Mikhail Shchepkin
Encyclopedia
Mikhail Semyonovich Shchepkin was the most famous Russia
n actor
of the 19th century.
As his father was a serf
, Shchepkin's freedom had to be bought by his admirers in 1821. Three years later, he joined the Maly Theatre
in Moscow
, which he would dominate for the next 40 years—it became known as the 'House of Shchepkin'. Shchepkin was the first to play Famusov in the Woe from Wit
(1831) and the Mayor in The Government Inspector (1836). His acting was acclaimed by Alexander Pushkin, Nikolai Gogol
, Alexander Herzen
, and Ivan Turgenev
for its subtlety, with much attention given to realistic detail and understatement.
Shchepkin argued that an actor ought to get into the skin of a character, identifying with their thoughts and feelings; observation of life and the actor's knowledge of their own nature provide the source for an actor's work. In 1848 he wrote:
Shchepkin's distinction between the 'actor of reason' and the 'actor of feeling' influenced the formation of the ideas about acting contained in the 'system' devised by Constantin Stanislavski.
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
n actor
Actor
An actor is a person who acts in a dramatic production and who works in film, television, theatre, or radio in that capacity...
of the 19th century.
As his father was a serf
Serfdom
Serfdom is the status of peasants under feudalism, specifically relating to Manorialism. It was a condition of bondage or modified slavery which developed primarily during the High Middle Ages in Europe and lasted to the mid-19th century...
, Shchepkin's freedom had to be bought by his admirers in 1821. Three years later, he joined the Maly Theatre
Maly Theatre (Moscow)
Maly Theatre is a drama theater in Moscow, Russia. Established in 1806 and operating on its present site on the Theatre Square since 1824, the theatre traces its history to the Moscow University drama company, established in 1756...
in Moscow
Moscow
Moscow is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, scientific, religious, financial, educational, and transportation centre of Russia and the continent...
, which he would dominate for the next 40 years—it became known as the 'House of Shchepkin'. Shchepkin was the first to play Famusov in the Woe from Wit
Woe from Wit
Woe from Wit is Alexander Griboyedov's comedy in verse, satirizing the society of post-Napoleonic Moscow, or, as a high official in the play styled it, "a pasquinade on Moscow."The play, written in 1823 in the countryside and in Tiflis, was not passed by the censorship for the stage, and...
(1831) and the Mayor in The Government Inspector (1836). His acting was acclaimed by Alexander Pushkin, Nikolai Gogol
Nikolai Gogol
Nikolai Vasilievich Gogol was a Ukrainian-born Russian dramatist and novelist.Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol's work a fundamentally romantic sensibility, with strains of Surrealism...
, Alexander Herzen
Alexander Herzen
Aleksandr Ivanovich Herzen was a Russian pro-Western writer and thinker known as the "father of Russian socialism", and one of the main fathers of agrarian populism...
, and Ivan Turgenev
Ivan Turgenev
Ivan Sergeyevich Turgenev was a Russian novelist, short story writer, and playwright. His first major publication, a short story collection entitled A Sportsman's Sketches, is a milestone of Russian Realism, and his novel Fathers and Sons is regarded as one of the major works of 19th-century...
for its subtlety, with much attention given to realistic detail and understatement.
Shchepkin argued that an actor ought to get into the skin of a character, identifying with their thoughts and feelings; observation of life and the actor's knowledge of their own nature provide the source for an actor's work. In 1848 he wrote:
Shchepkin's distinction between the 'actor of reason' and the 'actor of feeling' influenced the formation of the ideas about acting contained in the 'system' devised by Constantin Stanislavski.