Reading the Letter (Picasso)
Encyclopedia
La Lecture de la Lettre (Reading the Letter) is a painting by Pablo Picasso
Pablo Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso known as Pablo Ruiz Picasso was a Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most influential artists of the...

, painted circa 1921, during the artist's transition from Cubism
Cubism
Cubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture...

 to Classicism, very close to the time of the birth of his son, Paulo. The oil on canvas painting depicts two well-dressed boys reading a letter. The boys have downcast expressions as they read. One boy has an oversized hand on the other's shoulder.

Ownership history

According to the Picasso Museum
Musée Picasso
The Musée Picasso is an art gallery located in the Hôtel Salé in rue de Thorigny, in the Marais district of Paris dedicated to the work of the artist Pablo Picasso .-Building:...

in Paris, the painting was discovered during the inventory of his studios after his death. It had previously been unknown. It was given as part of the estate to the French nation, which placed it in the care of the Picasso Museum.

Style and controversy

Picasso is not known to have commented on this work, and the precise date may be in question. Many features in the painting including facial features and hands resemble those in La Danse Villageoise (1921), Mere et Enfant (Spring 1921), and Tete et Main de Femme (1921). The meaning of the painting is not the same to all viewers; one reviewer in the New York Times described it as "social realism." Pierre Daix uses the term "hemstitched eyes" to describe that feature in this and related works of the period. The Picasso Museum (p. 23) and others believe the painting a tribute to Apollinaire, a friend of Picasso who had died recently. One reviewer (source needed) thought the painting to be a reflection on Picasso's doubts about his ability to head a family and fatherhood—would he be a disappointment for his children? Picasso was criticized by cubist artists for his return to classicism and for mixing classicism and cubism. One modern critic, writing in the Guardian, described the painting as "homoerotic" and "an overwhelming monument to intimacy." Despite any criticism, Arianna Huffington notes (p. 172) that Picasso was enjoying phenomenal financial success at this time, estimating his own earnings at one and a half million francs per year.

External links

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