The Forge (Goya)
Encyclopedia
The Forge is a c. 1817 painting
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...

 by Francisco Goya
Francisco Goya
Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker regarded both as the last of the Old Masters and the first of the moderns. Goya was a court painter to the Spanish Crown, and through his works was both a commentator on and chronicler of his era...

 (1746–1828), today housed in the Frick Collection
Frick Collection
The Frick Collection is an art museum located in Manhattan, New York City, United States.- History :It is housed in the former Henry Clay Frick House, which was designed by Thomas Hastings and constructed in 1913-1914. John Russell Pope altered and enlarged the building in the early 1930s to adapt...

 in New York City. The large oil on canvas
Oil on Canvas
Oil on Canvas is a live album by the British band Japan, released in 1983 by Virgin Records. Although it is a live recording of their established material, the album also contains three new studio tracks , recorded separately by Sylvian, Sylvian/Jansen and Barbieri respectively...

 represents three blacksmith
Blacksmith
A blacksmith is a person who creates objects from wrought iron or steel by forging the metal; that is, by using tools to hammer, bend, and cut...

s toiling over an anvil, and has been described by the art historian Fred Licht as "undoubtedly the most complete statement of Goya's late style."

Description and meaning

Devoid of narrative, the painting is an almost photographic capture of a single moment. Set in an ambiguous space, it forms a study in grays, blues and black, punctuated by the blazing red of heated metal. The composition is balanced by the complementary gestures of the figures.

The Forge emphasises the muscularity of the men, who are rendered as classically heroic with thick, strong arms and heavy masculine backs. Yet their faces indicate a coarseness of temperament—a device likely used to make them more identifiable to the common man. The figures are likely intended to represent the working class of the 19th-century Spain—hammering out the future of the country in a literal allegory to the then-popular saying "on the anvil of history". In this way, the work evokes the imagery of resistance to the French threat from Napoleon
Napoleon I of France
Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...

, earlier examined by Goya in his 1808 painting The Knife Grinder, and may refer to the peoples' participation in drafting the Constitution. Though a court painter
Court painter
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were often given the office of valet de chambre...

, Goya was sensitive throughout his life to the plight of common men. He often captured their everyday lives, usually emphasising the dignity of work or the suffering of war.

Other meanings have been suggested. Art historian Janis Tomlinson notes that the presence of the old man in the painting may be a reference to the Forge of Vulcan, a classical story in which the god was deceived by his young wife; if so, The Forge may also be thematically related to two other paintings by Goya that are the same dimensions: The Young Ones (Les Jeunes) and Time (Les Vielles), each of which illustrate female inconstancy. Though seeing "no hint of a classical source", art historian Michael Fried has interpreted sexual implications in "the strong pelvic thrust of the near worker depicted from behind in combination with the fierce concentration of all the workers on the red hot iron."
The work appears to be related to his drawing Three Men Digging, which may have been made as a preparatory study, and notwithstanding the uncertainty in dating both works, it is supposed that both were done between 1815 and 1820 because of stylistic affinities to the Black Paintings
Black Paintings
The Black Paintings is the name given to a group of paintings by Francisco Goya from the later years of his life, likely between 1819–1823. They portray intense, haunting themes, reflective of both his fear of insanity and by then, his bleak outlook on humanity...

. Despite similarities between the figures' positions in the drawing and the painting, there are several differences. The viewpoint in The Forge is lower, and makes the figures appear more imposing; unlike the drawing, two of the men's faces are visible; and the action in the drawing involves the digging of a hole with farm tools, while that of the painting is focused on an anvil. Both images may be seen as abstracted rather than realistic visions, as they each lack anecdotal context, and place three men in an impractical proximity.

Provenance

As with many of Goya's portraits of ordinary Spanish people, the work was not commissioned and not published or sold during his lifetime. Upon his death, its ownership passed to his son, and it was later acquired by King Louis-Philippe for his Galerie Espagnole of the Louvre
Louvre
The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...

, where it was exhibited from 1838 until 1851, when it was sent to England. In 1853 it was sold at Christie's
Christie's
Christie's is an art business and a fine arts auction house.- History :The official company literature states that founder James Christie conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766...

in London, and was eventually bought for the Frick Collection.
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