National Institution of Fine Arts
Encyclopedia
The National Institution of Fine Arts was a short-lived Victorian-era art society founded in London to provide alternative exhibition space for artists. Dante Gabriel Rosetti and Ford Maddox Brown notably exhibited there.
The organisation began as the "Institution for the Free Exhibition of Modern Art" in 1847 ("Free Exhibition" for short), and mounted shows from 1848-49 in a temporary building known as "St. George's Gallery" on Knightsbridge
(road), next to Hyde Park
, London. Its purpose was stated in an 1848 catalogue, "Freedom for the Artist, certainty of Exhibition for his works, and the Improvement of the Public Taste." The society then changed its name to the "National Institution of Fine Arts" ("National Institution" for short) and from 1850-61 exhibited works at the old Portland Gallery at 316 Regent Street
.
The National Institution aimed to provide a less-restrictive and more equitable alternative to the established exhibitions at places like the Royal Academy
. The organisers allocated space by lottery, so there was no favouritism, allowed artists more control over the display of their pictures, and space was cheaper - making it more accessible to women artists who suffered discrimination by other exhibiting bodies. The exhibition was "free" in the sense that any artist was free to exhibit as long as he or she paid for the privilege!
Dante Gabriel Rosetti exhibited his first major oil painting, "The Girlhood of the Virgin Mary" at the Free Exhibition in March 1848, and in April 1850 "Ecce Ancilla Domini" at the National Institution. Ford Madox Brown
also exhibited there in 1848 with "Wycliffe reading his Translation of the New Testament to John of Gaunt" and in 1849 with "The Young Mother" and "Lear and Cordelia".
Robert Scott Lauder
was the first president of the National Institution.
Chambers Edinburgh Journal described exhibitors at the National Institution as "..mainly composed of dissenters from the other associations — gentlemen who conceive that they have been ill-treated by Hanging Committees, and a large class of juvenile but promising artists, who resort to the less crowded institutions in the hope of there meeting with better places for their works than in the older and more established bodies".
The organisation began as the "Institution for the Free Exhibition of Modern Art" in 1847 ("Free Exhibition" for short), and mounted shows from 1848-49 in a temporary building known as "St. George's Gallery" on Knightsbridge
Knightsbridge
Knightsbridge is a road which gives its name to an exclusive district lying to the west of central London. The road runs along the south side of Hyde Park, west from Hyde Park Corner, spanning the City of Westminster and the Royal Borough of Kensington and Chelsea...
(road), next to Hyde Park
Hyde Park, London
Hyde Park is one of the largest parks in central London, United Kingdom, and one of the Royal Parks of London, famous for its Speakers' Corner.The park is divided in two by the Serpentine...
, London. Its purpose was stated in an 1848 catalogue, "Freedom for the Artist, certainty of Exhibition for his works, and the Improvement of the Public Taste." The society then changed its name to the "National Institution of Fine Arts" ("National Institution" for short) and from 1850-61 exhibited works at the old Portland Gallery at 316 Regent Street
Regent Street
Regent Street is one of the major shopping streets in London's West End, well known to tourists and Londoners alike, and famous for its Christmas illuminations...
.
The National Institution aimed to provide a less-restrictive and more equitable alternative to the established exhibitions at places like the Royal Academy
Royal Academy
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London. The Royal Academy of Arts has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to promote the creation, enjoyment and...
. The organisers allocated space by lottery, so there was no favouritism, allowed artists more control over the display of their pictures, and space was cheaper - making it more accessible to women artists who suffered discrimination by other exhibiting bodies. The exhibition was "free" in the sense that any artist was free to exhibit as long as he or she paid for the privilege!
Dante Gabriel Rosetti exhibited his first major oil painting, "The Girlhood of the Virgin Mary" at the Free Exhibition in March 1848, and in April 1850 "Ecce Ancilla Domini" at the National Institution. Ford Madox Brown
Ford Madox Brown
Ford Madox Brown was an English painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work...
also exhibited there in 1848 with "Wycliffe reading his Translation of the New Testament to John of Gaunt" and in 1849 with "The Young Mother" and "Lear and Cordelia".
Robert Scott Lauder
Robert Scott Lauder
Robert Scott Lauder was a Scottish mid-Victorian artist who described himself as a "historical painter". He was one of the original members of the Royal Scottish Academy.-Life and work:...
was the first president of the National Institution.
Chambers Edinburgh Journal described exhibitors at the National Institution as "..mainly composed of dissenters from the other associations — gentlemen who conceive that they have been ill-treated by Hanging Committees, and a large class of juvenile but promising artists, who resort to the less crowded institutions in the hope of there meeting with better places for their works than in the older and more established bodies".