Singing in the Spirit
Encyclopedia
Singing in the Spirit, in Pentecostal and charismatic
Christianity, describes the act of worshiping through glossolalic
song. The term derives from 1 Corinthians 14:15 where Paul the Apostle said, "I will pray with my spirit, but I will pray with my mind also; I will sing praise with my spirit, but I will sing with my mind also".
The purposes for glossolalic singing are the same as those of non-glossolalic singing, including praise, thanksgiving (1 Corinthians 14:15-17), and petition (Romans 8:26-27) to God. Singing in the Spirit may be done solo
or together as a congregation during a worship service. Some Pentecostals and charismatics believe if it is done by an individual, as opposed to the congregation as a whole, then the song should be interpreted by one with the gift of interpretation
(the interpretation also being in song form).
On congregational singing in the Spirit, Donald Hustad
describes a pattern observed in Pentecostal and charismatic churches in which, during worship, someone begins to utter musical sounds, which may or may not have recognizable words. Other members of the congregation join in and, although there is no particular effort to match the pitch or the words, the overall effect is harmonious. "It is as if the strings of a huge Aeolian harp
have been set in motion by the wind of the Holy Spirit. The strangely-beautiful sound rises in volume, lasts for a longer or shorter period, and then gradually dies away."
Charismatic movement
The term charismatic movement is used in varying senses to describe 20th century developments in various Christian denominations. It describes an ongoing international, cross-denominational/non-denominational Christian movement in which individual, historically mainstream congregations adopt...
Christianity, describes the act of worshiping through glossolalic
Glossolalia
Glossolalia or speaking in tongues is the fluid vocalizing of speech-like syllables, often as part of religious practice. The significance of glossolalia has varied with time and place, with some considering it a part of a sacred language...
song. The term derives from 1 Corinthians 14:15 where Paul the Apostle said, "I will pray with my spirit, but I will pray with my mind also; I will sing praise with my spirit, but I will sing with my mind also".
The purposes for glossolalic singing are the same as those of non-glossolalic singing, including praise, thanksgiving (1 Corinthians 14:15-17), and petition (Romans 8:26-27) to God. Singing in the Spirit may be done solo
Solo (music)
In music, a solo is a piece or a section of a piece played or sung by a single performer...
or together as a congregation during a worship service. Some Pentecostals and charismatics believe if it is done by an individual, as opposed to the congregation as a whole, then the song should be interpreted by one with the gift of interpretation
Interpretation of tongues
In Christian theology, interpretation of tongues is one of the spiritual gifts listed in 1 Corinthians 12. This gift is used in conjunction with that of the gift of tongues—the supernatural ability to speak in a language unknown to the speaker. The gift of interpretation is the supernatural...
(the interpretation also being in song form).
On congregational singing in the Spirit, Donald Hustad
Donald Hustad
Donald Paul Hustad has been a recognized leader in evangelical church music for six decades. Although he is an esteemed musician, composer, and teacher, Hustad’s richest legacy resides in his informed criticism of evangelical church music and his well-developed philosophy of worship communicated...
describes a pattern observed in Pentecostal and charismatic churches in which, during worship, someone begins to utter musical sounds, which may or may not have recognizable words. Other members of the congregation join in and, although there is no particular effort to match the pitch or the words, the overall effect is harmonious. "It is as if the strings of a huge Aeolian harp
Aeolian harp
An aeolian harp is a musical instrument that is "played" by the wind. It is named for Aeolus, the ancient Greek god of the wind. The traditional aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges...
have been set in motion by the wind of the Holy Spirit. The strangely-beautiful sound rises in volume, lasts for a longer or shorter period, and then gradually dies away."