The Charging Chasseur
Encyclopedia
The Charging Chasseur, or An Officer of the Imperial Horse Guards Charging is an oil painting
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...

 on canvas
Canvas
Canvas is an extremely heavy-duty plain-woven fabric used for making sails, tents, marquees, backpacks, and other items for which sturdiness is required. It is also popularly used by artists as a painting surface, typically stretched across a wooden frame...

 of about 1812 by the French painter Théodore Géricault
Théodore Géricault
Jean-Louis André Théodore Géricault was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings...

, portraying a mounted Napoleonic cavalry officer, ready to attack. The painting represents French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

 romanticism
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...

 and has a motif similar to Jacques Louis David's Napoleon Crossing the Alps
Napoleon Crossing the Alps
Napoleon Crossing the Alps is the title given to the five versions of an oil on canvas equestrian portrait of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805...

, but non-classical
Classicism
Classicism, in the arts, refers generally to a high regard for classical antiquity, as setting standards for taste which the classicists seek to emulate. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint...

 characteristics of the picture include its dramatic diagonal arrangement and vigorous paint handling. In The Charging Chasseur, the horse appears to be rearing away from an unseen attacker. The painting was Géricault's first exhibited work. Géricault would continue to move away from classicism, as exemplified in his masterpiece The Raft of the Medusa (1818–19).
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