Massa Makan Diabaté
Encyclopedia
Massa Makan Diabaté was a Mali
Mali
Mali , officially the Republic of Mali , is a landlocked country in Western Africa. Mali borders Algeria on the north, Niger on the east, Burkina Faso and the Côte d'Ivoire on the south, Guinea on the south-west, and Senegal and Mauritania on the west. Its size is just over 1,240,000 km² with...

an historian
History
History is the discovery, collection, organization, and presentation of information about past events. History can also mean the period of time after writing was invented. Scholars who write about history are called historians...

, author
Author
An author is broadly defined as "the person who originates or gives existence to anything" and that authorship determines responsibility for what is created. Narrowly defined, an author is the originator of any written work.-Legal significance:...

, and playwright
Playwright
A playwright, also called a dramatist, is a person who writes plays.The term is not a variant spelling of "playwrite", but something quite distinct: the word wright is an archaic English term for a craftsman or builder...

.

Biography

Born in 1938 in Kita
Kita, Mali
Kita is a town and commune in western Mali. It lies on the eastern slope of Mount Kita , known for its caves and rock paintings. Today, the city is known for its music, its annual Roman Catholic pilgrimage and its role as a processing center for the surrounding cotton- and peanut-growing region...

, Massa Makan Diabaté was the descendant of a long line of West African poets (griot
Griot
A griot or jeli is a West African storyteller. The griot delivers history as a poet, praise singer, and wandering musician. The griot is a repository of oral tradition. As such, they are sometimes also called bards...

s).. His uncle, Kélé Monson Diabaté, was considered a master griot
Griot
A griot or jeli is a West African storyteller. The griot delivers history as a poet, praise singer, and wandering musician. The griot is a repository of oral tradition. As such, they are sometimes also called bards...

, and Massa Makan Diabaté has said that he owes much to his uncle's teaching: "I am what Kèlè Monson wanted me to be when he initiated me into the Malinké oral tradition. And I’ll say that I betrayed him by writing novels. I’m the child of Kélé Monson, but a traitorous child." Diabaté began training as a griot at the age of 7, though his training would later be interrupted to allow him to study in Guinea
Guinea
Guinea , officially the Republic of Guinea , is a country in West Africa. Formerly known as French Guinea , it is today sometimes called Guinea-Conakry to distinguish it from its neighbour Guinea-Bissau. Guinea is divided into eight administrative regions and subdivided into thirty-three prefectures...

. Diabaté eventually moved to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

, where he studied history, sociology
Sociology
Sociology is the study of society. It is a social science—a term with which it is sometimes synonymous—which uses various methods of empirical investigation and critical analysis to develop a body of knowledge about human social activity...

, and political science
Political science
Political Science is a social science discipline concerned with the study of the state, government and politics. Aristotle defined it as the study of the state. It deals extensively with the theory and practice of politics, and the analysis of political systems and political behavior...

 before working for a number of international organisations such as UNICEF or UNESCO.

Returning to Mali
Mali
Mali , officially the Republic of Mali , is a landlocked country in Western Africa. Mali borders Algeria on the north, Niger on the east, Burkina Faso and the Côte d'Ivoire on the south, Guinea on the south-west, and Senegal and Mauritania on the west. Its size is just over 1,240,000 km² with...

, Diabaté settled into an administrative post in Bamako
Bamako
Bamako is the capital of Mali and its largest city with a population of 1.8 million . Currently, it is estimated to be the fastest growing city in Africa and sixth fastest in the world...

. His early works Janjon et autres chants populaires du Mali (Janjon and other popular songs of Mali, 1970), Kala Jata (1970), and L'aigle et l'épervier ou la geste du Soundjata (The Eagle and the Sparrowhawk or the Gesture of Soundjata, 1975), were French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...

-language versions of Malinké epics
Epic poetry
An epic is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. Oral poetry may qualify as an epic, and Albert Lord and Milman Parry have argued that classical epics were fundamentally an oral poetic form...

 and folktales. In 1971, Janjon was awarded the Grand prix littéraire d'Afrique noire
Grand prix littéraire d'Afrique noire
The Grand prix littéraire d'Afrique noire is a literary prize presented every year by the ADELF, the Association of French Language Writers for a French original text from Sub-Saharan Africa....

, bringing Diabaté his first international recognition. His trilogy
Trilogy
A trilogy is a set of three works of art that are connected, and that can be seen either as a single work or as three individual works. They are commonly found in literature, film, or video games...

 of novel
Novel
A novel is a book of long narrative in literary prose. The genre has historical roots both in the fields of the medieval and early modern romance and in the tradition of the novella. The latter supplied the present generic term in the late 18th century....

s Le lieutenant
Le lieutenant de Kouta
Le lieutenant de Kouta is a 1979 novel by prize-winning Malian author Massa Makan Diabaté. Loosely based on the author's hometown of Kita, Mali, the novel tells the story of a recently-returned lieutenant from the French Colonial Army, Siriman Keita, and his struggle to adjust to his village's...

, Le coiffeur, and Le boucher de Kouta (The Lieutenant, The Barber, and The Butcher of Kouta, 1979–1982) won the 1987 Grand prix international de la Fondation Léopold Sédar Senghor.

Massa Makan Diabaté died in Bamako
Bamako
Bamako is the capital of Mali and its largest city with a population of 1.8 million . Currently, it is estimated to be the fastest growing city in Africa and sixth fastest in the world...

 on January 27, 1988. The Malian government has named two high school
High school
High school is a term used in parts of the English speaking world to describe institutions which provide all or part of secondary education. The term is often incorporated into the name of such institutions....

s after him, one in Bamako and the other in his home region of Kayes
Kayes Region
Kayes Region is one of eight first level national subdivisions, called Regions in Mali. It is the first administrative area of Mali and covers an area of 120,760 km²...

.

Redefining and reclaiming the griot

Although a griot himself, Diabaté came to see his contemporaries as parasites and beggars who often perverted history and abused their roles in pursuit of wealth: “After Mali’s independence, griots became, in my opinion, what I would a call a parasite.” The state of griots was a key theme
Theme (literature)
A theme is a broad, message, or moral of a story. The message may be about life, society, or human nature. Themes often explore timeless and universal ideas and are almost always implied rather than stated explicitly. Along with plot, character,...

 in his work. In L'assemblée des djinns, he elucidates his concerns through one of his characters:


“The griots died before the arrival of the Whites, when our kings, instead of uniting against a common danger, tore each other to shreds. Today’s griots are nothing more than public entertainers who sing the praises of just about anybody… Chief of the Griots!...But griots no longer exist.”


However, Diabaté also believed that the image of the griot was reparable, and he saw literature as a catalyst to achieving that end. While he perhaps derived his initial legitimacy due to his belonging to the Malinké
Mandinka people
The Mandinka, Malinke are one of the largest ethnic groups in West Africa with an estimated population of eleven million ....

 oral tradition
Oral tradition
Oral tradition and oral lore is cultural material and traditions transmitted orally from one generation to another. The messages or testimony are verbally transmitted in speech or song and may take the form, for example, of folktales, sayings, ballads, songs, or chants...

, he sought to return the role of the griot to its former glory by betraying that tradition in favour of the written word.

Fasiya and Fadenya

Diabaté’s biographer, Cheick M. Chérif Keïta, views Diabaté’s life, and many of his works, as the result of a dialectic
Dialectic
Dialectic is a method of argument for resolving disagreement that has been central to Indic and European philosophy since antiquity. The word dialectic originated in Ancient Greece, and was made popular by Plato in the Socratic dialogues...

 between two opposing forces, Fasiya and Fadenya:


Fasiya represents the artist’s attachment to the forms and practices that existed in society before his birth… Fasiya is a centripetal force in that it drives the artist to create within a tradition in accordance with the canons embodied by his father and paternal lineage. The second force is Fadenya
Fadenya
Fadenya or “father-childness” is a word used by Mande peoples, originally to describe the tensions between half-brothers with the same father and different mothers. The concept of fadenya has been stretched and is often used to describe the political and social dynamism of the Mande world...

, the instinct to compete with and rebel against those models of past times, embodied by the father and paternal lineage… it is this desire to distinguish oneself from one’s ancestors that promotes the creation of new forms of expression and the individual discovery of new aesthetics.


Diabaté took on the role of griot as this was assigned to him by his lineage. In his younger years, as is often the case, Fasiya was dominant. But given Diabaté’s evaluation of contemporaneous griots, it is no surprise that he sought distinction by abandoning the oral tradition, and temporarily his homeland. Fadenya is, however, ultimately positive, as competition is a creative force. When he returned to Mali, drawn back by his commitment to the community and country that raised him, his Fasiya, that which he created was incorporated into the tradition. By introducing the written word to the keepers of the oral tradition, Diabaté effectively changed the canons.

This dialectic of Fasiya and Fadenya is a defining characteristic of the Malian hero, the paradigm of which being the epic of Sundiata Keita
Sundiata Keita
Sundiata Keita, Sundjata Keyita, Mari Djata I or just Sundiata was the founder of the Mali Empire and celebrated as a hero of the Malinke people of West Africa in the semi-historical Epic of Sundiata....

, and Diabaté features it prominently in his own novels. For example, in Le boucher de Kouta, the protagonist, a butcher
Butcher
A butcher is a person who may slaughter animals, dress their flesh, sell their meat or any combination of these three tasks. They may prepare standard cuts of meat, poultry, fish and shellfish for sale in retail or wholesale food establishments...

, sells donkey meat to his clients without telling them despite the fact that it is against Muslim
Islam
Islam . The most common are and .   : Arabic pronunciation varies regionally. The first vowel ranges from ~~. The second vowel ranges from ~~~...

norms to eat donkey meat. The butcher is, in this sense, abandoning his traditional role and responsibilities. However, the residents of Kouta benefit greatly from the availability of affordable meat. Diabaté demonstrates that sometimes norms must be broken, and tradition must be betrayed, in order to effect positive change.
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