Pellegrino Antonio Orlandi
Encyclopedia
Pellegrino Antonio Orlandi (1660–1727) was an Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 writer and art historian, author of the Abecedario pittorico (‘ABC of Painting’).

Born in Bologna
Bologna
Bologna is the capital city of Emilia-Romagna, in the Po Valley of Northern Italy. The city lies between the Po River and the Apennine Mountains, more specifically, between the Reno River and the Savena River. Bologna is a lively and cosmopolitan Italian college city, with spectacular history,...

, Orlandi joined the city’s Carmelite convent of San Martino. Here he undertook research in art history and was made a member of the Accademia Clementina.

The first edition of his Abecedario pittorico was published in Bologna in 1704. This was a biographical dictionary covering, according to its author, some four thousand painters, sculptors and architects. An expanded and corrected edition of the Abecedario followed in 1719, updated in part through correspondence with artists and collectors in Rome and Florence. In the meantime, in 1714, he had published the Notizie degli scrittori bolognesi e dell' opere loro stampate e manoscritte (‘Notes on the Bolognese writers and on their printed and manuscript works’).

Pellegrino Antonio Orlandi died in Bologna in 1727. New and augmented editions of the Abecedario continued to be published, however; that of 1753 included additional material written by Pietro Guarienti
Pietro Guarienti
Pietro Guarienti was an Italian painter and art-biographer of the late-Baroque period, active mainly in Bologna. He was born in Verona, then traveled to Bologna and Venice. He became the pupil of the painter Giuseppe Maria Crespi and Falcieri. In 1746, he became the godfather of Bernardo...

. Although the work would later be criticised for its inaccuracies, Lanitra Walker describes it in the Dictionary of Art Historians as having been ‘the most complete resource for information on artists during the 18th century.’

External links

. A copy of the 1763 edition from Google books.
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