was a dissatisfaction with the limitations of bebop, hard bop, and modal jazz, which had developed in the 1940s and 1950s...
and avant-garde
Avant-garde
Avant-garde means "advance guard" or "vanguard". The adjective form is used in English to refer to people or works that are experimental or innovative, particularly with respect to art, culture, and politics....
forms of development from the likes of George Russell.
Bebop style also influenced the Beat Generation
Beat generation
The Beat Generation refers to a group of American post-WWII writers who came to prominence in the 1950s, as well as the cultural phenomena that they both documented and inspired...
whose spoken-word style drew on jazz rhythms, and whose poets often employed jazz musicians to accompany them. The bebop influence also shows in rock and roll
Rock and roll
Rock and roll is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s, primarily from a combination of African American blues, country, jazz, and gospel music...
, which contains solos employing a form similar to bop solos, and "hippies" of the 60s and 70s, like the boppers had a unique, non-conformist style of dress, a vocabulary incoherent to outsiders, and a communion through music. Fans of bebop were not restricted to the United States; the music gained cult status in France and Japan.
More recently, Hip-hop artists (A Tribe Called Quest
A Tribe Called Quest
A Tribe Called Quest is an American hip hop group, formed in 1985, and is composed of rapper/producer Q-Tip , rapper Phife Dawg , and DJ/producer Ali Shaheed Muhammad. A fourth member, rapper Jarobi White, left the group after their first album but rejoined in 2006...
, Guru
Guru
A guru is one who is regarded as having great knowledge, wisdom, and authority in a certain area, and who uses it to guide others . Other forms of manifestation of this principle can include parents, school teachers, non-human objects and even one's own intellectual discipline, if the...
) have cited bebop as an influence on their rapping and rhythmic style. Bassist Ron Carter
Ron Carter
Ron Carter is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that...
even collaborated with A Tribe Called Quest on 1991's The Low End Theory
The Low End Theory
The Low End Theory is the second album by American hip hop group A Tribe Called Quest. Released on September 24, 1991 through Jive Records, the album produced three singles: "Check the Rhime," "Jazz ," and "Scenario."-Conception:...
, and vibraphonist Roy Ayers
Roy Ayers
Roy Ayers is an American funk, soul, and jazz composer and vibraphone player. Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk .- Biography :Ayers...
and trumpeter Donald Byrd
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II, is an American jazz and rhythm and blues trumpeter. A sideman for many other jazz musicians of his generation, Byrd is best known as one of the only bebop jazz musicians who successfully pioneered the funk and soul genres while simultaneously remaining a...
were featured on Jazzmatazz
Jazzmatazz
Jazzmatazz may be a reference to:An album from the Jazzmatazz series of hip hop and jazz recordings from Guru , including:* Jazzmatazz, Vol. 1* Jazzmatazz, Vol. 2: The New Reality* Jazzmatazz, Vol. 3: Street Soul...
, by Guru, in the same year. Bebop samples, especially bass lines, ride cymbal swing clips, and horn and piano riffs are found throughout the hip-hop compendium.
Musicians
Notable musicians identified with bebop:- Cannonball AdderleyJulian Cannonball AdderleyJulian Edwin "Cannonball" Adderley was a jazz alto saxophonist of the hard-bop era of the 1950s and 1960s....
, alto sax - Chet BakerChet BakerChesney Henry "Chet" Baker, Jr. was an American jazz trumpeter, flugelhornist and singer.Though his music earned him a large following , Baker's popularity was due in part to his "matinee idol-beauty" and "well-publicized drug habit."He died in 1988 in Amsterdam, the...
, trumpet - Art BlakeyArt BlakeyArthur "Art" Blakey , known later as Abdullah Ibn Buhaina, was an American Grammy Award-winning jazz drummer and bandleader. He was a member of the Ahmadiyya Muslim Community....
, drums - Clifford BrownClifford BrownClifford Brown , aka "Brownie," was an influential and highly rated American jazz trumpeter. He died aged 25, leaving behind only four years' worth of recordings...
, trumpet - Ray BrownRay Brown (musician)Raymond Matthews Brown was an American jazz double bassist.-Biography:Ray Brown was born in Pittsburgh, Pennsylvania, and had piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one...
, bass - Kenny BurrellKenny BurrellKenneth Earl "Kenny" Burrell is an American jazz guitarist. His playing is grounded in bebop and blues; he has performed and recorded with a wide range of jazz musicians.-Biography:...
, guitar - Don ByasDon ByasCarlos Wesley "Don" Byas was an American jazz tenor saxophonist, long-resident in Europe.- Oklahoma and Los Angeles :...
, tenor sax - Paul ChambersPaul ChambersPaul Laurence Dunbar Chambers, Jr. was a jazz bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time, intonation, and virtuosic...
, bass - Charlie ChristianCharlie ChristianCharles Henry "Charlie" Christian was an American swing and jazz guitarist.Christian was an important early performer on the electric guitar, and is cited as a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra...
, guitar - Kenny ClarkeKenny ClarkeKenny Clarke , born Kenneth Spearman Clarke, nicknamed "Klook" and later known as Liaqat Ali Salaam, was a jazz drummer and an early innovator of the bebop style of drumming...
, drums - John ColtraneJohn ColtraneJohn William Coltrane was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz...
, tenor sax - Tadd DameronTadd DameronTadley Ewing Peake "Tadd" Dameron was an American jazz composer, arranger and pianist. Saxophonist Dexter Gordon called Dameron the "romanticist" of the bop movement, while reviewer Scott Yanow writes that Dameron was the "definitive arranger/composer of the bop era".-Biography:Born in Cleveland,...
, piano - Miles DavisMiles DavisMiles Dewey Davis III was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz,...
, trumpet - Buddy DeFrancoBuddy DeFrancoBoniface Ferdinand Leonard "Buddy" DeFranco is an American jazz clarinet player.-Biography:DeFranco began his professional career just as swing music and big bands — many of which were led by clarinetists like Artie Shaw, Benny Goodman and Woody Herman — were fading in popularity...
, clarinet - Kenny DorhamKenny DorhamMcKinley Howard Dorham was an American jazz trumpeter, singer, and composer born in Fairfield, Texas. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention from the jazz establishment that many of his peers did...
, trumpet - Billy EckstineBilly EckstineWilliam Clarence Eckstine was an American singer of ballads and a bandleader of the swing era. Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular...
, singer & bandleader - Herb EllisHerb EllisMitchell Herbert "Herb" Ellis was an American jazz guitarist. Perhaps best known for his 1950s membership in the trio of pianist Oscar Peterson, Ellis was also a staple of west-coast studio recording sessions, and was described by critic Scott Yanow as "an excellent bop-based guitarist with a...
, guitar - Ella FitzgeraldElla FitzgeraldElla Jane Fitzgerald , also known as the "First Lady of Song" and "Lady Ella," was an American jazz and song vocalist...
, voice - Barney KesselBarney KesselBarney Kessel was an American jazz guitarist born in Muskogee, Oklahoma, USA. Generally considered to be one of the greatest jazz guitarists of the 20th century, he was noted in particular for his vast knowledge of chords and inversions and chord-based melodies...
, guitar - Carl FontanaCarl FontanaCarl Charles Fontana was an American jazz trombonist. Because Fontana rarely recorded under his own name and toured only occasionally after 1958, he is significantly less famous among mainstream jazz fans, although well-known amongst trombonists.-Birth to 1958:Born in Monroe, Louisiana, Fontana...
, trombone - Curtis FullerCurtis FullerCurtis DuBois Fuller is an American jazz trombonist, known as a member of Art Blakey's Jazz Messengers and contributor to many classic jazz recordings.-Biography:...
, trombone - Dizzy GillespieDizzy GillespieJohn Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...
, trumpet - Walter Davis, Jr.Walter Davis, Jr.Walter Davis, Jr. was an American hard bop pianist.Born in Richmond, Virginia, Davis performed as a teenager with Babs Gonzales and his group Three Bips and a Bop. In the 1950s, Davis recorded with Melba Liston, Max Roach and played with Roach, Charlie Parker and Dizzy Gillespie...
, piano - Dexter GordonDexter GordonDexter Gordon was an American jazz tenor saxophonist and an Academy Award-nominated actor . He is regarded as one of the first and most important musicians to adapt the bebop musical language of people like Charlie Parker, Dizzy Gillespie, and Bud Powell to the tenor saxophone...
, tenor sax - Wardell GrayWardell GrayWardell Gray was an American jazz tenor saxophonist who straddled the swing and bebop periods.Today often overlooked, Gray's playing displays a unique style, an unmatched tone and a strong presence.-Early years:...
, saxophone - Al HaigAl HaigAlan Warren Haig was an American jazz pianist, best known as one of the pioneers of bebop.Haig was born in Newark, New Jersey...
, piano - Sadik HakimSadik HakimSadik Hakim was an American jazz pianist and composer....
, piano - Barry HarrisBarry HarrisBarry Doyle Harris is an American bebop jazz pianist and educator.-Biography:Harris left Detroit for New York City in 1960...
, piano - Percy HeathPercy HeathPercy Heath was an American jazz bassist, brother to tenor saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975...
, bass - Milt JacksonMilt JacksonMilton "Bags" Jackson was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms...
, vibes - J. J. Johnson, trombone
- Duke JordanDuke JordanIrving Sidney "Duke" Jordan was an American jazz pianist.-Biography:An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker's so-called "classic quintet" , featuring Miles Davis...
, piano - Lee KonitzLee KonitzLee Konitz is an American jazz composer and alto saxophonist born in Chicago, Illinois.Generally considered one of the driving forces of Cool Jazz, Konitz has also performed successfully in bebop and avant-garde settings...
, alto sax - Stan LeveyStan LeveyStan Levey was an American jazz drummer. Born in Philadelphia, Levey is considered one of the earliest bebop drummers, one of the very few white drummers involved in the formative years of bebop and accepted as one of bop's most important drummers, along with Kenny Clarke and Max Roach...
, drums - Lou LevyLou Levy (pianist)Louis A. Levy , generally known as Lou Levy, was a bebop-based pianist who worked with many top jazz artists, later coming to embrace the cool jazz medium and playing in that style as well .Levy was born to Jewish parents in Chicago and started playing piano when he was 12...
, piano - John LewisJohn Lewis (pianist)John Aaron Lewis was an American jazz pianist and composer best known as the musical director of the Modern Jazz Quartet.- Early life:...
, piano - Dodo MarmarosaDodo MarmarosaMichael "Dodo" Marmarosa was an American bebop pianist.-Biography:Born in Pittsburgh, Pennsylvania, and a child prodigy, Marmarosa was a trained classical pianist, but familiarised himself with jazz in parallel and practised with school mate Erroll Garner, another pianist from Pittsburgh...
, piano - Frank MaroccoFrank MaroccoFrank Marocco is an American piano-accordionist, arranger and composer. He is recognized as one of the most recorded accordionists in the world.- Background :Frank Marocco grew up in Waukegan, Illinois, near Chicago...
, accordion - Pat MartinoPat MartinoPat Martino is an Italian-American jazz guitarist and composer within the post bop, fusion, mainstream jazz, soul jazz and hard bop idioms.-Biography:...
, guitar - Howard McGheeHoward McGheeHoward McGhee was one of the very first bebop jazz trumpeters, together with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for lightning-fast fingers and very high notes...
, trumpet - Charles McPhersonCharles McPherson (musician)Charles McPherson is an American jazz alto saxophonist born in Joplin, Missouri and raised in Detroit, Michigan, most notable for his work from 1960-1972 with Charles Mingus....
, alto sax - Charles MingusCharles MingusCharles Mingus Jr. was an American jazz musician, composer, bandleader, and civil rights activist.Mingus's compositions retained the hot and soulful feel of hard bop and drew heavily from black gospel music while sometimes drawing on elements of Third stream, free jazz, and classical music...
, bass and piano - Blue MitchellBlue MitchellRichard Allen Mitchell was an American jazz, rhythm and blues, soul, rock, and funk trumpeter, known for many albums recorded as leader and sideman for Riverside, Blue Note and then Mainstream Records.-Biography:...
, trumpet - Thelonious MonkThelonious MonkThelonious Sphere Monk was an American jazz pianist and composer considered "one of the giants of American music". Monk had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including "Epistrophy", "'Round Midnight", "Blue Monk", "Straight, No Chaser"...
, piano - Wes MontgomeryWes MontgomeryJohn Leslie "Wes" Montgomery was an American jazz guitarist. He is widely considered one of the major jazz guitarists, emerging after such seminal figures as Django Reinhardt and Charlie Christian and influencing countless others, including Pat Martino, George Benson, Russell Malone, Emily...
, guitar - Fats NavarroFats NavarroTheodore "Fats" Navarro was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the 1940s. He had a strong stylistic influence on many other players, most notably Clifford Brown.-Life:Navarro was born in Key West, Florida, to Cuban-Black-Chinese parentage...
, trumpet - Charlie ParkerCharlie ParkerCharles Parker, Jr. , famously called Bird or Yardbird, was an American jazz saxophonist and composer....
, tenor and alto sax - Art PepperArt PepperArt Pepper , born Arthur Edward Pepper, Jr., was an American alto saxophonist and clarinetist.About Pepper, Scott Yanow of All Music stated, "In the 1950s he was one of the few altoists that was able to develop his own sound despite the dominant influence of Charlie Parker" and: "When Art Pepper...
, alto sax - Joe PassJoe PassJoe Pass was an Italian-American jazz guitarist of Sicilian descent. He is generally considered to be one of the greatest jazz guitarists of the 20th century...
, guitar - Oscar PettifordOscar PettifordOscar Pettiford was an American jazz double bassist, cellist and composer known particularly for his pioneering work in bebop.-Biography:...
, bass - Tommy PotterTommy PotterCharles Thomas Potter, born in Philadelphia on September 21, 1918, died March 1, 1988, was a jazz double bass player.Potter is known for having been a member of Charlie Parker's "classic quintet", with Miles Davis, between 1947 and 1950; he had first played with Parker in 1944, in Billy Eckstine's...
, bass - Bud PowellBud PowellEarl Rudolph "Bud" Powell was an American Jazz pianist. Powell has been described as one of "the two most significant pianists of the style of modern jazz that came to be known as bop", the other being his friend and contemporary Thelonious Monk...
, piano - Jimmy RaneyJimmy RaneyJimmy Raney was an American jazz guitarist born in Louisville, Kentucky most notable for his work from 1951–1952 and 1962–1963 with Stan Getz and for his work from 1953–1954 with the Red Norvo trio, replacing Tal Farlow. In 1954 and 1955 he won the Down Beat critics poll for guitar...
, guitar - Max RoachMax RoachMaxwell Lemuel "Max" Roach was an American jazz percussionist, drummer, and composer.A pioneer of bebop, Roach went on to work in many other styles of music, and is generally considered alongside the most important drummers in history...
, drums - Red RodneyRed RodneyRobert Roland Chudnick , who performed by the stage name Red Rodney, was an American bop and hard bop trumpeter.-Biography:...
, trumpet - Sonny RollinsSonny RollinsTheodore Walter "Sonny" Rollins is a Grammy-winning American jazz tenor saxophonist. Rollins is widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St...
, tenor sax - Frank RosolinoFrank RosolinoFrank Rosolino was an American jazz trombonist.- Biography :Born in Detroit, Michigan, Frank Rosolino studied the guitar with his father from the age of 9. He took up the trombone at age 14 while he was enrolled at Miller High School where he played with Milt Jackson in the school's stage band and...
, trombone - Horace SilverHorace SilverHorace Silver , born Horace Ward Martin Tavares Silva in Norwalk, Connecticut, is an American jazz pianist and composer....
, piano - Ronnie SingerRonnie SingerRonnie Singer was an American jazz guitarist in Chicago and New York City during the late 1940s and early 1950s. His talent has been compared to Jimmy Raney and his style noted as influential on other jazz musicians. At the age of 24, Singer committed suicide with his wife in New York. According to...
, guitar - Sonny StittSonny StittEdward "Sonny" Stitt was an American jazz saxophonist of the bebop/hard bop idiom. He was also one of the best-documented saxophonists of his generation, recording over 100 albums in his lifetime...
, tenor and alto sax - Lucky ThompsonLucky ThompsonEli "Lucky" Thompson was a United States jazz tenor and soprano saxophonist...
, tenor sax - Lennie TristanoLennie TristanoLeonard Joseph Tristano was a jazz pianist, composer and teacher of jazz improvisation. He performed in the cool jazz, bebop, post bop and avant-garde jazz genres. He remains a somewhat overlooked figure in jazz history, but his enormous originality and dazzling work as an improviser have long...
, piano - Sarah VaughanSarah VaughanSarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century."...
, voice - George WallingtonGeorge WallingtonGeorge Wallington was a highly regarded American bop pianist and composer....
, piano - Chuck WayneChuck WayneChuck Wayne was a jazz guitarist who came to prominence in the 1940s. He is best known for his work with Woody Herman's First Herd, and for being the first guitarist in the George Shearing quintet...
, guitar - Mort WeissMort WeissMort Weiss is a bebop oriented clarinet player with five albums as leader to date. On his first album as leader he performed with Joey DeFrancesco on the Hammond B3 organ, featured also on his second album B3 and Me . According to Scott Yanow, "Clarinet-organ groups are far from common...
, clarinet
Quotation
- Kenny ClarkeKenny Clarke
Kenny Clarke , born Kenneth Spearman Clarke, nicknamed "Klook" and later known as Liaqat Ali Salaam, was a jazz drummer and an early innovator of the bebop style of drumming...
Further reading
- Berendt, Joachim E. The Jazz Book: From Ragtime to Fusion and Beyond. Trans. Bredigkeit, H. and B. with Dan Morgenstern. Westport, CT: Lawrence Hill & Co., 1975.
- Deveaux, Scott.. The Birth of Bebop: A Social and Musical History. Berkeley: University of California Press, 1999.
- Gidden, Gary. Celebrating Bird: The Triumph of Charlie Parker. New York City: Morrow, 1987.
- Gioia, Ted. The History of Jazz. Oxford, New York: Oxford University Press, 1997.
- Baillie, Harold B. Swing to Bop: An Oral History of the Transition of Jazz in the 1940s. Oxford: Oxford University Press, 1987.
- Rosenthal, David. Hard bop: Jazz and Black Music, 1955-1965. New York: Oxford University Press, 1992.
- Scaruffi, Piero. [2003] A History of Jazz Music, 1900-2000, chapter on Bebop (2007) ISBN 978-0-9765531-3-7