Secondary leading-tone chord
Encyclopedia
In music theory
, a secondary leading-tone chord or secondary seventh or secondary diminished seventh, as in seventh scale degree
or leading-tone
, is a secondary
chord
but rather than being a dominant it is a leading-tone seventh chord
or triad
, which are similar in function
to dominant chords. Also similar to secondary dominant chords they are altered chord
s. In contrast to secondary dominant chords they do not move in circle progression
s but rather resolve
up by half step
. Fully diminished seventh chord
s are more common than half-diminished seventh chord
s and one may also find diminished triads [without sevenths].
Secondary leading-tone chords may resolve
to either a major
or minor
diatonic triad:
For example vii7/V or vii7/iv. Especially in four-part writing, the seventh
should resolve downwards by step
and if possible the lower tritone
should resolve appropriately, inwards if a diminished fifth and outwards if an augmented fourth.
In harmonic analysis secondary sevenths are expressed in the following format:
where x = the correct inversion symbol [ figured bass
], and y = the root of the chord of resolution as a roman numeral.
Music theory
Music theory is the study of how music works. It examines the language and notation of music. It seeks to identify patterns and structures in composers' techniques across or within genres, styles, or historical periods...
, a secondary leading-tone chord or secondary seventh or secondary diminished seventh, as in seventh scale degree
Degree (music)
In music theory, a scale degree or scale step is the name of a particular note of a scale in relation to the tonic...
or leading-tone
Leading-tone
In music theory, a leading-note is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively....
, is a secondary
Secondary dominant
Secondary dominant is an analytical label for a specific harmonic device, prevalent in the tonal idiom of Western music beginning in the common practice period...
chord
Chord (music)
A chord in music is any harmonic set of two–three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may for many practical and theoretical purposes be understood as chords...
but rather than being a dominant it is a leading-tone seventh chord
Leading-tone seventh chord
In music theory, the leading-tone seventh chords are vii7 and vii7, the half-diminished and diminished seventh chords on the seventh scale degree, or leading-tone, in major and harmonic minor, resolving to the tonic...
or triad
Triad (music)
In music and music theory, a triad is a three-note chord that can be stacked in thirds. Its members, when actually stacked in thirds, from lowest pitched tone to highest, are called:* the Root...
, which are similar in function
Diatonic function
In tonal music theory, a diatonic function is the specific, recognized role of each of the 7 notes and their chords in relation to the diatonic key...
to dominant chords. Also similar to secondary dominant chords they are altered chord
Altered chord
In music, an altered chord, an example of alteration, is a chord with one or more diatonic notes replaced by, or altered to, a neighboring pitch in the chromatic scale...
s. In contrast to secondary dominant chords they do not move in circle progression
Circle progression
In music, the circle progression is a chord progression named for the circle of fifths, along which it travels. It is "undoubtedly the most common and the strongest of all harmonic progressions" and consists of "adjacent roots in ascending fourth or descending fifth relationship", with movement by...
s but rather resolve
Resolution (music)
Resolution in western tonal music theory is the move of a note or chord from dissonance to a consonance .Dissonance, resolution, and suspense can be used to create musical interest...
up by half step
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically....
. Fully diminished seventh chord
Diminished seventh chord
A diminished seventh chord is a four note chord that comprises a diminished triad plus the interval of a diminished seventh above the root. Thus it is , or enharmonically , of any major scale; for example, C diminished-seventh would be , or enharmonically...
s are more common than half-diminished seventh chord
Half-diminished seventh chord
In music theory, the half-diminished seventh chord is created by taking the root, minor third, diminished fifth and minor seventh of any major scale; for example, C half-diminished is . Its consecutive intervals are minor 3rd, minor 3rd, major 3rd...
s and one may also find diminished triads [without sevenths].
Secondary leading-tone chords may resolve
Resolution (music)
Resolution in western tonal music theory is the move of a note or chord from dissonance to a consonance .Dissonance, resolution, and suspense can be used to create musical interest...
to either a major
Major chord
In music theory, a major chord is a chord having a root, a major third, and a perfect fifth. When a chord has these three notes alone, it is called a major triad...
or minor
Minor chord
In music theory, a minor chord is a chord having a root, a minor third, and a perfect fifth.When a chord has these three notes alone, it is called a minor triad....
diatonic triad:
- In major keys: iiSupertonicIn music or music theory, the supertonic is the second degree or note of a diatonic scale, one step above the tonic. In music theory, the supertonic chord is symbolized by the Roman numeral ii in a major scale, indicating that the chord is a minor chord , or ii in a natural minor scale, indicating...
, iiiMediantIn music, the mediant is the third scale degree of the diatonic scale, being the note halfway between the tonic and the dominant. Similarly, the submediant is halfway between the tonic and subdominant...
, IVSubdominantIn music, the subdominant is the technical name for the fourth tonal degree of the diatonic scale. It is so called because it is the same distance "below" the tonic as the dominant is above the tonic - in other words, the tonic is the dominant of the subdominant. It is also the note immediately...
, V, viSubmediantIn music, the submediant is the sixth scale degree of the diatonic scale, the 'lower mediant' halfway between the tonic and the subdominant or 'lower dominant'... - In minor keys: III, iv, V, VI
For example vii7/V or vii7/iv. Especially in four-part writing, the seventh
Seventh (chord)
In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion ....
should resolve downwards by step
Steps and skips
In music, a step, or conjunct motion, is a linear or successive interval between two pitches which are consecutive scale degrees. Any larger interval is called a skip , or disjunct motion...
and if possible the lower tritone
Tritone
In classical music from Western culture, the tritone |tone]]) is traditionally defined as a musical interval composed of three whole tones. In a chromatic scale, each whole tone can be further divided into two semitones...
should resolve appropriately, inwards if a diminished fifth and outwards if an augmented fourth.
In harmonic analysis secondary sevenths are expressed in the following format:
where x = the correct inversion symbol [ figured bass
Figured bass
Figured bass, or thoroughbass, is a kind of integer musical notation used to indicate intervals, chords, and non-chord tones, in relation to a bass note...
], and y = the root of the chord of resolution as a roman numeral.