Petite Messe Solennelle
Encyclopedia
Gioachino Rossini's Petite Messe Solennelle was written in 1863, "the last", the composer called it, "of my péchés de vieillesse" (sins of old age)..

The witty composer, who produced little for public hearing during his long retirement at Passy
Passy
Passy is an area of Paris, France, located in the XVIe arrondissement, on the Right Bank. It is traditionally home to many of the city's wealthiest residents.Passy was formerly a commune...

, prefaced his mass—characterized, apocryphally by Napoleon III, as neither little nor solemn, nor particularly liturgical— with the words
"Good God—behold completed this poor little Mass—is it indeed sacred music [la musique sacrée] that I have just written, or merely some damned music [la sacré musique]? You know well, I was born for comic opera. Little science, a little heart, that is all. So may you be blessed, and grant me Paradise!"


Its first performance was at the dedication (14 March 1864) of the private chapel in the hôtel of Louise, comtesse de Pillet-Will, to whom Rossini dedicated this refined and elegant piece, which avoids the sentimental opulence of most contemporary liturgical works, such as those by Charles Gounod
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...

. Rossini specified twelve singers in all, with the soloists doubling the SATB
SATB
In music, SATB is an initialism for soprano, alto, tenor, bass, defining the voices required by a chorus or choir to perform a particular musical work...

 chorus, and scored it for two pianos and harmonium
Harmonium
A harmonium is a free-standing keyboard instrument similar to a reed organ. Sound is produced by air being blown through sets of free reeds, resulting in a sound similar to that of an accordion...

. Among the first hearers were Giacomo Meyerbeer
Giacomo Meyerbeer
Giacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...

 and Daniel Auber
Daniel Auber
Daniel François Esprit Auber was a French composer.-Biography:The son of a Paris print-seller, Auber was born in Caen in Normandy. Though his father expected him to continue in the print-selling business, he also allowed his son to learn how to play several musical instruments...

 and Ambroise Thomas
Ambroise Thomas
Charles Louis Ambroise Thomas was a French composer, best known for his operas Mignon and Hamlet and as Director of the Conservatoire de Paris from 1871 till his death.-Biography:"There is good music, there is bad music, and then there is Ambroise Thomas."- Emmanuel Chabrier-Early life...

, who would succeed Auber as director of the Paris Conservatoire. Albert Lavignac
Albert Lavignac
Albert Lavignac was a French music scholar, known for his essays on theory, and a minor composer.-Biography:Lavignac was borin in Paris and studied with Antoine François Marmontel, François Benoist and Ambroise Thomas at the Conservatoire de Paris, where later he taught harmony...

, aged eighteen, conducted from the harmonium. The soloists were Carlotta and Barbara Marchisio, Italo Gardoni
Italo Gardoni
Italo Gardoni was a leading operatic tenore di grazia singer from Italy who enjoyed a major international career during the middle decades of the 19th century...

 and Luigi Agnesi
Luigi Agnesi
Luigi Agnesi was a Belgian operatic bass-baritone, conductor and composer.-Life and career:Born Louis Ferdinand Leopold Agniez in Namur, Agnesi graduated from the Royal Conservatory of Brussels in 1853. There he had studied with Charles-Marie-François Bosselet and the François-Joseph Fétis...

. It has been said that all this piece requires is a small hall, a piano, a harmonium, eight choristers and the four greatest singers on Earth.

Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety, and the resulting version had its first public performance on 28 February 1869, three months after the composer's death, and as close as could be to what would have been Rossini's seventy-seventh birthday— at the Théâtre-Italien, Paris. That year both versions were published.

The structure of the piece is as follows:
  • Kyrie
    Kyrie
    Kyrie, a transliteration of Greek κύριε , vocative case of κύριος , meaning "Lord", is the common name of an important prayer of Christian liturgy, which is also called the Kýrie, eléison ....

  • Gloria
    Gloria in Excelsis Deo
    "Gloria in excelsis Deo" is the title and beginning of a hymn known also as the Greater Doxology and the Angelic Hymn. The name is often abbreviated to Gloria in Excelsis or simply Gloria.It is an example of the psalmi idiotici "Gloria in excelsis Deo" (Latin for "Glory to God in the highest")...

    :
    • Gloria in excelsis Deo
    • Gratias agimus tibi
    • Domine Deus
    • Qui tollis peccata mundi
    • Quoniam tu solus sanctus
    • Cum Sancto Spiritu
  • Credo
    Credo
    A credo |Latin]] for "I Believe") is a statement of belief, commonly used for religious belief, such as the Apostles' Creed. The term especially refers to the use of the Nicene-Constantinopolitan Creed in the Mass, either as text, Gregorian chant, or other musical settings of the...

    :
    • Credo in unum Deum
    • Crucifixus
    • Et resurrexit
  • Preludio religioso
  • Ritornello–Sanctus
    Sanctus
    The Sanctus is a hymn from Christian liturgy, forming part of the Order of Mass. In Western Christianity, the Sanctus is sung as the final words of the Preface of the Eucharistic Prayer, the prayer of consecration of the bread and wine...

  • Benedictus
  • O salutaris hostia
    O Salutaris Hostia
    O salutaris Hostia, "O Saving Host", is a section of one of the Eucharistic hymns written by St Thomas Aquinas for the Feast of Corpus Christi. He wrote it for the Hour of Lauds in the Divine Office. It is actually the last two stanzas of the hymn Verbum supernum prodiens, and is used for the...

  • Agnus Dei


The hymn O salutaris hostia is not usually part of the Mass.
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