Maurelio Scanavini
Encyclopedia
Maurelio Scanavini was an Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 painter of the Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...

 period, mainly active in Ferrara
Ferrara
Ferrara is a city and comune in Emilia-Romagna, northern Italy, capital city of the Province of Ferrara. It is situated 50 km north-northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km north...

.

He trained with Francesco Ferrari
Francesco Ferrari (painter)
Francesco Ferrari was an Italian painter and architect of the Baroque period, active in Ferrara and across Northern Italy and Vienna....

 in Ferrara, then spent some time in Bologna
Bologna
Bologna is the capital city of Emilia-Romagna, in the Po Valley of Northern Italy. The city lies between the Po River and the Apennine Mountains, more specifically, between the Reno River and the Savena River. Bologna is a lively and cosmopolitan Italian college city, with spectacular history,...

, where he worked under Carlo Cignani
Carlo Cignani
Carlo Cignani was an Italian painter of the Bolognese and of the Forlivese school, active in the Baroque period....

, at a time when Giacomo Parolini
Giacomo Parolini
Giacomo Parolini was an Italian painter of the Baroque period, mainly active in Ferrara.He initially traveled with Giovanni Francesco Viterbi to Turin to study law, but then went to study painting in Turin with Peruzzini Anconitano, who had trained with Simone Cantarini...

 was also a pupil. He was a friend of the painter Baruffaldi. He is called the Leccardino and Laderchi recounts a small scandal when Scanavini painted a dog licking himself in a canvas, afterwards obscured, for the Oratory of San Crispino.
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