Sara García
Encyclopedia
Sara García was a Mexican
actress who made her biggest mark during the "Golden Age of Mexican cinema". During the 1940s and 1950s, she often played the part of a no-nonsense but lovable grandmother in numerous Mexican films. In later years, she played parts in Mexican telenovelas.
Known as "Mexican Cinema's Grandmother", García's image is displayed on the label of Mexico's traditional Abuelita
chocolate, a company now owned by Nestlé
.
n parents, Isidoro García Ruiz, an architect, and his wife Felipa Hidalgo de Ruiz. Her father was hired for various jobs in Veracruz, where they arrived, having just come from Havana
, Cuba
. García was the only survivor of their eleven children. In 1900, her mother died of typhoid fever
which García had caught first and her mother caught from her.
for girls, where she served as a substitute art professor. She is said to have been a talented painter in those days. One day she noticed that in a small building in Mexico City
a film was being produced by newly founded film company Azteca Films. The 1917 silent, black and white feature film was Alma de Sacrificio (Soul of Sacrifice), the first production of Azteca Films, which was one of the very first Mexican film production companies. The leading lady was stage actress turned film producer (and writer, actress, editor and, maybe director) Mimí Derba. After screening tests she was offered a contract and a role as an extra in the film. She accepted although she did not mention it to her employers for many months. She appeared in two more films that year as an extra.
, Nayarit
.
("I Am Your Father") in 1927. Six years later, however, she returned to the screen full time in El vuelo de la muerte
("Death Flight") in 1933. She then began a very long career of 148 films. Her first starring role was in the 1936 film Así es la mujer ("That is How a Woman is"); that film was followed by No basta ser madre
("It is Not Enough to be a Mother") (1937), in which her daughter Fenanda also appeared. The two then appeared in Por mis pistolas
("By My Pistols") in 1938 and Papacito lindo
("My Handsome Dad") in 1939.
Almost from the start, Sara García played the parts of mothers and grandmothers, García started a long series of films co-starring with the brightest stars of the cinema of Mexico
, such as Cantinflas
, Domingo Soler, Joaquín Pardavé
and two with Prudencia Grifell
as the Vivanco sisters.
suggested Sara García for the role of "doña Panchita", an old woman, in the 1940 film Allá en el trópico
("There in the Tropics"). The film's director Fernando de Fuentes
considered that García was too young for the part (indeed she was in her mid 40s) but Roldán replied him saying "Sara is an actress, and actresses don't have an age". For the screen test, García had a wig made for her but she had already had her teeth removed for a theatrical play. At the time of the screen test, the director asked the crew of her whereabouts and they answered that she was the woman in front of him, the director was shocked: her wig, lack of teeth, and performance had touched him. It is in Fernando de Fuentes' Allá en el trópico where Sara García won her title of la Abuelita de México (Mexico's Grandmother).
in El baisano Jalil
, a comedy film where she portrays the matron of a Lebanese
-immigrant family. For the part, Sara García was not dressed as an old woman, but in her normal garb with makeup to resemble an middle-eastern woman. García again starred with Joaquín Pardavé
in a similar comedy, El barchante Neguib
(1945). In both films García is a matriarch of a Lebanese-Mexican family and for the roles she and co-star Pardavé share a similar "arab" accent in which the pronunciations of "p" and "m" are substituted with "b" sounds. Therefore the words "paisano" and "marchante" are the mispronounced and misspelled in the films' titles.
. Pedro was (and is) so well known and popular that they call him the "idol" (el idolo). She was famous in these films for always having a cigar in her mouth and frequently, when mad, delivering quick blows with her ever-present walking stick to the posterior of her rolly polly servant named "Bartolo" (Fernando Soto). The firm upturn of her jaw in the famous photo of her above shows her feisty but lovable nature in her films. For instance, after she dies in one of her films, Pedro Infante, playing the role of her grandson, forces a Mariachi band at gun point to accompany him to her newly dug grave in a heavy downpour for them to play while he tearfully tells her how much he loves and misses her.
In her Golden Age movies with Pedro Infante, she often played the part of the stern grandmother who constantly tried to get her adult good-timing grandson to behave. She would often take fully grown Pedro Infante by the ear like a child, when she was mad at him. However, while she never would show it, she loved him deeply. These two photos summarize their repeated screen relationship perfectly. In this first scene from the 1949 Mexican movie Dicen Que Soy Mujeriego (They Say I am a Womanizer), she takes Infante by the ear at his own wedding when he pays too much attention to a passing beauty. In the second scene, by contrast, she kisses him tenderly and whispers to him lovingly in Spanish "If only you weren't a playboy [Mujeriego]", while he is asleep.
In addition to Pedro Infante, she co-starred with almost the entire cast of Mexican movie stars from the 1930s to the 1970s. She came to be known as "Mexico's Grandmother" (Abuela).
s, which include Mundo de juguete
in 1974, which as of this date (early 2006) the longest-running telenovela in history, and in Viviana with Lucía Méndez
.
García retired at the age of 65 (how did she retire at the age of 65 when in 1974 she was 79 years old?) . On November 21, 1980, she fell down some steps striking her head. She was rushed to the hospital, where she died.
She was buried while the song "Mi Cariñito" ("My Little Darling/Beloved One") was played. The significance of this song is that Pedro Infante sang it to Sara several times in their movies. Particularly, he sang it drunk and tearful as a lament after Sara died in the movie Vuelven Los Garcia (The Garcias Return). She is buried with her daughter in the Panteón Español cemetery in Mexico City
.
Mexican people
Mexican people refers to all persons from Mexico, a multiethnic country in North America, and/or who identify with the Mexican cultural and/or national identity....
actress who made her biggest mark during the "Golden Age of Mexican cinema". During the 1940s and 1950s, she often played the part of a no-nonsense but lovable grandmother in numerous Mexican films. In later years, she played parts in Mexican telenovelas.
Known as "Mexican Cinema's Grandmother", García's image is displayed on the label of Mexico's traditional Abuelita
Abuelita
Abuelita is a brand of chocolate tablets, or powdered mix in individual packets, made by Nestlé and used to make Mexican-style hot chocolate. It was originally invented in Mexico in 1963. The name is an affectionate Spanish word for "grandma"...
chocolate, a company now owned by Nestlé
Nestlé
Nestlé S.A. is the world's largest food and nutrition company. Founded and headquartered in Vevey, Switzerland, Nestlé originated in a 1905 merger of the Anglo-Swiss Milk Company, established in 1867 by brothers George Page and Charles Page, and Farine Lactée Henri Nestlé, founded in 1866 by Henri...
.
Early life
García was born Sara García Hidalgo to AndalusiaAndalusia
Andalusia is the most populous and the second largest in area of the autonomous communities of Spain. The Andalusian autonomous community is officially recognised as a nationality of Spain. The territory is divided into eight provinces: Huelva, Seville, Cádiz, Córdoba, Málaga, Jaén, Granada and...
n parents, Isidoro García Ruiz, an architect, and his wife Felipa Hidalgo de Ruiz. Her father was hired for various jobs in Veracruz, where they arrived, having just come from Havana
Havana
Havana is the capital city, province, major port, and leading commercial centre of Cuba. The city proper has a population of 2.1 million inhabitants, and it spans a total of — making it the largest city in the Caribbean region, and the most populous...
, Cuba
Cuba
The Republic of Cuba is an island nation in the Caribbean. The nation of Cuba consists of the main island of Cuba, the Isla de la Juventud, and several archipelagos. Havana is the largest city in Cuba and the country's capital. Santiago de Cuba is the second largest city...
. García was the only survivor of their eleven children. In 1900, her mother died of typhoid fever
Typhoid fever
Typhoid fever, also known as Typhoid, is a common worldwide bacterial disease, transmitted by the ingestion of food or water contaminated with the feces of an infected person, which contain the bacterium Salmonella enterica, serovar Typhi...
which García had caught first and her mother caught from her.
Early career
García started her film career at 22 when she was a teacher at a Catholic schoolCatholic school
Catholic schools are maintained parochial schools or education ministries of the Catholic Church. the Church operates the world's largest non-governmental school system...
for girls, where she served as a substitute art professor. She is said to have been a talented painter in those days. One day she noticed that in a small building in Mexico City
Mexico City
Mexico City is the Federal District , capital of Mexico and seat of the federal powers of the Mexican Union. It is a federal entity within Mexico which is not part of any one of the 31 Mexican states but belongs to the federation as a whole...
a film was being produced by newly founded film company Azteca Films. The 1917 silent, black and white feature film was Alma de Sacrificio (Soul of Sacrifice), the first production of Azteca Films, which was one of the very first Mexican film production companies. The leading lady was stage actress turned film producer (and writer, actress, editor and, maybe director) Mimí Derba. After screening tests she was offered a contract and a role as an extra in the film. She accepted although she did not mention it to her employers for many months. She appeared in two more films that year as an extra.
Theatrical career
García's film appearances lead to the theater. She began in the theater playing minor roles. However, during her early acting experiences, her natural talent and strong voice on the stage soon led to ten years acting on stage with the theater company Compañía de Comedia Selecta at the Theater Virginia Fábregas, which was the top theater group in Mexico of the time. There she shared the stage with Eduardo Arozamena, Sara Uthoff, Mercedes Navarro, Prudencia Grifell and the sisters Anita and Isabel Blanch, who were among the most prominent Mexican stage actors of the time. García's stage career took her all over Mexico and Central America. During these travels she met her husband, Fernando Ibáñez though the actress, Mercedes Navarro. She gave birth to their daughter, Fernanda Mercedes Ibáñez during a stop in TepicTepic
Tepic is the capital and largest city of the Mexican state of Nayarit.It is located in the central part of the state, at.It stands at an altitude above sea level of some 915 meters, on the banks of the Río Mololoa and the Río Tepic, approximately 225 kilometers north-west of Guadalajara, Jalisco....
, Nayarit
Nayarit
Nayarit officially Estado Libre y Soberano de Nayarit is one of the 31 states which, with the Federal District, comprise the 32 Federal Entities of Mexico. It is divided in 20 municipalities and its capital city is Tepic.It is located in Western Mexico...
.
Golden Age of Mexican cinema
Filmmakers often solicited her to play movie roles during those years. However, she interrupted her stage career to appear in only one film between 1918 and 1933. García appeared in the film Yo soy tu padreYo soy tu padre
Yo soy tu padre is a 1927 Mexican silent film. It features Sara García as an extra....
("I Am Your Father") in 1927. Six years later, however, she returned to the screen full time in El vuelo de la muerte
El vuelo de la muerte
El vuelo de la muerte is a 1933 Mexican film. It stars Sara García....
("Death Flight") in 1933. She then began a very long career of 148 films. Her first starring role was in the 1936 film Así es la mujer ("That is How a Woman is"); that film was followed by No basta ser madre
No basta ser madre
No basta ser madre is a 1937 Mexican film. It stars Carlos Orellana....
("It is Not Enough to be a Mother") (1937), in which her daughter Fenanda also appeared. The two then appeared in Por mis pistolas
Por mis pistolas
Por mis pistolas is a 1938 Mexican film. It stars Sara García....
("By My Pistols") in 1938 and Papacito lindo
Papacito lindo
Papacito lindo is a 1939 Mexican film. It was directed byFernando de Fuentes....
("My Handsome Dad") in 1939.
Almost from the start, Sara García played the parts of mothers and grandmothers, García started a long series of films co-starring with the brightest stars of the cinema of Mexico
Mexico
The United Mexican States , commonly known as Mexico , is a federal constitutional republic in North America. It is bordered on the north by the United States; on the south and west by the Pacific Ocean; on the southeast by Guatemala, Belize, and the Caribbean Sea; and on the east by the Gulf of...
, such as Cantinflas
Cantinflas
Fortino Mario Alfonso Moreno Reyes , was a Mexican comic film actor, producer, and screenwriter known professionally as Cantinflas. He often portrayed impoverished campesinos or a peasant of pelado origin...
, Domingo Soler, Joaquín Pardavé
Joaquín Pardavé
Joaquín Pardavé Arce was a Mexican film actor, director, songwriter and screenwriter of the Golden Age of Mexican cinema. He was best known for starring and directing various comedy films during the 1940s...
and two with Prudencia Grifell
Prudencia Grifell
Prudencia Grifell , born Prudencia Grifell Masipon, was a prolific actress of the Golden Era of the Cinema of Mexico.-Early life:...
as the Vivanco sisters.
Namesake of "la abuelita de México
Film actress Emma RoldánEmma Roldán
Emma Roldán was a Mexican character actress and costume designer. She is remembered as the sharp-tongued, domineering matron of Mexican cinema, and was nominated three times for a Silver Ariel Award.-Early life:...
suggested Sara García for the role of "doña Panchita", an old woman, in the 1940 film Allá en el trópico
Allá en el trópico
Allá en el trópico is a 1940 Mexican comedy musical film directed by Fernando de Fuentes and starring Tito Guízar, Esther Fernández and Carlos López....
("There in the Tropics"). The film's director Fernando de Fuentes
Fernando De Fuentes
Fernando de Fuentes Carrau was a Mexican film director, considered a pioneer in the film industry worldwide.-Early life and education:...
considered that García was too young for the part (indeed she was in her mid 40s) but Roldán replied him saying "Sara is an actress, and actresses don't have an age". For the screen test, García had a wig made for her but she had already had her teeth removed for a theatrical play. At the time of the screen test, the director asked the crew of her whereabouts and they answered that she was the woman in front of him, the director was shocked: her wig, lack of teeth, and performance had touched him. It is in Fernando de Fuentes' Allá en el trópico where Sara García won her title of la Abuelita de México (Mexico's Grandmother).
Collaborations with Joaquín Pardavé
In 1942, García co-starred with Joaquín PardavéJoaquín Pardavé
Joaquín Pardavé Arce was a Mexican film actor, director, songwriter and screenwriter of the Golden Age of Mexican cinema. He was best known for starring and directing various comedy films during the 1940s...
in El baisano Jalil
El baisano Jalil
El baisano Jalil is a 1942 Mexican film. It stars Sara García.-External links:...
, a comedy film where she portrays the matron of a Lebanese
Lebanese people
The Lebanese people are a nation and ethnic group of Levantine people originating in what is today the country of Lebanon, including those who had inhabited Mount Lebanon prior to the creation of the modern Lebanese state....
-immigrant family. For the part, Sara García was not dressed as an old woman, but in her normal garb with makeup to resemble an middle-eastern woman. García again starred with Joaquín Pardavé
Joaquín Pardavé
Joaquín Pardavé Arce was a Mexican film actor, director, songwriter and screenwriter of the Golden Age of Mexican cinema. He was best known for starring and directing various comedy films during the 1940s...
in a similar comedy, El barchante Neguib
El barchante Neguib
El barchante Neguib is a 1946 Mexican film. It stars Joaquín Pardavé as "Neguib" and Sara García as "Sara".The film revolves around a Lebanese Mexican family that heads to Mexico City to visit their son, Alfredo . The son, is shameful of their family's Arab origin, does not welcome them into his home...
(1945). In both films García is a matriarch of a Lebanese-Mexican family and for the roles she and co-star Pardavé share a similar "arab" accent in which the pronunciations of "p" and "m" are substituted with "b" sounds. Therefore the words "paisano" and "marchante" are the mispronounced and misspelled in the films' titles.
Starring with Pedro Infante
She co-starred many times in "Golden Age of Mexican cinema" films as the grandmother of famous Mexican actor Pedro InfantePedro Infante
José Pedro Infante Cruz , better known as Pedro Infante, is the most famous actor and singer of the Golden Age of Mexican cinema and is an idol of the Latinamerican people, together with Jorge Negrete and Javier Solís, who were styled the Tres Gallos Mexicanos . He was born in Mazatlán, Sinaloa,...
. Pedro was (and is) so well known and popular that they call him the "idol" (el idolo). She was famous in these films for always having a cigar in her mouth and frequently, when mad, delivering quick blows with her ever-present walking stick to the posterior of her rolly polly servant named "Bartolo" (Fernando Soto). The firm upturn of her jaw in the famous photo of her above shows her feisty but lovable nature in her films. For instance, after she dies in one of her films, Pedro Infante, playing the role of her grandson, forces a Mariachi band at gun point to accompany him to her newly dug grave in a heavy downpour for them to play while he tearfully tells her how much he loves and misses her.
In her Golden Age movies with Pedro Infante, she often played the part of the stern grandmother who constantly tried to get her adult good-timing grandson to behave. She would often take fully grown Pedro Infante by the ear like a child, when she was mad at him. However, while she never would show it, she loved him deeply. These two photos summarize their repeated screen relationship perfectly. In this first scene from the 1949 Mexican movie Dicen Que Soy Mujeriego (They Say I am a Womanizer), she takes Infante by the ear at his own wedding when he pays too much attention to a passing beauty. In the second scene, by contrast, she kisses him tenderly and whispers to him lovingly in Spanish "If only you weren't a playboy [Mujeriego]", while he is asleep.
In addition to Pedro Infante, she co-starred with almost the entire cast of Mexican movie stars from the 1930s to the 1970s. She came to be known as "Mexico's Grandmother" (Abuela).
Personal life
She married Fernando Ibáñez in 1918. However, García and her husband divorced in 1923. Their daughter, actress María Fernanda Ibáñez died of typhoid fever in 1940 at the beginning of a promising film career.Later years and death
García had her own television show in 1950, Media hora con la abuelita, but this was not a success and was cancelled. She returned to television in 1960 when she obtained a role in her first of eight telenovelaTelenovela
A telenovela is a limited-run serial dramatic programming popular in Latin American, Portuguese, and Spanish television programming. The word combines tele, short for televisión or televisão , and novela, a Spanish or Portuguese word for "novel"...
s, which include Mundo de juguete
Mundo de juguete
Mundo de Juguete is a telenovela produced in Mexico by Televisa in 1974. Mundo de Juguete is a remake of telenovela Papá Corazón with Andrea del Boca....
in 1974, which as of this date (early 2006) the longest-running telenovela in history, and in Viviana with Lucía Méndez
Lucía Méndez
Lucía Leticia Méndez Pérez is a Mexican telenovela and film actress, top model and singer that has sold over 10 million records world wide.- Early success :...
.
García retired at the age of 65 (how did she retire at the age of 65 when in 1974 she was 79 years old?) . On November 21, 1980, she fell down some steps striking her head. She was rushed to the hospital, where she died.
She was buried while the song "Mi Cariñito" ("My Little Darling/Beloved One") was played. The significance of this song is that Pedro Infante sang it to Sara several times in their movies. Particularly, he sang it drunk and tearful as a lament after Sara died in the movie Vuelven Los Garcia (The Garcias Return). She is buried with her daughter in the Panteón Español cemetery in Mexico City
Mexico City
Mexico City is the Federal District , capital of Mexico and seat of the federal powers of the Mexican Union. It is a federal entity within Mexico which is not part of any one of the 31 Mexican states but belongs to the federation as a whole...
.
Telenovelas
- VivianaVivianaViviana is a 1916 short drama film directed by B. Reeves Eason....
(1978) as Doña Angustias - Mundo de jugueteMundo de jugueteMundo de Juguete is a telenovela produced in Mexico by Televisa in 1974. Mundo de Juguete is a remake of telenovela Papá Corazón with Andrea del Boca....
(1974) as Granny Tomasita - Mi rival (1973) as Chayo
- Telenovela mensual (1972)
- Mi maestro (1968)
- El padre Guernica (1968)
- Anita de Montemar (1967)
- La duquesa (1966) as the Duchess
- La gloria quedó atrás (1962)
- Un rostro en el pasado (1960)
Documentaries
- México de mis amores (1976)
- La vida de Pedro Infante (1963)
- Recordar es vivir (1940)
Cinema of Italy
- Los dinamiteros (L'ultimo rififi) (1962) as doña Pura (co-produced with Spain)
Cinema of the United States
- The Living Idol (El ídolo viviente) (1955) as Elena (co-produced with Mexico)
Cinema of Mexico
|
La reina del mambo La reina del mambo is a 1950 Mexican film. It stars Sara García.... (1950) as tía Yo quiero ser tonta Yo quiero ser tonta is a 1950 Mexican film. It stars Sara García.... (1950) as Atilana Mi querido capitán Mi querido capitán is a 1950 Mexican film. It stars Sara García.... (1950) as Pelancha Azahares para tu boda Azahares para tu boda is a 1950 Mexican film. It stars Sara García.... (1950) as Eloísa Si me viera don Porfirio Si me viera don Porfirio is a 1950 Mexican film. It was written by Luis Alcoriza.... (1950) as doña Martirio Mi preferida Mi preferida is a 1950 Mexican film. It was directed byChano Urueta.... (1950) as doña Sara Yo quiero ser hombre Yo quiero ser hombre is a 1949 Mexican film. It stars Sara García.... (1949) as auntie Milagros Dos pesos dejada Dos pesos dejada is a 1949 Mexican film. It stars Sara García.... (1949) as Prudencia El diablo no es tan diablo El diablo no es tan diablo is a 1949 Mexican film. It stars Sara García.... (1949) as doña Leonor Novia a la medida Novia a la medida is a 1949 Mexican film. It stars Sara García.... (1949) as doña Socorro Eterna agonía Eterna agonía is a 1949 Mexican film. It stars Sara García.... (1949) as doña Cholita Dicen que soy mujeriego Dicen que Soy un Mujeriego is a 1949 Mexican comedy-drama film directed by Roberto Rodríguez. This Mexican film classic was made during the Golden Age of Mexican cinema... (1948) as doña Rosa Tía Candela Tía Candela is a 1948 Mexican film. It stars Sara García.... (1948) as Candelaria López y Polvorilla "Tía Candela" La familia Pérez La familia Pérez is a 1948 Mexican film. It stars Sara García. - Cast :*Joaquín Pardavé - Gumaro Pérez*Sara García - Natalia Vivanco de Pérez*Manuel Fábregas - Luis Robles del Valle *Beatriz Aguirre - Clara... (1948) as Natalia Vivanco de Pérez Dueña y señora Dueña y señora is a 1948 Mexican film. It stars Sara García.... (1948) as Toña Mi madre adorada Mi madre adorada is a 1948 Mexican film. It stars Sara García.... (1948) as doña Lolita Vuelven los García Vuelven los García is a 1946 Mexican film. It stars Sara García.... (1946) as doña Luisa García viuda de García Los tres García Los tres García is a 1947 Mexican film. It stars Carlos Orellana.-Cast:*Pedro Infante as Luis Antonio García*Sara García as Grandma Luisa García*Marga López as Lupita Smith García*Abel Salazar as José Luis García... (1946) as doña Luisa García viuda de García Los que volvieron Los que volvieron is a 1946 Mexican film. It stars Sara García.... (1946) as the mature wife Sucedió en Jalisco (Los cristeros) Sucedió en Jalisco is a 1946 Mexican film. It stars Sara García.... (1946) as doña Engracia El barchante Neguib El barchante Neguib is a 1946 Mexican film. It stars Joaquín Pardavé as "Neguib" and Sara García as "Sara".The film revolves around a Lebanese Mexican family that heads to Mexico City to visit their son, Alfredo . The son, is shameful of their family's Arab origin, does not welcome them into his home... (1945) as Sara Mamá Inés Mamá Inés is a 1945 Mexican film. It stars Sara García.... (1945) as Inés Valenzuela ¡Ay qué rechulo es Puebla! ¡Ay qué rechulo es Puebla! is a 1945 Mexican film. It stars Sara García.... (1945) as the happy old lady La señora de enfrente La señora de enfrente is a 1945 Mexican film. It stars Sara García.... (1945) as Lastenia Cortazano Escuadrón 201 El Escuadrón 201 was a Mexican fighter squadron, part of the Fuerza Aérea Expedicionaria Mexicana that aided the Allied war effort during World War II... (1945) as doña Herlinda Como yo te quería Como yo te quería is a 1944 Mexican film. It stars Sara García.... (1944) as Remedios Mantilla El jagüey de las ruinas El jagüey de las ruinas is a 1944 Mexican film. It stars Sara García.... (1944) as doña Teresa "Mamanina Godparent A godparent, in many denominations of Christianity, is someone who sponsors a child's baptism. A male godparent is a godfather, and a female godparent is a godmother... " Tuya en cuerpo y alma Tuya en cuerpo y alma is a 1944 Mexican film. It stars Sara García.... (1944) as María Antonia El secreto de la solterona El secreto de la solterona is a 1944 Mexican film. It stars Sara García.... (1944) as Marta La trepadora La trepadora is a 1944 Mexican film. It stars Sara García.... (1944) as doña Carmelita Mis hijos Mis hijos is a 1944 Mexican film. It stars Sara García.... (1944) as María Toros, amor y gloria Toros, amor y gloria is a 1943 Mexican film. It stars Sara García.... (1943) as Irene No matarás No matarás is a 1943 Mexican film. It was directed byChano Urueta.... (1943) as Aurora Resurrection (1943 film) Resurrection is a 1943 Mexican film. It stars Sara García.... (1943) as Genoveva El verdugo de Sevilla El verdugo de Sevilla is a 1942 Mexican film. It stars Sara García.... (1942) as doña Nieves El baisano Jalil El baisano Jalil is a 1942 Mexican film. It stars Sara García.-External links:... (1942) as Suad Historia de un gran amor Historia de un gran amor is a 1942 Mexican film. It stars Sara García.... (1942) as doña Josefa La abuelita La abuelita is a 1942 Mexican film. It stars Sara García.... (1942) as doña Carmen Regalo de Reyes Regalo de Reyes is a 1942 Mexican film. It stars Sara García.... (1942) as doña Esperanza Alejandra For the female given name see Alejandra .Alejandra is a 1956 Argentinian film directed by Carlos Schlieper and written by Alexandre Bisson. The movie stars Delia Garcés and Georges Rivière.... (1941) as Elena La gallina clueca La gallina clueca is a 1941 Mexican film. It was directed byFernando de Fuentes.... (1941) as Teresa de Treviño Dos mexicanos en Sevilla Dos mexicanos en Sevilla is a 1942 Mexican film. It stars Carlos Orellana.... (1941) as Gracia ¿Quién te quiere a ti? ¿Quién te quiere a ti? is a 1941 Mexican film. It stars Sara García.... (1941) as the seducer's mother Cuando los hijos se van Cuando los hijos se van is a 1941 Mexican film. It stars Sara García.... (1941) as Lupe de Rosales Las tres viudas de papá Las tres viudas de papá is a 1940 Mexican film. It stars Sara García.... (1940) as Petra Papá se enreda otra vez Papá se enreda otra vez is a 1940 Mexican film. It stars Sara García.... (1940) as Petra Papá se desenreda Papá se desenreda is a 1940 Mexican film. It stars Sara García.... (1940) as Petra Ahí está el detalle Ahí está el detalle is a 1940 Mexican comedy film directed by Juan Bustillo Oro and starring Cantinflas, Joaquín Pardavé, Sara García with Sofía Álvarez and Dolores Camarillo. It was the twelfth film in Cantinflas' career, and the best one considered by Mexican film critics, for it is considered... (1940) as Clotilde Regalado Mi madrecita Mi madrecita is a 1940 Mexican film. It stars Sara García.... (1940) as la madre Allá en el trópico Allá en el trópico is a 1940 Mexican comedy musical film directed by Fernando de Fuentes and starring Tito Guízar, Esther Fernández and Carlos López.... (1940) as doña Panchita Miente y serás feliz Miente y serás feliz is a 1940 Mexican film. It stars Carlos Orellana.... (1939) as Constancia En un burro tres baturros En un burro tres baturros is a 1939 Mexican film. It stars Carlos Orellana.... (1939) as Manuela Papacito lindo Papacito lindo is a 1939 Mexican film. It was directed byFernando de Fuentes.... (1939) as Remedios Calumnia Calumnia is a 1939 Mexican film. It stars Carlos Orellana.... (1939) as Eduviges Los enredos de papá Los enredos de papá is a 1939 Mexican film. It stars Sara García.... (1938) as Petra Su adorable majadero Su adorable majadero is a 1938 Mexican film. It stars Sara García.... (1938) as Mariquita Perjura Perjura is a 1938 Mexican film. It stars Sara García.... (1938) as doña Rosa Padre de más de cuatro Padre de más de cuatro is a 1938 Mexican film. It stars Sara García.... (1938) as doña Gertrudis Dos cadetes Dos cadetes is a 1938 Mexican film. It stars Sara García.... (1938) as Dolores Pescadores de perlas (Sol de gloria) Pescadores de perlas is a 1938 Mexican film. It stars Sara García.... (1938) as Juana Por mis pistolas Por mis pistolas is a 1938 Mexican film. It stars Sara García.... (1938) as No basta ser madre No basta ser madre is a 1937 Mexican film. It stars Carlos Orellana.... (1937) as Sebastiana del Puerto La honradez es un estorbo La honradez es un estorbo is a 1937 Mexican film. It stars Sara García.... (1937) as doña Refugio No te engañes corazón No te engañes corazón is the first full-feature film of Cantinflas after becoming a star of the carpa circuit... (1936) as doña Petro Malditas sean las mujeres Malditas sean las mujeres is a 1936 Mexican film. It stars Sara García.... (1936) as señora de Ambrosaliet Las mujeres mandan Las mujeres mandan is a 1937 Mexican film. It was directed byFernando de Fuentes.... (1936) as Marta Marihuana (El monstruo verde) Marihuana is a 1936 Mexican film. It stars Sara García.... (1936) as Petra ¡Viva México! (El grito de Dolores) ¡Viva México! is a 1934 Mexican film. It stars Sara García.... (1934) as doña Josefa Ortiz de Domínguez La sangre manda La sangre manda is a 1933 Mexican film. It stars Sara García.... (1933) as the neighbor El vuelo de la muerte El vuelo de la muerte is a 1933 Mexican film. It stars Sara García.... (1933) El pulpo humano El pulpo humano is a 1933 Mexican film. It stars Sara García.... (1933) Yo soy tu padre Yo soy tu padre is a 1927 Mexican silent film. It features Sara García as an extra.... (1927) as extra La soñadora La soñadora is a 1917 Mexican silent film. It features Sara García as an extra.... (1917) as extra Alma de sacrificio Alma de sacrificio is a 1917 Mexican silent film. It features Sara García as an extra.... (1917) as extra En defensa Propia En defensa Propia is a 1917 Mexican film directed by Joaquín Coss. It stars Mimí Derba, María Caballé and Julio Taboada.... (1917) as extra |
External links
- Biography at hispanodetulsa.com
- Sara García at the Cinema of Mexico site of the ITESM