Roberto Roena
Encyclopedia
Roberto Roena is a salsa music
percussionist, orchestra leader, and dancer. Roena was one of the original members of El Gran Combo
Puerto Rican
's first successful salsa music
orchestra. He later became the leader of his own band, "Roberto Roena y Su Apollo Sound", arguably one of the best Latin
salsa
bands in Puerto Rico. Roena has also been a long-time member of the Fania All Stars, a salsa supergroup
that has enjoyed worldwide success since the 1970s.
Born in the Dulces Labios neighborhood of Mayagüez, Roena took his first steps in the art of dance by staging dance routines with his brother Cuqui at his hometown. When Roberto was nine years old, his family settled in Santurce, where the brothers continued to refine their mambo and cha-cha-chá routines, delighting their public in talent contests. This led to their contract of weekly performances on the television program “La Taberna India” on WKAQ-TV
. During the broadcasts, percussionist Rafael Cortijo
saw Roena in action. Roena, aside from being a dancer, was a talented percussionist (bongos,cowbell) and occasional baseball
player.
El Gran Combo became the new sensation in Latin music, and Roena was part of the group until 1969. Desiring to establish his own salsa orchestra, Roberto formed “Los Megatones” in 1967, playing Latin Jazz Wednesday nights at a local club. Two years after forming "Los Megatones", as a result of personal differences with Andy Montañez, one of "El Gran Combo's" vocalists, Roberto left "El Gran Combo".
salsa
bands in Puerto Rico. Roberto Roena’s new orchestra was baptized "El Apollo Sound" because the launch of NASA
's Apollo 11
lunar mission coincided with the day of the band’s first rehearsal. The band eventually recorded hits such as Y Tu Loco Loco, Traicion, Que Se Sepa and Herencia Rumbero.
Roberto Roena has also been a long-time member of the Fania All Stars, the showcase group for the Fania Records
label, which has enjoyed worldwide success since the 1970s. He recorded his signature song, "Coro Miyare", with the group; live performances of the song featured Roena playing the bongos and dancing with his uncle, legendary salsa dancer Aníbal Vázquez, in a choreographed section that almost always received standing ovations from the audience.
Mr. Roena took a giant step in the fusion of salsa with jazz, in the 1970s, by joining forces with African superstar (saxophonist) Manu Dibango
of "Soul Makossa
" fame.
Even without knowing how to read or write music, and probably because of it, Roena knew how to surround himself with excellent musicians and arrangers. "Apollo Sound" featured musicians from the ensemble of Tito Puente, "Cortijo y Su Combo", "El Gran Combo" and "Los Sunsets", among others. Some of the well renown arrangers and composers who nourished his repertoire were Mario Ortiz, Bobby Valentín, Elias Lopés, Luis “Perico” Ortiz and Papo Lucca. With "Apollo Sound", Roberto introduced a “new” sound to salsa music by utilizing two trumpets, a trombone and a saxophone, a combination he took from the influence of the wind section of the rock group Blood, Sweat and Tears (in honor of which his band recorded a successful version of “Spinning Wheel”).
Roberto always considered variety as the key to success, leading him to include in his musical repertoire everything from go-go to the romantic, the same in English as in Spanish. Roberto Roena and his Apollo Sound’s first CD produced hits of great impact like “Tú loco loco y yo tranquilo,” “El escapulario,” and “El sordo.” In fact, it was Apollo Sound who popularized the Bobby Capó classic, “Soñando con Puerto Rico.”
Apollo Sound recorded under the label International Records (a subsidiary of Fania) for a decade, in which they harvested successes like “Traición,” “Chotorro,” “Mi Desengaño,” “Fea,” “Marejada feliz,” “Cui cui,” and “El progreso,” among others. His popularity on the radio waves came accompanied with tours around the United States and Latin America.
Complementing the musicality of the salsa group was always the showmanship inherent in Roberto Roena. Dying his hair in new colors, playing percussion in his underwear and sporting a harness so he could “fly” around the stage of New York City
's Madison Square Garden
were some of the tricks that he used to stand out among the other groups in vogue. In fact, a noted journalist that followed Apollo Sound once remarked that they were “the first group in Puerto Rico with a system of psychedelic lights and go-go girls.”
Beginning in the 1980s, Roberto Roena and his Apollo Sound experienced a fade in popularity, reflecting a crisis that was sweeping through the salsa movement in general. Nevertheless, Roberto maintained himself by collaborating and recording independently with local groups. In 1990, Roena tried to revive the concept of Apollo Sound. He opened a concert for British rock singer Sting at the Coliseo Roberto Clemente, where he presented his hit salsa version of "Every Breath You Take
" (with an amused Sting watching from the sidelines).
In 1994, he celebrated 25 years with his orchestra in a successful concert at the Centro de Bellas Artes in San Juan. This performance was recorded and released, presenting the validity of his musical proposal before a new generation.
Salsa music
Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son, Son Montuno, and Guaracha with touches from other genres of music...
percussionist, orchestra leader, and dancer. Roena was one of the original members of El Gran Combo
El Gran Combo
El Gran Combo de Puerto Rico, commonly known as El Gran Combo, is a Puerto Rican Salsa music orchestra. It is Puerto Rico's most successful musical group, and one of the most popular salsa orchestras across Latin America...
Puerto Rican
Puerto Rico
Puerto Rico , officially the Commonwealth of Puerto Rico , is an unincorporated territory of the United States, located in the northeastern Caribbean, east of the Dominican Republic and west of both the United States Virgin Islands and the British Virgin Islands.Puerto Rico comprises an...
's first successful salsa music
Salsa music
Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son, Son Montuno, and Guaracha with touches from other genres of music...
orchestra. He later became the leader of his own band, "Roberto Roena y Su Apollo Sound", arguably one of the best Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
salsa
Salsa music
Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son, Son Montuno, and Guaracha with touches from other genres of music...
bands in Puerto Rico. Roena has also been a long-time member of the Fania All Stars, a salsa supergroup
Supergroup (music)
In the late 1960s, the term supergroup was coined to describe "a rock music group whose performers are already famous from having performed individually or in other groups"....
that has enjoyed worldwide success since the 1970s.
Early career
WKAQ-TV
WKAQ-TV is a full-power television station located in San Juan, Puerto Rico transmitting over digital 2.1. The station is owned and operated by NBCUniversal and is branded simply as Telemundo....
. During the broadcasts, percussionist Rafael Cortijo
Rafael Cortijo
Rafael Cortijo , was a Puerto Rican musician, orchestra leader, and composer.As a child, Cortijo became interested in Caribbean music and enjoyed the works of some of the era's most successful Plena music musicians...
saw Roena in action. Roena, aside from being a dancer, was a talented percussionist (bongos,cowbell) and occasional baseball
Baseball
Baseball is a bat-and-ball sport played between two teams of nine players each. The aim is to score runs by hitting a thrown ball with a bat and touching a series of four bases arranged at the corners of a ninety-foot diamond...
player.
Cortijo y Su Combo
When Roberto was 16 years old, Cortijo was in need of a bongo player for a group that he was forming. Visualizing a bongo player that could dance and play the cowbell at the same time, Cortijo recruited Roberto to join his new band, and personally taught Roberto how to play both instruments. The group's name derived from the name of an existing band named "El Combo" in which many of the original band members had been involved. For seven years, Roena was part of Cortijo’s group and his Combo, with Ismael Rivera as vocalist. With that lineup, they toured the major stages of the United States, Europe, and South America. It is worth noting that "Cortijo y Su Combo", mostly made up of black musicians (of Puerto Rican descent), was the first of its kind to succeed in gaining access to the stages where only white artists were performing, within and outside of Puerto Rico.El Gran Combo
The Combo’s good fortune ended with the arrest of its star singer, Ismael Rivera, for charges of drug possession. With the absence of “El Sonero Mayor,” Cortijo’s musicians discussed the possibility of remaining together. Some members of the group chose to distance themselves from their imprisoned lead singer, and "El Gran Combo" was born. Out of gratitude and loyalty to Rafael Cortijo, his mentor, Roena did not join the new Combo immediately. Eventually Cortijo left for New York in search of new musicians, and after nine months, Roberto, who had stayed in Puerto Rico, decided to join "El Gran Combo" which was then led by pianist Rafael Ithier.El Gran Combo became the new sensation in Latin music, and Roena was part of the group until 1969. Desiring to establish his own salsa orchestra, Roberto formed “Los Megatones” in 1967, playing Latin Jazz Wednesday nights at a local club. Two years after forming "Los Megatones", as a result of personal differences with Andy Montañez, one of "El Gran Combo's" vocalists, Roberto left "El Gran Combo".
Roberto Roena y su Apollo Sound
In 1969, he went on to form a band by the name of "Roberto Roena y Su Apollo Sound", arguably one of the best LatinLatin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
salsa
Salsa music
Salsa music is a genre of music, generally defined as a modern style of playing Cuban Son, Son Montuno, and Guaracha with touches from other genres of music...
bands in Puerto Rico. Roberto Roena’s new orchestra was baptized "El Apollo Sound" because the launch of NASA
NASA
The National Aeronautics and Space Administration is the agency of the United States government that is responsible for the nation's civilian space program and for aeronautics and aerospace research...
's Apollo 11
Apollo 11
In early 1969, Bill Anders accepted a job with the National Space Council effective in August 1969 and announced his retirement as an astronaut. At that point Ken Mattingly was moved from the support crew into parallel training with Anders as backup Command Module Pilot in case Apollo 11 was...
lunar mission coincided with the day of the band’s first rehearsal. The band eventually recorded hits such as Y Tu Loco Loco, Traicion, Que Se Sepa and Herencia Rumbero.
Roberto Roena has also been a long-time member of the Fania All Stars, the showcase group for the Fania Records
Fania Records
Fania Records was a New York based record label founded by Dominican-born composer and bandleader Johnny Pacheco and Italian-American lawyer Jerry Masucci in 1964. The label took its name from an old Cuban song by the singer Reinaldo Bolaño. Fania is known for its promotion of what has become...
label, which has enjoyed worldwide success since the 1970s. He recorded his signature song, "Coro Miyare", with the group; live performances of the song featured Roena playing the bongos and dancing with his uncle, legendary salsa dancer Aníbal Vázquez, in a choreographed section that almost always received standing ovations from the audience.
Mr. Roena took a giant step in the fusion of salsa with jazz, in the 1970s, by joining forces with African superstar (saxophonist) Manu Dibango
Manu Dibango
-External links:*...
of "Soul Makossa
Soul Makossa
"Soul Makossa" is a 1972 single by Cameroonian makossa saxophonist Manu Dibango. It is often cited as one of the first disco records. In 1972 David Mancuso found a copy in a Brooklyn West Indian record store and often played it at his Loft parties. The response was so positive that the few copies...
" fame.
Even without knowing how to read or write music, and probably because of it, Roena knew how to surround himself with excellent musicians and arrangers. "Apollo Sound" featured musicians from the ensemble of Tito Puente, "Cortijo y Su Combo", "El Gran Combo" and "Los Sunsets", among others. Some of the well renown arrangers and composers who nourished his repertoire were Mario Ortiz, Bobby Valentín, Elias Lopés, Luis “Perico” Ortiz and Papo Lucca. With "Apollo Sound", Roberto introduced a “new” sound to salsa music by utilizing two trumpets, a trombone and a saxophone, a combination he took from the influence of the wind section of the rock group Blood, Sweat and Tears (in honor of which his band recorded a successful version of “Spinning Wheel”).
Roberto always considered variety as the key to success, leading him to include in his musical repertoire everything from go-go to the romantic, the same in English as in Spanish. Roberto Roena and his Apollo Sound’s first CD produced hits of great impact like “Tú loco loco y yo tranquilo,” “El escapulario,” and “El sordo.” In fact, it was Apollo Sound who popularized the Bobby Capó classic, “Soñando con Puerto Rico.”
Apollo Sound recorded under the label International Records (a subsidiary of Fania) for a decade, in which they harvested successes like “Traición,” “Chotorro,” “Mi Desengaño,” “Fea,” “Marejada feliz,” “Cui cui,” and “El progreso,” among others. His popularity on the radio waves came accompanied with tours around the United States and Latin America.
Complementing the musicality of the salsa group was always the showmanship inherent in Roberto Roena. Dying his hair in new colors, playing percussion in his underwear and sporting a harness so he could “fly” around the stage of New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
's Madison Square Garden
Madison Square Garden
Madison Square Garden, often abbreviated as MSG and known colloquially as The Garden, is a multi-purpose indoor arena in the New York City borough of Manhattan and located at 8th Avenue, between 31st and 33rd Streets, situated on top of Pennsylvania Station.Opened on February 11, 1968, it is the...
were some of the tricks that he used to stand out among the other groups in vogue. In fact, a noted journalist that followed Apollo Sound once remarked that they were “the first group in Puerto Rico with a system of psychedelic lights and go-go girls.”
Beginning in the 1980s, Roberto Roena and his Apollo Sound experienced a fade in popularity, reflecting a crisis that was sweeping through the salsa movement in general. Nevertheless, Roberto maintained himself by collaborating and recording independently with local groups. In 1990, Roena tried to revive the concept of Apollo Sound. He opened a concert for British rock singer Sting at the Coliseo Roberto Clemente, where he presented his hit salsa version of "Every Breath You Take
Every Breath You Take
"Every Breath You Take" is a song by The Police on the band's 1983 album Synchronicity, written by Sting and Andy Summers . The single was one of the biggest hits of 1983, topping the Billboard Hot 100 singles chart for eight weeks and the UK Singles Chart for four weeks. It also topped the...
" (with an amused Sting watching from the sidelines).
In 1994, he celebrated 25 years with his orchestra in a successful concert at the Centro de Bellas Artes in San Juan. This performance was recorded and released, presenting the validity of his musical proposal before a new generation.